tag:blogger.com,1999:blog-30439551555984232352024-03-28T09:30:47.547+00:00John Johnson Collection's Ephemera Resources blogUnknownnoreply@blogger.comBlogger155125tag:blogger.com,1999:blog-3043955155598423235.post-26908024290058917832014-06-03T12:27:00.000+01:002014-06-04T10:54:11.379+01:00Sarah Sophia Banks: Collecting ephemera in late Georgian England. Guest post by Arlene Leis<!--[if gte mso 9]><xml>
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<![endif]--><i>Dr Arlene Leis wrote her doctoral thesis on the paper collections of Sarah Sophia Banks, housed at the British Museum and the British Library. We are privileged to post her scholarly article on these important collections which contain 18th and early 19th century ephemera, including exquisite engraved trade cards. The Department of Prints and Drawings at the British Museum also holds the (perhaps better-known) Heal Collection of trade cards</i><br />
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<span lang="EN-US"><span style="mso-tab-count: 1;"></span>The
Prints and Drawings room at the British Museum holds a fascinating collection
of ephemera amassed by Sarah Sophia Banks (1744-1818), sister of the celebrated
botanist and President of the Royal Society Sir Joseph Banks.<span style="mso-spacerun: yes;"> </span>While Sir Joseph is a well-known collector of
natural history whose collections helped shape the foundations of the Natural
History Museum, Sarah Sophia, also an avid collector, has remained for the most
part in her brother’s shadow.<span style="mso-spacerun: yes;"> </span>This,
fortunately, is beginning to change. </span></div>
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<span lang="EN-US">After
Sarah Sophia’s death, Sir Joseph’s wife Dorothea donated parts of the
collection to the British Museum and Royal Mint, where they form part of the
foundation collections at both institutions.<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[1]</span></span></span></span></a>
Her paper collections are now divided between the British Museum and British
Library.<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[2]</span></span></span></span></a>
When the ephemera collection first arrived at the British Museum on 23 November
1818, it was appraised at just £150, but John Thomas Smith, Keeper of Prints
and Drawings observed that it provided many examples of ‘the first efforts of
our Celebrated Engravers’.<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftn3" name="_ftnref3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[3]</span></span></span></span></a><span style="mso-spacerun: yes;"> </span>In fact, the gift of Sarah Sophia’s
collection to the British Museum was the largest and most varied collection of
printed ephemera the museum had ever accepted.<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftn4" name="_ftnref4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[4]</span></span></span></span></a>
That it was a woman’s collection rendered its acquisition all the more
remarkable. </span></div>
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<span lang="EN-US">Sarah
Sophia and her brother shared an early passion for collecting.<span style="mso-spacerun: yes;"> </span>Based on the dates that she wrote next to the
items in her collections, she appears to have started gathering ephemera at the
young age of ten. Her collection encompasses over 19,000 articles of printed
material, including trade cards, fashion plates, admission tickets, visitor
cards, book tickets, press-cuttings, satirical prints, frontispieces,
commemoration prints, election cards, lottery tickets, ballads, political
caricatures (English and French), invitations, maps, portraits, playbills—and
much more.<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftn5" name="_ftnref5" style="mso-footnote-id: ftn5;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[5]</span></span></span></span></a><span style="mso-spacerun: yes;"> </span>As a woman with the financial means with
which to pursue her own interests, Sarah Sophia purchased many of these items
herself.<span style="mso-spacerun: yes;"> </span>She also exchanged artefacts
with other collectors, while other objects were gifted to her, often exploiting
her brother’s national and international scientific networks.<span style="mso-spacerun: yes;"> </span>During her lifetime, most of her collections
were kept at the Banks’s residence in 32 Soho Square, London; however, a few
items were also housed at the Banks’s family seat in Reevesby Abbey,
Lincolnshire. </span></div>
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<tr><td class="tr-caption" style="text-align: center;">Fig. 1 (C) National Gallery of Ireland</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<span lang="EN-US">A
miniature painting of Sarah Sophia dating from 1768 may have been a token of
affection between her and her brother (fig.1). The picture was painted by the
fashionable artist Nathaniel Hone the elder. It portrays Sarah Sophia,
twenty-four years old, in a conventional head and shoulders view. She wears a
light pink dress with dainty lace trim. The pearl earrings and necklace that
are tied around her pale neck signify her status. Tiny pink roses are pinned to
her hair. It is not known for whom this picture was painted, or to whom it was
presented, and Sarah Sophia does not appear to have had any suitors at any time
during her life. Miniatures, such as this, were often commissioned to alleviate
the pains of absence, and also to affirm love and friendship. Its small size
makes the picture suitable for transport. Given that her brother was to leave England
to travel with James Cook on his South Pacific voyage the same year the
miniature was painted, Sarah Sophia may have presented it to him before his
departure. </span></div>
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<br /></div>
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<span lang="EN-US">Some
scholars have labeled Sarah Sophia a ‘hoarder’, but she was creative, selective
and highly strategic in her collecting practices. Her paper items were
inventoried, systematized and displayed in a variety of specific ways, pressed
and pasted into portfolios and onto mounts that she created herself.<span style="mso-spacerun: yes;"> </span>The visitor tickets in her collection, for
example, reveal the particular ways in which Sarah Sophia explored different
modes of taxonomic ordering.<span style="mso-spacerun: yes;"> </span>The cards
are glued with wet adhesives to sheets of paper measuring 18 ¼ x 23 ½ inches
(fig. 2). </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlSy7ZwXiUoSFj2PhYS_J1p8CZU1ayZVtwb93NACnP5JTvM6AnQXjlkhWQPSfHjgciyM5G9WiH5gu_-9Udr_0jYbeQXT9JqIU2SH-IcRda0uzUBjvS_CGJHlCqFy2YRUkElinBxuY-lXA/s1600/photo-7.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlSy7ZwXiUoSFj2PhYS_J1p8CZU1ayZVtwb93NACnP5JTvM6AnQXjlkhWQPSfHjgciyM5G9WiH5gu_-9Udr_0jYbeQXT9JqIU2SH-IcRda0uzUBjvS_CGJHlCqFy2YRUkElinBxuY-lXA/s1600/photo-7.JPG" height="254" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fig 2 (C) British Museum. Prints and Drawings. C.1-193-219</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Fig. 3 (C) British Museum. Prints and Drawings. C.1-193-219</td></tr>
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<span lang="EN-US">Next to each ticket, she writes the year she received it. The mounts
are then folded vertically to create folders, the contents of which are
recorded in pen on the outside (fig. 3). She starts by ordering mounts of cards
in a hierarchical fashion according to the social status of the original
holders. Her mounts of ‘nobility’ begin with ‘English Earls’ and continue all
the way down to ‘Irish Peers’ and then ‘British Persons’.<span style="mso-spacerun: yes;"> </span>These catagories of cards are pasted into
columns and family groupings reminiscent of a family tree. Other cards are
classed simply as ‘blanks’; visitor cards that were never used or were taken
from engravers’s books.<span style="mso-spacerun: yes;"> </span>The names on
‘blanks’ were always signed; not machine printed.<span style="mso-spacerun: yes;"> </span>Her wide ranging ‘blanks’ are grouped onto
mounts according to their style or subject, highlighting their use of<span style="mso-spacerun: yes;"> </span>‘Birds’, ‘Squares’, or ‘Figures’(fig. 4), amongst
other stylistic characteristics.<span style="mso-spacerun: yes;"></span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Fig, 4 (C) British Museum. Prints and Drawings C. 2550-2570</td></tr>
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<span lang="EN-US"><span style="mso-spacerun: yes;"></span>Cards classified as ‘foreign’, deriving from Europe and beyond, are
organized by the country in which they were produced and circulated.<span style="mso-spacerun: yes;"> </span>The images on these cards often represent
monuments or landscapes known to those areas. Organising cards
according to class and geographical location, Sarah Sophia drew upon the same
type of biological classifications her brother used to organise his collections
of natural history, such as the Linnaean system.<span style="mso-spacerun: yes;"> </span>However, collecting ephemera also enabled
Sarah Sophia to devise her own distinct taxonomies, organizational methods and
tastes through which she developed a unique cultural identity that
distinguishes her from her brother.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy4cK48oGWaSIbqLoSBPM7tpAOo94riI4ZSyuXKUU_lD3XDyYtgYttUGisdPa8Yc2Yg_Zt7NpyuIX4H57SMhqTq1oFMxkemiS9Ec3oNDy4uqH_z-hkAWpKOe_SPP-e6GgS-az4EDpqAbg/s1600/P1000806.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy4cK48oGWaSIbqLoSBPM7tpAOo94riI4ZSyuXKUU_lD3XDyYtgYttUGisdPa8Yc2Yg_Zt7NpyuIX4H57SMhqTq1oFMxkemiS9Ec3oNDy4uqH_z-hkAWpKOe_SPP-e6GgS-az4EDpqAbg/s1600/P1000806.JPG" height="151" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fig. 5 (C) British Museum. C.1-734</td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<span lang="EN-US">Sarah
Sophia’s paper collections undermine the conventional boundary between public
and private. Some items she collected are personal in nature, such as a visitor
card with her name and address (fig. 5) or an admission ticket her brother obtained upon
visiting the British Museum. (fig. 6).<span style="mso-spacerun: yes;"> </span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQGpUG0wItDAPnBPlDh8nITaB3fSQ07MlGW8L7UhgW7kQ8J7ReDTnKrRFcqU_jKL3DEH91tcumV9pk-ZPee2-Cs5RNSeMfrUYv3MvtdahJ3v6tGDwZ4KNStFM8c42CCupTVohi8fK9efM/s1600/P1020635.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQGpUG0wItDAPnBPlDh8nITaB3fSQ07MlGW8L7UhgW7kQ8J7ReDTnKrRFcqU_jKL3DEH91tcumV9pk-ZPee2-Cs5RNSeMfrUYv3MvtdahJ3v6tGDwZ4KNStFM8c42CCupTVohi8fK9efM/s1600/P1020635.JPG" height="140" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fig. 6 (C) British Museum. D.1-832-855</td></tr>
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<span lang="EN-US">Although Sarah Sophia included family artefacts, she also recorded the
history of her time. Items in her print collection often commemorate important
public social events, such as one album of ephemera she created dedicated to
the Grand Jubilee of 1814 that took place in Green Park, St. James’ Park and
Hyde Park in memory of the ‘Glorious Peace’ and Wellington’s victory over
Napoleon. Another album pays tribute mostly to Lord Nelson’s life,
including his victories and his funeral. Both albums are now housed in the British Library.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH7fcYtjUBL1L2Z2t_YPR00KEPfyr5mUjjBh8Km1zmrH-rlhyphenhyphenShI9iSudaDNAzr2AhJjhxMHc-W0HqbkFuJpa3BT0IwciMTS9Ea0AFFi7eZyNt1ltSXXUbokPHrpjGtjSflpfQTMJ4B-w/s1600/AN00087013_001_l-1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH7fcYtjUBL1L2Z2t_YPR00KEPfyr5mUjjBh8Km1zmrH-rlhyphenhyphenShI9iSudaDNAzr2AhJjhxMHc-W0HqbkFuJpa3BT0IwciMTS9Ea0AFFi7eZyNt1ltSXXUbokPHrpjGtjSflpfQTMJ4B-w/s1600/AN00087013_001_l-1.jpg" height="320" width="316" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fig. 7 (C) British Museum. Prints and Drawings J.2.112</td></tr>
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<span lang="EN-US">Often her prints poke fun at
political figures like Joshua Kirby Baldrey’s satirical print, H-st-gs ho, rare
H-st-gs!, which depicts Warren Hastings, governor general of Bengal, wearing
oriental dress and pushing a barrow in which sit George III and the statesman
Edward Thurlow,<span style="mso-spacerun: yes;"> </span>who were both accused of
taking bribes from Hastings, whom they were known to support<span style="mso-spacerun: yes;"> </span>(fig. 7).<span style="mso-spacerun: yes;">
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<tr><td class="tr-caption" style="text-align: center;">Fig. 8 (C) British Museum. Prints and Drawings. C.2-15</td></tr>
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<span lang="EN-US">Sarah Sophia was also interested in the art of advertising; she
collected numerous admission tickets, often annotating them with useful
information (fig. 8), and her trade cards promoted a broad range of new and
improved goods and services. (fig. 9,10, 11). As these few examples
demonstrate, her rich and varied repository of graphic culture documents the
social, political and cultural occurrences of a particular time.<span style="mso-spacerun: yes;"> </span>The collection is thus a vital archival
source for anyone interested in history, art and culture. </span></div>
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<tr><td class="tr-caption" style="text-align: center;">Fig. 9 (C) British Museum. Prints and Drawings. D.2.150</td></tr>
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<span lang="EN-US"> </span><span lang="EN-US">At
present, the extensive collection is undergoing rigorous cataloging by a
dedicated museum staff. Most of the miscellaneous items of ephemera have been
digitized and added to the Museum’s digital image archive (Merlin). There are
approximately 3,000 admission tickets and other types of tickets to be entered,
along with about 5,000 British visiting cards and 1500 foreign visiting cards.<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftn6" name="_ftnref6" style="mso-footnote-id: ftn6;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[6]</span></span></span></span></a>
Items from the collection are entered on the collection’s database as presented
by Dorothea Banks, with previous owner Sarah Sophia Banks. The items are
digitized to high standards, and they are easily searchable. Just go to the
link below and type in Sarah Sophia Banks.<span style="mso-spacerun: yes;">
</span>You can also search by category of object. Content is continually being
added, and already there is enormous potential for further archival research on
her collection.<span style="mso-spacerun: yes;"> </span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbnP0reZ11wdRBwEndpbuvAXR95oCnoAhgP8aA67M13crKSvSbLBSkeqVpL2cFqOFvFw6aDk3hOnV9KevSpSLWwvh5FT8xkUQp4AgaN3tOrXn9xlpGc-k2qa-LHiROqty3Yx7QX7ePeX4/s1600/AN01010755_001_l.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbnP0reZ11wdRBwEndpbuvAXR95oCnoAhgP8aA67M13crKSvSbLBSkeqVpL2cFqOFvFw6aDk3hOnV9KevSpSLWwvh5FT8xkUQp4AgaN3tOrXn9xlpGc-k2qa-LHiROqty3Yx7QX7ePeX4/s1600/AN01010755_001_l.jpg" height="240" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span lang="EN-US">Fig. 10 (C) British Museum. Prints and Drawings. D.2.3279</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span lang="EN-US">Fig. 11 (C) British Museum. Prints and Drawings. D.2.3526</span></td></tr>
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<span lang="EN-US"><a href="http://www.britishmuseum.org/research/collection_online/search.aspx"><span lang="EN-US">http://www.britishmuseum.org/research/collection_online/search.aspx</span></a> </span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Further
Reading </span></b></div>
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<span lang="EN-US">Carter , H. B. <i style="mso-bidi-font-style: normal;">Sir Joseph Banks</i><span style="mso-spacerun: yes;"> </span>(London:
British Museum), 1988, pp. 16, 23, 32, 34, 35, 115-18, 153-4, 156. </span></div>
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<span lang="EN-US">Chambers, N.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Joseph
Banks and the British Museum: The World of Collecting, 1770-1830</i> (London:
Pickering and Chatto), 2007, pp. 177-118.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US"></span></b></div>
<div class="MsoNormal">
<span lang="EN-US">Eaglen, R.J. ‘Sarah Sophia Banks and Her
English Hammered Coins’, in <i style="mso-bidi-font-style: normal;">British
Numismatics Society</i>, 78 (2008), pp. 200-15.<span style="mso-spacerun: yes;">
</span></span></div>
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<span lang="EN-US"></span></div>
<div class="MsoNormal">
<span lang="EN-US">Eagleton, C. ‘Collecting African Money in
Georgian London: Sarah Sophia Banks and Her Collection of Coins’, in <i style="mso-bidi-font-style: normal;">Museum History Journal</i>, 6 (2013), pp. 23-38.
</span></div>
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<span lang="EN-US"></span></div>
<div class="MsoNormal">
<span lang="EN-US">Leis, A. ‘Displaying Art and Fashion:
Pocket-Book Imagery in the Collections of Sarah Sophia Banks’ in <i style="mso-bidi-font-style: normal;">Kunsthistorisk Tidskrift/Journal of Art
History</i>, Volume 82, 3, (2013), pp. 252-271. </span></div>
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<span lang="EN-US"></span></div>
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<span lang="EN-US">Pincott, A. ‘The Book Tickets of Miss Sarah
Sophia Banks’ in <i style="mso-bidi-font-style: normal;">The Bookplate Journal,</i>
2 (2004), pp. 3-30. </span></div>
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<b><span style="mso-bidi-font-weight: normal;"><span lang="EN-US">Links</span></span></b></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">John Gascoigne, ‘Banks, Sarah Sophia (1744–1818)’, <i>Oxford
Dictionary of National Biography</i>, Oxford University Press, 2004
[<a href="http://www.oxforddnb.com/view/article/1301">http://www.oxforddnb.com/view/article/1301</a>, accessed 17 May 2014] Sarah Sophia
Banks (1744–1818): doi:10.1093/ref:odnb/1301
</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">Ian
Ward, ‘The Other Banks’</span><span lang="EN-US"><span style="mso-tab-count: 1;"> </span><a href="http://www.nla.gov.au/pub/nlanews/2012/jun12/the-other-banks.pdf">www.nla.gov.au/pub/nlanews/2012/jun12/the-other-banks.pdf</a></span></div>
<br />
Hansen, Viveka. <i>A selection of early fashion & cloth trade-cards</i>. Blog post by @textilisnet on Sarah Sophia Banks' trade cards relating to the textile industry:<a href="http://textilis.net/2014/05/29/a-selection-of-early-fashion-cloth-trade-cards-f-2/">http://textilis.net/2014/05/29/a-selection-of-early-fashion-cloth-trade-cards-f-2/</a><br />
<br />
<i>To raise the genius and improve the heart: private theatricals in British culture</i>. Article on important collection of material relating to private theatricals, attributed to Sarah Banks or Charles Burney.<br />
<a href="http://www.amdigital.co.uk/m-news/to-raise-the-genius-and-improve-the-heart-private-theatricals-in-british-culture/" target="_blank">http://www.amdigital.co.uk/m-news/to-raise-the-genius-and-improve-the-heart-private-theatricals-in-british-culture/</a><br />
<b><span style="mso-bidi-font-weight: normal;"><span lang="EN-US">Footnotes</span></span></b>
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<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[1]</span></span></span></span></span></a><span lang="EN-US"> BM Letter Book, 1802-1847, vol. 2, letter 9 (London). </span></div>
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<div id="ftn2" style="mso-element: footnote;">
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<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[2]</span></span></span></span></span></a><span lang="EN-US"> At the British Library see: <i style="mso-bidi-font-style: normal;">A
Collection of Broadsides, Cuttings from Newspapers, Engravings, etc. of various
dates, formed by Miss S.S. Banks.<span style="mso-spacerun: yes;"> </span>Bound
in nine volumes, London, British Library, General Reference Collection </i>L.R.301.h.3-11.
<i style="mso-bidi-font-style: normal;">A Collection f Playbills, notices, and
press-cuttings dealing with private theatrical performances</i>, 1750-1808
937.g.96.</span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[3]</span></span></span></span></span></a><span lang="EN-US"> Central Archive Trustees Papers, Officer’s Reports, vol. 5
1818-1819, No. 1164, Officer Report: John Thomas Smith, Department of
Antiquities Print Room’ dated 11 December 1818. </span></div>
</div>
<div id="ftn4" style="mso-element: footnote;">
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<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftnref4" name="_ftn4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[4]</span></span></span></span></span></a><span lang="EN-US"> Sloan, K, ‘Aimed at Universality and Belonging to the Nation; the
Enlightenment and the British Museum’ in <i style="mso-bidi-font-style: normal;">Enlightenment:
Discovering the World in the Eighteenth-Century</i>, ed. By Sloan, K. and Burnett,
A. (London: British Museum Press), 2003, pp. 12-25. </span></div>
</div>
<div id="ftn5" style="mso-element: footnote;">
<div class="MsoFootnoteText">
<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftnref5" name="_ftn5" style="mso-footnote-id: ftn5;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[5]</span></span></span></span></span></a><span lang="EN-US"> For a comprehensive list see: A. Griffiths and R. Williams, The
Department of Prints and Drawings in the British Museum: User’s Guide, 1987,
pp.82-84. </span></div>
</div>
<div id="ftn6" style="mso-element: footnote;">
<div class="MsoFootnoteText">
<a href="https://www.blogger.com/blogger.g?blogID=3043955155598423235#_ftnref6" name="_ftn6" style="mso-footnote-id: ftn6;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US;">[6]</span></span></span></span></span></a><span lang="EN-US"> Many thanks to Sheila O’Connell at the British Museum for sharing
information about the cataloguing project with me. </span></div>
</div>
</div>
Unknownnoreply@blogger.com132tag:blogger.com,1999:blog-3043955155598423235.post-28196832757549006502014-04-10T12:26:00.000+01:002014-04-10T12:26:01.121+01:00American Advertising<a href="http://www.library.hbs.edu/hc/artadv/index.html" target="_blank">The Art of American Advertising 1865-1910</a> is an exhibition at the <a href="http://www.library.hbs.edu/hc/" target="_blank">Baker Library</a> of the Harvard Business School. Drawing extensively on its historical collections, the exhibition takes an analytical approach to the use of art in relation to its themes:: National Markets, Advertising Products, Trade Catalogs, Trade Cards, Souvenirs & Novelties, Scrapbooks & Collectibles, The Art of 'Posting', Brand Name Management, and A Marketing Revolution.<br />
<br />
The online version is extensively illustrated and can be seen either as a series of <a href="http://www.library.hbs.edu/hc/artadv/" target="_blank">illustrated essays</a>, or as <a href="http://www.library.hbs.edu/hc/artadv/gallery.html" target="_blank">galleries</a>.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgatCxYMi7EvP2Lu-LPd-YQgKwaOvMZz6I3iGT3pnDs6Ri5SbYnL-gRf3mf-5xfmSmlc8y7zSo4pVNPgKY1plhwbeJy65Ggjf0vCShUEGB8tCMRCUfMOcfUPNmA_1zVkdcyzx5l6REjoPY/s1600/Baker+Advertising.bmp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgatCxYMi7EvP2Lu-LPd-YQgKwaOvMZz6I3iGT3pnDs6Ri5SbYnL-gRf3mf-5xfmSmlc8y7zSo4pVNPgKY1plhwbeJy65Ggjf0vCShUEGB8tCMRCUfMOcfUPNmA_1zVkdcyzx5l6REjoPY/s1600/Baker+Advertising.bmp" height="311" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Harvard Business School. Baker Library</td></tr>
</tbody></table>
<br />
Meanwhile, the <a href="http://www.winterthur.org/?p=435" target="_blank">Winterthur Museum Library</a> has impressive <a href="http://content.winterthur.org:2011/cdm/" target="_blank">online content</a> relating to its <a href="http://content.winterthur.org:2011/cdm/landingpage/collection/advertising" target="_blank">advertising collections</a>, with thousands of images. The numbers attached to the suggested searches speak for themselves. This is a very rich resource: <a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/book%20industries/field/subjec/mode/all/conn/and/order/nosort">Book industries</a> <span class="light_gray_text" id="st_topic0">(83), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/clocks/field/subjec/mode/all/conn/or/order/nosort">Clocks and watches</a> <span class="light_gray_text" id="st_topic1">(328), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/dress/field/subjec/mode/all/conn/or/order/nosort">Clothing and dress</a> <span class="light_gray_text" id="st_topic2">(235), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/department%20stores/field/subjec/mode/all/conn/or/order/nosort">Department stores/Dry goods</a> <span class="light_gray_text" id="st_topic3">(173), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/food/field/subjec/mode/all/conn/and/order/nosort">Food</a> <span class="light_gray_text" id="st_topic4">(261), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/furniture/field/subjec/mode/all/conn/or/order/nosort">Furniture</a> <span class="light_gray_text" id="st_topic5">(492), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/jewelry/field/subjec/mode/all/conn/and/order/nosort">Jewelry</a> <span class="light_gray_text" id="st_topic6">(414), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/medicine/field/subjec/mode/all/conn/and/order/nosort">Medicine</a> <span class="light_gray_text" id="st_topic7">(187), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/music/field/subjec/mode/all/conn/or/order/nosort">Music</a> <span class="light_gray_text" id="st_topic8">(156), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/pottery/field/subjec/mode/all/conn/and/order/nosort">Pottery</a> <span class="light_gray_text" id="st_topic9">(59), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/sewing/field/subjec/mode/all/conn/or/order/nosort">Sewing</a> <span class="light_gray_text" id="st_topic10">(234), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/stoves/field/subjec/mode/all/conn/or/order/nosort">Stoves</a> <span class="light_gray_text" id="st_topic11">(114), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/tobacco/field/subjec/mode/all/conn/and/order/nosort">Tobacco</a> <span class="light_gray_text" id="st_topic12">(149), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/advertisement/field/title/mode/all/conn/and/order/nosort">Advertisements</a> <span class="light_gray_text" id="st_topic13">(125), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/poster%20stamp/field/title/mode/all/conn/and/order/nosort">Poster stamps</a> <span class="light_gray_text" id="st_topic14">(1840), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/trade%20card/field/title/mode/all/conn/and/order/nosort">Trade cards</a> <span class="light_gray_text" id="st_topic15">(4018), </span><a class="body_link_11" href="http://content.winterthur.org:2011/cdm/search/collection/advertising/searchterm/textile/field/subjec/mode/all/conn/and/order/nosort">Textile fabrics</a> <span class="light_gray_text" id="st_topic16">(94).</span><br />
<span class="light_gray_text"></span><br />
<br />
<span class="light_gray_text"></span><br />
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<span class="light_gray_text"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinY_GgtRClalckOr8dwBDul5U8IdbwoUmLNRN1SO9QEMx9XiuUBlcDrSltDWLInygD5V6d0pTj7Kghn5mTT47AJOu4UccYkf5o1Ivj4FgCDaWdUnXdkKmTpuZEIXL_iQ7bVZqvEr6jxNM/s1600/Winterthur+Advertising+ephemera.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinY_GgtRClalckOr8dwBDul5U8IdbwoUmLNRN1SO9QEMx9XiuUBlcDrSltDWLInygD5V6d0pTj7Kghn5mTT47AJOu4UccYkf5o1Ivj4FgCDaWdUnXdkKmTpuZEIXL_iQ7bVZqvEr6jxNM/s1600/Winterthur+Advertising+ephemera.png" height="215" width="400" /></a></span></div>
<span class="light_gray_text">
<br />There is more: much more: images of Bookplates, French candy wrappers, Funeral and Mourning Ephemera (the <a href="http://findingaid.winterthur.org/html/HTML_Finding_Aids/COL0006.htm" target="_blank">William Frost Mobley Collection</a>), Indentures, Lantern Slides, and 171 calendars and 295 cigar labels from the Grossman Collection. The image quality is outstanding, with zoom enabling every detail of the printing process (chromolithography in the case of the Grossman collection) to be studied.<br />
<br />
All collections have overviews, outlining their extent and scope. <a href="http://findingaid.winterthur.org/html/HTML_Finding_Aids/COL0838.htm" target="_blank">The Grossman Collection</a>, which I was privileged to see many years ago in California, has c. 250,000 items of high-quality ephemera.<br />
<br />
I also particularly like the click-through facility in all fields, which enables you to see images of trellis, for example, across the collections.<br />
<br />
As described in a <a href="http://ephemeraresources.blogspot.co.uk/2012/01/trade-catalogues-in-winterthur-museum.html" target="_blank">previous post</a>, more than 900 trade catalogs are available through the <a href="http://archive.org/details/winterthurlibrary">Internet Archive</a>. <br />
<br />
Content is continually being added and subscriptions to RSS feeds are available at collection level.<br />
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Unknownnoreply@blogger.com361tag:blogger.com,1999:blog-3043955155598423235.post-44779979108625647932014-04-02T14:18:00.000+01:002014-04-02T14:18:05.101+01:00Ephemera from the Anti-Apartheid Movement archive: Guest post by Lucy McCann<!--[if gte mso 9]><xml>
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<i>The Bodleian has rich collections of ephemera, apart from the John Johnson Collection, among its printed books and archives. I am very grateful to my archivist colleague, Lucy McCann, of the Bodleian Library of Commonwealth & African Studies, for this guest post about the ephemera which form part of the Anti-Apartheid Movement Archive.</i><!--[if gte mso 9]><xml>
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for the ‘Nelson Mandela Freedom at 70’ campaign. The AAM aimed to get 1,000,000
people in Britain wearing the badge on Mandela’s 70th birthday, 18 July 1988. </span><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-CN; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">(C) AAM Archives Committee </span><!--[if gte mso 9]><xml>
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A website recording the history of the Anti-Apartheid
Movement in Britain was formally launched on 20 March 2014. Funded by the Amiel
& Melburn Trust and the Heritage Lottery Fund, 'Forward to Freedom: The
History of the British Anti-Apartheid Movement, 1959-1994' (<a href="http://www.aamarchives.org/">www.aamarchives.org</a>)<span style="mso-spacerun: yes;"> </span>summarises the history of the Movement and
makes freely available a selection of documents and other items held in the
Anti-Apartheid Movement (AAM) Archive in the Bodleian Library, University of
Oxford.<span style="mso-spacerun: yes;"> </span>The website gives a sample of
the rich collection of printed ephemera within the archive dating from the
Movement's origins in 1959 to the holding of the first democratic elections in
South Africa in 1994, after which the AAM disbanded. </div>
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Poster publicising an AAM demonstration on </div>
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13 February
1972 against the Conservative </div>
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government’s proposals for a settlement on </div>
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Rhodesia which fell far short of majority rule.</div>
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The Rhodesia Emergency Campaign </div>
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Committee was a coalition of groups set up </div>
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by the AAM.</div>
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Printed ephemera were key to the AAM's operations and
effectiveness. Posters and leaflets rallied supporters to demonstrations and
marches and raised awareness among the general public of campaigns such as the
consumer boycott of South African goods and support for political prisoners.
Much of the ephemera in the archive was produced by the AAM's head office in London
(located from the mid-1980s at 13 Mandela Street) but the archive also includes
leaflets and posters created by local groups around the country and others who
gave support such as trade unionists, students, churches and professional
groups ('Lawyers Against Apartheid', 'Architects Against Apartheid').<span style="mso-spacerun: yes;"> </span>Leaflets, posters, postcards, greetings
cards, catalogues and wrapping paper can be seen on the website. </div>
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The material on the website forms only a small proportion
of the whole archive, the catalogue for which can be seen at <a href="http://www.bodley.ox.ac.uk/dept/scwmss/wmss/online/blcas/aam.html">http://www.bodley.ox.ac.uk/dept/scwmss/wmss/online/blcas/aam.html</a>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcl14YcDXEligHkhoEUIZ27Omz9TPK2lZxYeUNrRleh7B3bEhJkc5j-jDOy8eWcmF2lysvc8F1NiHTVf_dinbvIjUIbTRG3NbmtDa3-Bhd5zfJOdDj2eWH3X_nSYO8lIKZADZJzpR6mB0/s1600/Apart35a.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcl14YcDXEligHkhoEUIZ27Omz9TPK2lZxYeUNrRleh7B3bEhJkc5j-jDOy8eWcmF2lysvc8F1NiHTVf_dinbvIjUIbTRG3NbmtDa3-Bhd5zfJOdDj2eWH3X_nSYO8lIKZADZJzpR6mB0/s1600/Apart35a.jpg" height="400" width="276" /></a></td></tr>
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Poster to mobilise opposition to the all-white South
African cricket tour planned for 1970. Along with Stop the Seventy Tour (STST)
and the Fair Cricket Campaign, the AAM succeeded in forcing the Cricket Council
to cancel the tour.</div>
<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-CN; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">(C) AAM Archives Committee </span> </td></tr>
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<br />Unknownnoreply@blogger.com20tag:blogger.com,1999:blog-3043955155598423235.post-57914747738106525852014-03-19T18:24:00.003+00:002014-03-19T18:27:02.384+00:00American Antiquarian Society update: GIGISince my <a href="http://ephemeraresources.blogspot.co.uk/2012/01/american-antiquarian-society.html" target="_blank">post in January 2012</a>, the <a href="http://www.americanantiquarian.org/" target="_blank">American Antiquarian Society</a> has launched its Digital Image Archive, called <a href="http://gigi.mwa.org/" target="_blank">GIGI</a> with beautifully presented tif-format thumbnails. This is in addition to other stand-alone <a href="http://www.americanantiquarian.org/digitalaas" target="_blank">digital projects</a> and <a href="http://www.americanantiquarian.org/exhibitions.htm" target="_blank">online exhibitions</a>. Of particular interest to ephemerists are the 1415 broadsides (Browse and select broadsides). A keyword search for ephemera yields 3018 results at the time of writing (of 10,000 results from a keyword search in the <a href="http://www.americanantiquarian.org/catalog.htm" target="_blank">General Catalogue</a>). There are links from the catalogue into GIGI where appropriate, so the advice to scholars is to start there. <br />
<br />
All very exciting for those of us who don't have Readex and want to browse the collections of the AAS. There is advanced searching too within GIGI.<br />
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrA868FepWajAaVRztViTZ-CmHVfZF4eLRjI3FIVe5GGsSEYtmuopATsw25PYnU-JGo4Y4uJONbE2gZ2LRDHA8l4yE8GL48uxlALcdkVydqhFK5oeuZYNQSSOaiDL1T6hSLaSOozXfvqI/s1600/GIGI.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrA868FepWajAaVRztViTZ-CmHVfZF4eLRjI3FIVe5GGsSEYtmuopATsw25PYnU-JGo4Y4uJONbE2gZ2LRDHA8l4yE8GL48uxlALcdkVydqhFK5oeuZYNQSSOaiDL1T6hSLaSOozXfvqI/s1600/GIGI.png" height="215" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Search for broadside in GIGI (C) American Antiquarian Society</td></tr>
</tbody></table>
A list of collections represented includes the following categories of ephemera:<br />
Album cards; Billheads; Broadsides; Christmas cards; Civil War envelopes; Currency; Election Ballots; Invitations; Membership Certificates; Menus; Postcards; Ream Wrappers; Sheet Music; Trade Cards; Valentines; and Watch papers from Graphic Arts, and Trade catalogs from Books. There are also hundreds of prints.<br />
<br />
The AAS blog also has <a href="http://pastispresent.org/tag/ephemera/" target="_blank">posts about ephemera</a> (e.g. the recent <a href="http://pastispresent.org/2014/good-sources/by-st-patrick-irish-ballads/?utm_source=twitterfeed&utm_medium=twitter&utm_campaign=by-st-patrick-irish-ballads" target="_blank">post about Irish ballads</a> for St. Patrick's Day) and a very active Twitter account: <a href="https://twitter.com/AmAntiquarian" target="_blank">@AmAntiquarian</a><br />
<br />Unknownnoreply@blogger.com6tag:blogger.com,1999:blog-3043955155598423235.post-32118974366713590612014-03-17T12:35:00.000+00:002014-03-20T13:01:39.354+00:00Moveable cards animated: guest post by Larry Seidman<!--[if gte mso 9]><xml>
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<i><span style="mso-fareast-font-family: "Times New Roman";">I came across Larry Seidman's superb animated site of <a href="http://drlar7.tumblr.com/" target="_blank">moveable cards from the Biedermeier period</a> when I was working on valentines, and am delighted that Larry has accepted my invitation to write a post about the site, which makes inspirational use of technology. The YouTube videos also give wonderful insights into the mechanisms of paper moveables and optical and tin mechanical toys.</span></i></div>
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<i>All images are (C) Collection of Larry Seidman and are reproduced here with permission</i></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNu4u-TsvheWpVo_Ab28MPpBSaNmInit2C2o7NQ3J5YsaGGMe5RDOe67CCncpkj72OW0oe3Al8Q7zk9vTufjs28UMabarqd3OmPix2w6-f1ZVIquNezl8XfJ1DlGz0cI68zWEJn-W73Wg/s1600/tumblr_n0c65pqhs51s2nll1o1_500.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNu4u-TsvheWpVo_Ab28MPpBSaNmInit2C2o7NQ3J5YsaGGMe5RDOe67CCncpkj72OW0oe3Al8Q7zk9vTufjs28UMabarqd3OmPix2w6-f1ZVIquNezl8XfJ1DlGz0cI68zWEJn-W73Wg/s1600/tumblr_n0c65pqhs51s2nll1o1_500.gif" height="303" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"Instant Family" Pull tab Movable hand colored Biedermeier card ca 1820 </td></tr>
</tbody></table>
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<span style="mso-fareast-font-family: "Times New Roman";">If a picture is worth a thousand words then a gif is worth a thousand
pictures! These animated gifs show the mechanisms behind the hand colored
copper engravings of pull tab movable cards from the Biedermeier period
1815-1835. They were made in Europe primarily in Germany and France and
England. Some are completely hand done in watercolor. Many were given out as
greeting cards or the modern day equivalent of valentine cards. </span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzrVEueFq7VTOMMvpTvrZNwZzkfGlZtXBv1bqmiMFvUnOLMRTMzXY4cUYXDzRRifFhh9rvl_fHYI8tiPA-bSKa0I2iAXqjomaFr0nFxQ5cts_PK72IpiccOOh_Ob3eESb5K7o3QHbBcdo/s1600/tumblr_n2138bEfYW1s2nll1o1_500.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzrVEueFq7VTOMMvpTvrZNwZzkfGlZtXBv1bqmiMFvUnOLMRTMzXY4cUYXDzRRifFhh9rvl_fHYI8tiPA-bSKa0I2iAXqjomaFr0nFxQ5cts_PK72IpiccOOh_Ob3eESb5K7o3QHbBcdo/s1600/tumblr_n2138bEfYW1s2nll1o1_500.gif" height="187" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dancing with my friend <br />
Pull tab Biedermeier card ca1820 (C) Collection of Larry Seidman</td><td class="tr-caption" style="text-align: center;"></td></tr>
</tbody></table>
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<span style="mso-fareast-font-family: "Times New Roman";">These
were the predecessors of the well known movable books by Nister and
Meggendorfer. Some of the mechanisms were very elaborate. There are scans
of the reverse sides of the cards which show how the levers activate many
simultaneous moving parts with the pull of one tab. This gives a behind the
scenes look into the mind of the paper engineers from 200 years ago!</span><span style="mso-fareast-font-family: "Times New Roman";"></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAPv-2Mje9uXNbcN934YAmH3l4jpFVPNuPQZE7Yl9W7QGR0Y3gxeNtH33Ow23NaJnTfYYgnjijYd4SBamal2nctzqW6RrEbko4alPAWtcR3f2r5mDvoYZnMxLGAnTs_WQPoJiJqGKQ37k/s1600/tumblr_n0ldb3XjaD1s2nll1o1_500.gif" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAPv-2Mje9uXNbcN934YAmH3l4jpFVPNuPQZE7Yl9W7QGR0Y3gxeNtH33Ow23NaJnTfYYgnjijYd4SBamal2nctzqW6RrEbko4alPAWtcR3f2r5mDvoYZnMxLGAnTs_WQPoJiJqGKQ37k/s1600/tumblr_n0ldb3XjaD1s2nll1o1_500.gif" height="320" width="220" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Churn that butter! <br />
European hand colored engraving ca 1840s movable pull tab card</td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td></tr>
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<span style="mso-fareast-font-family: "Times New Roman";"> </span><span style="mso-fareast-font-family: "Times New Roman";"> </span><br />
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<span style="mso-fareast-font-family: "Times New Roman";"><span style="mso-fareast-font-family: "Times New Roman";"> </span><span style="mso-fareast-font-family: "Times New Roman";">A gif is</span> basically a file format that shows animation on the web.
The technique employed is rather labor intensive but provides a nice resolution
to the cards. It gives a cleaner image than in a video. </span></div>
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<span style="mso-fareast-font-family: "Times New Roman";">Individual
scans of the cards are taken sequentially by pulling the tab a little bit more
each time. The technique utilized is similar to the stop-motion of the
old Wallace and Gromit cartoons. The scans are edited and sequenced in
Photoshop and then uploaded into the tumblr blog as a gif file. </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm9joEYO6AZounWH3FdTJ-DU101WG_p_TMsKTIubk7_B9YlWAB0jndwXCeCyT1BdtQ0MCP7AXibLRQGFbpiwnMmWmxYzwSMlBaM9X6tFkT3GI7GhDqhSBsOiEXVTb07Gb3zeQtXO6GxPw/s1600/tumblr_n0c62qHAiV1s2nll1o1_500.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm9joEYO6AZounWH3FdTJ-DU101WG_p_TMsKTIubk7_B9YlWAB0jndwXCeCyT1BdtQ0MCP7AXibLRQGFbpiwnMmWmxYzwSMlBaM9X6tFkT3GI7GhDqhSBsOiEXVTb07Gb3zeQtXO6GxPw/s1600/tumblr_n0c62qHAiV1s2nll1o1_500.gif" height="320" width="259" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Movable Biedermeier card Germany ca 1820. <br />
“Die mutter zärtlichkeit ist dieser vogel sitte. <br />
So wünsch ich einstens dich in deiner kinder mitte”. <br />
A mother’s tenderness is this bird-sitting.<br />
I wish you at least one child in your ‘nest’. </td></tr>
</tbody></table>
<span style="mso-fareast-font-family: "Times New Roman";"><br /></span>
<br />
<span style="mso-fareast-font-family: "Times New Roman";"> I have collected these fragile cards for 25 years and have over 100 in my
collection. I especially like the unique and elaborate mechanisms that
never show up in book form. It is a miracle they have survived! Many have been
restored (by reattaching the broken threads) by Robin Collins, giving new life to
these superb mechanisms. Both she and I will be speaking at the <a href="http://www.movablebooksociety.org/conference.html" target="_blank">Movable Book Society conference</a> this September in Philadelphia so please come. </span></div>
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<span style="mso-fareast-font-family: "Times New Roman";">For
those interested there are short movies of my collection on YouTube: </span></div>
<div class="MsoNormal">
<br />
Moveable cards:</div>
<div class="MsoNormal">
<span style="color: black; mso-fareast-font-family: "Times New Roman";"><a href="http://youtu.be/Pkt4ORX83g4"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">http://youtu.be/Pkt4ORX83g4</span></a><span id="goog_442023574"></span><a href="https://www.blogger.com/"></a><span id="goog_442023575"></span> <br style="mso-special-character: line-break;" />
</span><span style="mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="MsoNormal">
<span style="color: black; mso-fareast-font-family: "Times New Roman";">
<span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);"></span><span style="mso-fareast-font-family: "Times New Roman";"></span></span><br />
<span style="color: black; mso-fareast-font-family: "Times New Roman";">Miniature moveable books parts 1 and 2:<br style="mso-special-character: line-break;" />
<span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);"></span><span style="mso-fareast-font-family: "Times New Roman";"></span></span></div>
<div class="MsoNormal">
<span style="color: black; mso-fareast-font-family: "Times New Roman";"><a href="http://youtu.be/SCC3b-zO-Ug"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">http://youtu.be/SCC3b-zO-Ug</span></a><br style="mso-special-character: line-break;" />
</span><br />
<span style="color: black; mso-fareast-font-family: "Times New Roman";">
</span><span style="color: black; mso-fareast-font-family: "Times New Roman";"><a href="http://youtu.be/I5t-mHWQDvA"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">http://youtu.be/I5t-mHWQDvA</span></a></span></div>
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<br />
<span style="color: black; mso-fareast-font-family: "Times New Roman";"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">Modern miniature moveable artist books: </span></span><br />
<span style="color: black; mso-fareast-font-family: "Times New Roman";"><a href="http://youtu.be/LdSUhO9Cljs"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">http://youtu.be/LdSUhO9Cljs</span></a><br style="mso-special-character: line-break;" />
</span></div>
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<span style="color: black; mso-fareast-font-family: "Times New Roman";">
</span><span style="mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="color: black; mso-fareast-font-family: "Times New Roman";">and mechanical tin and optical toys:<br style="mso-special-character: line-break;" />
</span><span style="mso-fareast-font-family: "Times New Roman";"></span></div>
<a href="https://www.blogger.com/goog_442023556">
</a><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><a href="http://youtu.be/Mp-UPt-LggU" style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);"><span style="color: black;"></span></a><a href="http://youtu.be/Mp-UPt-LggU">http://youtu.be/Mp-UPt-LggU</a></span><br />
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><span style="color: black;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><span style="color: black;"></span></span></div>
<div class="MsoNormal">
You can contact me direct by email: <span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: SimSun; mso-fareast-language: ZH-CN; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;"><a href="mailto:Drlar7@aol.com" target="_blank">Drlar7@aol.com</a></span></div>
Unknownnoreply@blogger.com12tag:blogger.com,1999:blog-3043955155598423235.post-48104316401562857342013-11-05T10:25:00.000+00:002013-11-05T10:53:29.434+00:00The ephemera of fireworks<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh54pECUfMJ2rBT9qTYylX6N6reJTd_EsEiWXtBuBDWJWdZDCRNqhFt6iyv3kyg9rzUzUtvAH2mck3OqjWJtVl2Wm6IwcQbxeopl8npl26q6S3lbyHtA5yEIrxyoa3uA23EKoc0liNQAU/s1600/johnson12-ioj-0001-0.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh54pECUfMJ2rBT9qTYylX6N6reJTd_EsEiWXtBuBDWJWdZDCRNqhFt6iyv3kyg9rzUzUtvAH2mck3OqjWJtVl2Wm6IwcQbxeopl8npl26q6S3lbyHtA5yEIrxyoa3uA23EKoc0liNQAU/s400/johnson12-ioj-0001-0.jpg" width="298" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Bodleian Library: John Johnson Collection: Music Tites 3 (42)</td><td class="tr-caption" style="text-align: center;"></td></tr>
</tbody></table>
Guy Fawkes Day (November 5) has generated a lot of ephemera: fliers and posters for events, prints, and, above all, the promotional material, packaging and labels for the fireworks themselves.<br />
<br />
These resources are somewhat scattered, but there is much to be found online, through <a href="http://www.flickr.com/photos/epicfireworks/sets/72157623671049691/" target="_blank">flickr</a> and various virtual archives, mounted by specialist enthusiasts. Examples are: <a href="http://www.cyber-heritage.co.uk/museum/" target="_blank">Maurice and Steve's virtual firework heritage museum</a> and the <a href="http://www.fireworkmuseum.co.uk/" target="_blank">fireworkmuseum.co.uk/</a>. <br />
<br />
More can be found through <a href="https://www.google.co.uk/search?q=fireworks+posters&rls=com.microsoft:en-gb:IE-SearchBox&rlz=1I7AURU_enGB499&tbm=isch&tbo=u&source=univ&sa=X&ei=T293UuiFI6jF0QW2x4DgCg&ved=0CEUQsAQ&biw=1280&bih=841&dpr=1" target="_blank">Google images</a>, with contributions from, for example, <a href="http://museumofbritishfolklore.bigcartel.com/product/brocks-fireworks-posters" target="_blank">The Museum of British Folklore</a>. It is the hope of the Director, Simon Costin that this museum will acquire premises. It does, however, have material and has mounted a <a href="http://www.museumofbritishfolklore.com/events_and_exhibitions/" target="_blank">series of exhibitions</a>, including (in 2011) <a href="http://www.comptonverney.org.uk/modules/events/event.aspx?e=72&title=remember_remember_a_history_of_fireworks_in_britain" target="_blank">Remember, remember: a history of fireworks in Britain</a>, which I visited at Compton Verney. The webpage has embedded a <a href="http://www.youtube.com/watch?v=2uKPntDBBYY" target="_blank">You Tube video</a> of the exhibits. On October 31 (appropriately) The Museum of British Folklore acquired the <a href="http://museumofwitchcraft.blogspot.co.uk/2013/10/announcement.html" target="_blank">Museum of Witchcraft</a><br />
<br />
There are also, of course, resources in major libraries and museums: <a href="http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=1&tab=website_tab&dstmp=1383561004675&vl(freeText0)=fireworks&fn=search&vid=BLVU1&mode=Basic&fromLogin=true" target="_blank">The British Library</a>, the <a href="http://collections.vam.ac.uk/search/?listing_type=imagetext&offset=0&limit=45&narrow=1&extrasearch=&q=fireworks&commit=Search&quality=0&objectnamesearch=&placesearch=&after=&after-adbc=AD&before=&before-adbc=AD&namesearch=&materialsearch=&mnsearch=&locationsearch=" target="_blank">V&A</a> and also via image libraries such as the <a href="http://www.lookandlearn.com/history-images/search.php?search=fireworks" target="_blank">Look and Learn</a> site (notably in the Peter Jackson collection), and the <a href="http://www.maryevans.com/" target="_blank">Mary Evans Picture Library, </a>which has a <a href="http://www.maryevans.com/search.php?usr=notlogged&prv=features&feature_no=F00200" target="_blank">feature on Guy Fawkes Night</a>.<br />
<br />
The John Johnson Collection includes <a href="http://www.bodleian.ox.ac.uk/__data/assets/pdf_file/0007/86416/Fireworks.pdf" target="_blank">four folders of material relating to fireworks</a> not yet catalogued or digitised. One of our prize firework-related items is, however, online: a ticket for the Royal Fireworks at St. James's Park in April 1749, the fireworks for which Handel wrote his famous music.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi297_0V6kCJpN-io5Cn_CO3527ubRHtMDdmmmHw_p8SGulDw3eBdXc7YRHdN8jg0eVS41kxMj53nl72fgeuyAsxjWCrAesCV5WWMdF09xnoSbuoHx7YPp5JGNVlNWYTSlJ4Cmr_adKfw/s1600/bodjjo005-amh-0001-3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi297_0V6kCJpN-io5Cn_CO3527ubRHtMDdmmmHw_p8SGulDw3eBdXc7YRHdN8jg0eVS41kxMj53nl72fgeuyAsxjWCrAesCV5WWMdF09xnoSbuoHx7YPp5JGNVlNWYTSlJ4Cmr_adKfw/s400/bodjjo005-amh-0001-3.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Bodleian Library: John Johnson Collection: Tickets Show Places various (46) </td></tr>
</tbody></table>
There are also trade cards for 'artists' in fireworks<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO12e68R2O_1CisOnCmfx9F9VC0p2grvA6Lb5LqMolTSCLRxYJgbuvETUPwbB_Sn-YeWBIpXVzL6fckspNm2CEU7XKP9-ned82C5vHY3JumWALL1CieFYjIpalXkyyvhtq3QoPxeyT2us/s1600/aac0808.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO12e68R2O_1CisOnCmfx9F9VC0p2grvA6Lb5LqMolTSCLRxYJgbuvETUPwbB_Sn-YeWBIpXVzL6fckspNm2CEU7XKP9-ned82C5vHY3JumWALL1CieFYjIpalXkyyvhtq3QoPxeyT2us/s400/aac0808.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Bodleian Library: John Johnson Collection: Trade Cards 26 (53)</td></tr>
</tbody></table>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjNkuqbncC6Nj-dQePRPp5y_o6A-pc4XgpK4MeNb3-vrb8Zk9dj4tJQAWMyGSMjlQAO8NvfNeqownWEi2M9z4YWIhvVeFca5ueXQwTpB1HMIXp4LqDZ61DYqLJDzzZqr3tExI7hUcaiAM/s1600/aac0822.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjNkuqbncC6Nj-dQePRPp5y_o6A-pc4XgpK4MeNb3-vrb8Zk9dj4tJQAWMyGSMjlQAO8NvfNeqownWEi2M9z4YWIhvVeFca5ueXQwTpB1HMIXp4LqDZ61DYqLJDzzZqr3tExI7hUcaiAM/s320/aac0822.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Bodleian Library: John Johnson Collection: Trade Cards 26 (32)</td></tr>
</tbody></table>
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<br />
Another major source of information about fireworks and pyrotechnic
effects in the John Johnson Collection (mostly unrelated to November 5) is playbills. Fireworks often
formed part of entertainments, both indoors and outdoors. Not all have illustrations (as the example
below) but the full text searching of the <a href="http://johnjohnson.chadwyck.co.uk/" target="_blank">The John Johnson Collection: an archive of printed ephemera</a> (ProQuest site with <a href="http://johnjohnson.chadwyck.co.uk/info/trial.do" target="_blank">access via HE, FE, public libraries and schools</a>) facilitates finding entertainments which included fireworks.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQj9MdUxkWw_M_LA4dEbZycpSD5J4VLoAFEY30ofAAv7ZbPLGP7_Yf304prxR4Dpi_HJ7eGcxNxGwnMaSzPZH6cN_C6YODzsOCdmIvzjmrz24mBkVEEywUD48ZgFJJ03YBtmck5Gl1JOg/s1600/johnson11-quc-0001-0.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQj9MdUxkWw_M_LA4dEbZycpSD5J4VLoAFEY30ofAAv7ZbPLGP7_Yf304prxR4Dpi_HJ7eGcxNxGwnMaSzPZH6cN_C6YODzsOCdmIvzjmrz24mBkVEEywUD48ZgFJJ03YBtmck5Gl1JOg/s400/johnson11-quc-0001-0.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Bodleian Library: John Johnson Collection:
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<div class="data">
London Play Places 7 (19)</div>
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</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw-Yy59uuONZgJ12ZTx9VbquScfqdlUIkgtUvXP8FuONXIR50OpmDi-FbdEpXbm_FmvbGS8fWAuH1JlSaseNmKiVgGz4pjqRct5FbSY5vN9gRMGtC1Due6Ol0GZwO1b_QK4PBGaxS3bN0/s1600/johnson11-ymc-0001-0.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw-Yy59uuONZgJ12ZTx9VbquScfqdlUIkgtUvXP8FuONXIR50OpmDi-FbdEpXbm_FmvbGS8fWAuH1JlSaseNmKiVgGz4pjqRct5FbSY5vN9gRMGtC1Due6Ol0GZwO1b_QK4PBGaxS3bN0/s400/johnson11-ymc-0001-0.jpg" width="182" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Bodleian Library: John Johnson Collection:
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Dioramas 6 (8)</div>
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</td></tr>
</tbody></table>
This handbill of c. 1896 relates to a panorama of the life of Guy Fawkes, complete with 'a grand display of thousands of fountains of fireworks'. <br />
<br />
There are also ballads in the Bodleian (and, of course, elsewhere) relating to Guy Fawkes. The new Bodleian <a href="http://ballads.bodleian.ox.ac.uk/" target="_blank">Broadside Ballads online</a> site is well worth exploring.<br />
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If you know of further collections of firework-related ephemera, please email <a href="mailto:jjcoll@bodleian.ox.ac.uk">jjcoll@bodleian.ox.ac.uk</a> and I will write a supplementary post.Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3043955155598423235.post-70817968069663068642013-10-29T11:28:00.000+00:002013-10-29T11:28:27.798+00:00The Red Cross Museum and Archives: guest post by Jemma Lee<i><i>Congratulations to the Red Cross, celebrating its <a href="http://www.redcross.org.uk/Get-involved/Events/150th-anniversary-celebrations" target="_blank">150th anniversary</a> today.</i> </i><br />
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<i>In September, I was privileged to visit the Red Cross Library with a small group from the Ephemera Society. I invited Jemma Lee to write a guest post and am very grateful to her for doing so. </i><br />
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;"><a href="http://www.redcross.org.uk/About-us/Who-we-are/Museum-and-archives" target="_blank">The British Red Cross museum and archives</a> exist to collect, preserve and make accessible to a wide audience the
history of the British Red Cross and its place in the context of the
international movement.<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;">The collection comprises both archive
records and museum artefacts which have been generated and acquired by the
organisation from its formation in 1870 as the British National Society for Aid
to the Sick and Wounded in War, to the present day and our continuing vital
contribution in society.<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;">In addition to official minute books,
annual reports, uniforms and medical equipment, the collection contains a
fascinating array of ephemera which serves to strengthen the evidence that we
hold of our humanitarian work and in many cases, to provide a personal element
to our story.<span style="mso-spacerun: yes;"> </span>Medals and badges awarded
by the Society demonstrate the role of the volunteer, whilst labels from
collecting tins and tickets for balls and galas provide colour and context to
our fundraising activities.<span style="mso-spacerun: yes;"> </span> </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLFEJJGi_6q7o2mRjpQxMsSoxl9uX-3EAuERi4xjoG9VDxWXHl7B6eBr5cAL98L9nosXnlrRztp_aZUd-Bi2w2xB89cHzv3ysZfCNBzWGDTUA7P3sjZ-YkX4el30wWLJP5eguaMpkkLyQ/s1600/Red+Cross2355.4.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLFEJJGi_6q7o2mRjpQxMsSoxl9uX-3EAuERi4xjoG9VDxWXHl7B6eBr5cAL98L9nosXnlrRztp_aZUd-Bi2w2xB89cHzv3ysZfCNBzWGDTUA7P3sjZ-YkX4el30wWLJP5eguaMpkkLyQ/s400/Red+Cross2355.4.jpg" width="261" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Poster, 1939. <i>(C) British Red Cross Museum and Archives</i></td></tr>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;">The poster
collection is particularly valuable in providing a visual record of our
services such as first aid and care in the home, with examples by Tom Purvis
and Charles Pears often proving to be very popular with visitors.<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;"><span style="mso-spacerun: yes;"></span>Other ephemeral items include Christmas
cards, stamps and packaging from products sent in food and relief parcels to
Prisoners of War.<span style="mso-spacerun: yes;"> </span>The latter subject is
in fact greatly enhanced by this collection, with menus, programmes and propaganda
leaflets, which are a valuable addition to the authorised documents of the Red
Cross and hence offer a source of unique information for researchers.<span style="mso-spacerun: yes;"> </span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;">0566/32 (C) British Red Cross Museum and Archives</span></i></td></tr>
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The website outlines the <a href="http://www.redcross.org.uk/About-us/Who-we-are/Museum-and-archives/Collections" target="_blank">scope of the collections</a> and there is an <a href="http://catalogue.redcross.org.uk/search/simple" target="_blank">online catalogue</a> through which the museum and archives can be separately searched through simple, advanced and expert search screens, often with digitised images, exemplified in this screen shot of a <a href="http://catalogue.redcross.org.uk/results" target="_blank">search for poster</a> in the Museum collection.<br />
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<tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;"> (C) British Red Cross Museum and Archives</span></i></td></tr>
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There are also <a href="http://www.redcross.org.uk/About-us/Who-we-are/Museum-and-archives/Online-exhibitions" target="_blank">online exhibitions</a> of photographs and ephemera, including an overview of <a href="http://www.redcross.org.uk/About-us/Who-we-are/Museum-and-archives/Online-exhibitions/Historical-posters" target="_blank">historical posters</a>.<br />
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Ephemera is used within the context of the larger
Museum and Archive collections to promote the work of the British Red Cross
internally to staff and volunteers and externally to answer enquiries.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span>Tours of the collection can be arranged and
research space can be booked by appointment either by emailing <a href="mailto:enquiry@redcross.org.uk">enquiry@redcross.org.uk</a> or by telephoning 020 7877 7058.<span style="mso-spacerun: yes;"> </span></span></div>
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Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-3043955155598423235.post-58791578331751355972013-06-26T12:00:00.004+01:002013-06-26T12:02:50.592+01:00Guest post by Gregory Toth: The Printed Ephemera Collection in the Caird Library, National Maritime Museum<!--[if gte mso 9]><xml>
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<i>Following on from my previous post about the ocean liner exhibition at the Musée de l'Imprimerie in Lyon, I am delighted to present a guest blog from Gregory Toth outlining the ephemera collections at the National Maritime Museum, a selection of which I saw earlier this month during a visit arranged by <a href="http://www.ephemera-society.org.uk/" target="_blank">The </a><a href="http://www.blogger.com/null" target="_blank">Ephemera Society</a>.</i><br />
<br />
The <a href="http://www.rmg.co.uk/researchers/library/" target="_blank">Caird Library</a>’s printed ephemera collection comprises chiefly
of non-book printed items published for transient publicity, informational
purposes or commemorating a service, event, person or an object. As this can
include items such as brochures, calendars, itineraries, menus, programmes,
tickets and timetables, the collection is extremely rich and varied in
individual pieces. These items are usually (but not always) produced by the
organization or company that is the subject of the item rather than by an
individual who is external to the theme of the publication. </div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE3d6Hq945PpPQyE4h2sGelfjnp84rXz9f89KVwe1Ds7yINBaxNkjWf_VSReL-hNPAkOuVo6QOrHVn5p8CHNQxRB36wEolCkP9AnzYHDnz6JOrYv64yPgrYPyFCMccfqcgpjq_A8LRgMA/s1600/F3583.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE3d6Hq945PpPQyE4h2sGelfjnp84rXz9f89KVwe1Ds7yINBaxNkjWf_VSReL-hNPAkOuVo6QOrHVn5p8CHNQxRB36wEolCkP9AnzYHDnz6JOrYv64yPgrYPyFCMccfqcgpjq_A8LRgMA/s320/F3583.jpg" width="221" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) National Maritime Museum</td></tr>
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The collection covers a variety of subjects but is
particularly strong in the area of merchant shipping companies, which comprise
75 – 80 per cent of the whole. Its strong focus on twentieth century merchant
shipping, and with a particular emphasis on passenger cruises, the collection is
possibly one of the largest in the world. Most of the items are published after
1850, with the vast majority of them in the twentieth century. It offers some areas
of cross-over between the Library’s own holdings and those of other departments
within the National Maritime Museum.<span style="mso-spacerun: yes;"> </span>It
overlaps in many respects with the Archive collections, which can include
ephemeral items: for example a timetable included in the records of a shipping
company remains with that company’s archive.<span style="mso-spacerun: yes;">
</span></div>
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Groups attracted to study it include family, social, art and
maritime historians. The collection not only has strong potential for academic research,
as both evidence of the shipping industry and the growth of cruising as leisure
activities, but ephemera can also be studied as a visual form in its own right.
For example, it can be used by researchers who are investigating the
development of print advertising, or the design of on-board publications and
programmes. Moreover, the highly visual nature of the collection makes it
particularly suitable for exhibitions and displays, as it can assist with
interpretation. Displays and blog posts have already benefited from the visual qualities,
and the collection also has uses for the Museum’s Learning and Interpretation
programmes as an accessible area of maritime experience.<span style="mso-spacerun: yes;"> </span></div>
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<tr><td class="tr-caption" style="text-align: center;">(C) National Maritime Museum</td></tr>
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Librarian, Acquisitions and Cataloguing</div>
Unknownnoreply@blogger.com7tag:blogger.com,1999:blog-3043955155598423235.post-42260775718941154732013-06-25T16:44:00.000+01:002013-06-25T16:44:14.629+01:00Exhibitions (2): Transatlantiques at the Musée de l'mprimerie de LyonIn April, I was privileged to go to the opening of <a href="http://www.imprimerie.lyon.fr/static/new_imprimerie/contenu/fichiers/telch/expositions_presse/transatlantiques/communique_transat4.pdf" target="_blank"><i>Transatlantiques: l'épopée graphique des paquebots de légende</i></a> at the <a href="http://www.imprimerie.lyon.fr/imprimerie/" target="_blank">Musée de l'Imprimerie in Lyon</a>. Dr Alan Marshall, director of the museum, has been a staunch advocate of ephemera for many years. His 2001 exhibition, <i>Ephemera: les imprimés de tous les jours 1880-1939</i> was a trail-blazer and introduced a dazzling display of ephemera to the public mainly through four printers'archives: those of Imprimeries Audin, Gougenheim, Perreyon (all of Lyon), and A. Waton (St. Etienne). The excellent catalogue is still available at the museum. Alan followed this (in terms of ephemera) with <a href="http://www.imprimerie.lyon.fr/imprimerie/sections/fr/expositions/archives/2007_2008/couleurs" target="_blank"><i>Couleurs, les prouesses de la chromolithographie</i></a>, an exhibition curated by Prof.. Michael Twyman, world expert in lithography and ephemera. Furthermore, the <a href="http://www.imprimerie.lyon.fr/imprimerie/sections/fr/musee/collections/florileges/index_slam" target="_blank">permanent displays of the museum</a> include <a href="http://www.imprimerie.lyon.fr/imprimerie/sections/fr/musee/collections/florileges/vitrine_10" target="_blank">many examples of ephemera</a>. These are, of course, a selection from very rich <a href="http://www.imprimerie.lyon.fr/imprimerie/sections/fr/musee/collections" target="_blank">research collections</a>. <br />
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<a href="http://www.imprimerie.lyon.fr/imprimerie/sections/fr/expositions/prochainement/" target="_blank"><i>Transatlantiques</i></a> runs from Wednesday to Sunday until 1 September 2013 and is co-curated by Clémence Ducroix and Alan Marshall. The exhibits are not from the museum's own collections but from l'Association French Lines, Le Havre, of which Mme Ducroix is the archivist.<br />
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh047c9ftf3YQhPqjg-B2ejIylP2omru3FzDkZhV5khyphenhyphenUtnLD7mOOpNx39h7GUri0ufPPGfUuZZwO7KImjvogAaBm2C9uhowp2cu_Xe4ARtR5jPkLaRq4e1xw2232rhtrJ05SUrRhvgL40/s1600/Transatlantiques+image.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh047c9ftf3YQhPqjg-B2ejIylP2omru3FzDkZhV5khyphenhyphenUtnLD7mOOpNx39h7GUri0ufPPGfUuZZwO7KImjvogAaBm2C9uhowp2cu_Xe4ARtR5jPkLaRq4e1xw2232rhtrJ05SUrRhvgL40/s400/Transatlantiques+image.jpg" width="297" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Poster by Jan Auvigne. (C) Association French Lines </td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
</tbody></table>
An exhibition of ocean liner ephemera in Lyon? The connection is not the sea, but printing. The stunning display of prints, forms, menus, brochures, leaflets, ships newspapers, posters, tickets, labels, wrappers and all sorts of promotional material shows what printing was necessitated by the running of transatlantic boats, ships and liners. Through this angle, we begin to comprehend just how much was required to administer and promote these complicated companies. Much was printed on shore, some on board, and there are large images of both printing operations.<br />
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The catalogue is co-authored by the curators and documents the history of the Compagnie Générale Transatlantique, and the emergence of graphic art.for publicity.<br />
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Another exhibition of collections from l'Association French Lines has just opened in Evian. <i>Légendes des mers. L'art de vivre à bord des paquebots</i> runs from15 June to 22 September 2013.<br />
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The <a href="http://www.frenchlines.com/collection_archives_en.php" target="_blank">French Lines archive</a> is currently being catalogued. On the <a href="http://www.frenchlines.com/index.php" target="_blank">website</a>, there is a<a href="http://www.frenchlines.com/recherche/cadre_classement_en.php" target="_blank"> list of the main categorie</a>s and also sample <a href="http://www.frenchlines.com/images/index_fr.php" target="_blank">images</a>.<br />
<br />Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3043955155598423235.post-64789078042737306262013-06-14T14:49:00.000+01:002013-06-14T14:49:26.778+01:00Ephemera exhibitions, catalogues and books (1)There are currently several ephemera exhibitions, in this country and in the U.S.A.<br />
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This week, I went to The London Transport Museum's <a href="http://www.ltmuseum.co.uk/whats-on/exhibitions" target="_blank">Poster Art 150: London Underground's Greatest Designs</a>. Superb posters, with a public voting system to select the most popular poster. The exhibition is arranged into themes:: Finding your way, Brightest London, Capital
culture, Away from it all , Keeps London going and Love your city. There is a <a href="http://www.ltmuseumshop.co.uk/tube150/poster-art-150/product/poster-art-150-catalogue.html" target="_blank">catalogue</a>, reproducing the posters. The exhibition runs until 27 October.<br />
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The British Library has a major exhibition: <a href="http://www.bl.uk/whatson/exhibitions/propaganda/index.html" target="_blank">Propaganda: Power and Persuasion</a> (17 May to 17 September).<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQfASyIw7BqWI2JkaJh63Luqm78svEsJ9ejc1oA4Pbli-NmA6UJTK-HYRSUrRKTuo3_ZvBLG1wxjH9iRHQ3CBzDzgidN-FVZ1ZPU9KBz2KdhvnDB6dg5BNlF18eAOOoPPi6GkRxBla498/s1600/BL+Propaganda+exhibition.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQfASyIw7BqWI2JkaJh63Luqm78svEsJ9ejc1oA4Pbli-NmA6UJTK-HYRSUrRKTuo3_ZvBLG1wxjH9iRHQ3CBzDzgidN-FVZ1ZPU9KBz2KdhvnDB6dg5BNlF18eAOOoPPi6GkRxBla498/s400/BL+Propaganda+exhibition.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Propaganda: Power and Persuasion home page: (C) British Library Board</td></tr>
</tbody></table>
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There are <a href="http://www.bl.uk/whatson/exhibitions/propaganda/events/index.html" target="_blank">events</a>, <a href="http://www.bl.uk/whatson/exhibitions/propaganda/tours/index.html" target="_blank">tours</a>, a <a href="http://britishlibrary.typepad.co.uk/socialscience/propaganda/" target="_blank">blog</a> and a <a href="http://shop.bl.uk/mall/productpage.cfm/BritishLibrary/_ISBN_9780712357005/468215/Propaganda%3A-Power-and-Persuasion-%28paperback%29" target="_blank">catalogue</a> by Prof David Welch.<br />
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In the USA, the exhibition <a href="http://portsmouthathenaeum.org/exhibits.html" target="_blank">Ephemera: the art of everyday printed mattter</a> has just opened at the Portsmouth Athenaeum and runs until 15 September.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ5RTPsi8DPmbNC3NvPc9C-F6CfJtN1TM7KH7ij-YIECoHKBuqV_k9Rj-fNHOWbZqUaCe46DBMFdwaq-rSoNOn94MyTbOxWXTsEZsBfXDoEFWhyphenhyphenw_tr0R4sSz5H58ijMWoZyxWZoWuZV4/s1600/portmouth+athenaeum.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ5RTPsi8DPmbNC3NvPc9C-F6CfJtN1TM7KH7ij-YIECoHKBuqV_k9Rj-fNHOWbZqUaCe46DBMFdwaq-rSoNOn94MyTbOxWXTsEZsBfXDoEFWhyphenhyphenw_tr0R4sSz5H58ijMWoZyxWZoWuZV4/s400/portmouth+athenaeum.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Portsmouth Athenaeum</td></tr>
</tbody></table>
The Library Company of Philadelphia (the subject of previous blog posts: <a href="http://ephemeraresources.blogspot.co.uk/2012/02/library-company-of-philadelphia.html" target="_blank">13 Feb 2012</a> and, guest post by Erika Piola, <a href="http://ephemeraresources.blogspot.co.uk/2012/06/explore-more-ephemera-collections-at.html" target="_blank">29 June 2012</a>) meanwhile has an exhibition <a href="http://www.librarycompany.org/collections/exhibits/index.htm" target="_blank">Remnants of everyday life: historical ephemera in the workplace, street and home</a>, which runs until 15 December 2013.<br />
<br />There is also a related ephemera conference: <a href="http://www.librarycompany.org/visualculture/2013conference/" target="_blank">Unmediated history, the scholarly study of 19th century ephemera</a> (Visual Culture Program of the Library Company of Philadelphia and <a href="http://www.ephemerasociety.org/" target="_blank">Ephemera Society of America</a>) at the LCP from 19 to 20 September 2013.<br />
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While I could not find any links to exhibition catalogues for either USA exhibition, this is a good chance to promote the Library Company of Philadelphia's recent project: <a href="http://www.librarycompany.org/pos/" target="_blank">Philadelphia on Stone</a>, which has an <a href="http://www.librarycompany.org/pos/exhibition/" target="_blank">online exhibition</a>, <a href="http://www.librarycompany.org/pos/poscatalog.htm" target="_blank">digital catalogue</a> and a major publication: <a href="http://www.psupress.org/books/titles/978-0-271-05252-6.html" target="_blank">Philadelphia on Stone: Commercial Lithography in Philadelphia, 1828-1878</a>, edited by Erika Piola.<br />
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Finally, a new, scholarly book on ephemera has just been published. <a href="http://www.bucknell.edu/script/upress/book.asp?id=1841" target="_blank"><i>Studies in Ephemera: text and image in eighteenth-century print</i></a>, ed. by Kevin Murphy and Sally O'Driscoll, Lewisburg (Bucknell University Press) focuses mainly on ballads (including a chapter on ballad images by the Bodleian's Alexandra Franklin) and broadsides. There are also chapters by Sally O'Driscoll on macaronis in print culture and by Georgia Barnhill on <i>Ephemera at the American Antiquarian Society: perspectives on commercial life in the long eighteenth century</i>. The superb ephemera in the AAS have been digitised and are available to subscribers only through <a href="http://www.readex.com/content/american-broadsides-and-ephemera-series-1-1760-1900" target="_blank">Readex</a>. Sadly, the Bodleian does not subscribe.<br />
<br /><i>Studies in Ephemera</i> is also widely available as an e-book <br />
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<b> </b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-13853831775580142342013-03-22T09:51:00.000+00:002013-03-22T09:51:34.417+00:00EuropeanaWheels within wheels: one of <a href="http://www.europeana.eu/portal/" target="_blank">Europeana</a>'s contributors is <a href="http://www.culturegrid.org.uk/" target="_blank">Culture Grid</a>, subject of my last blog post.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEsh0WVAXfKsYlIWtCRASLswGv6_1Ys9dQCUEOpBhJzv0ZhvojSSIduR1ixjmpKGSOj6ycw_XNQ1pFYqKmkSjoWyiWH-vTtdpolsimSWvBKtd2Fk6UffTV2uVOx5tTpEO7M74uMhYL5bQ/s1600/Europeana.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEsh0WVAXfKsYlIWtCRASLswGv6_1Ys9dQCUEOpBhJzv0ZhvojSSIduR1ixjmpKGSOj6ycw_XNQ1pFYqKmkSjoWyiWH-vTtdpolsimSWvBKtd2Fk6UffTV2uVOx5tTpEO7M74uMhYL5bQ/s400/Europeana.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Europeana</td></tr>
</tbody></table>
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Europeana is work in progress, but already has nearly 6,300 hits for ephemera, mainly so far from <a href="http://www.theeuropeanlibrary.org/tel4/" target="_blank">The European Library</a> and <a href="http://hispana.mcu.es/en/inicio/inicio.cmd" target="_blank">Hispana</a>. Additionally, there are over 35,000 entries under postcard (nearly 27,000 under Postkarte), many part of Europeana's major <a href="http://www.europeana-collections-1914-1918.eu/" target="_blank">1914-1918 project</a>. <br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH8Pg4b9BjS5H-lMbuyROh9rvP9wvNbpOf52T0ZqKps-9202eEp7M_RGPUhR3fH21wZs7O2YeNeb9Ia0oe0hrBgroQPwDsLgWUH-BMQ18FL11mm6qeXgaugzfV51FhojbeSfivCqrLsMQ/s1600/Europeana+First+World+War.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH8Pg4b9BjS5H-lMbuyROh9rvP9wvNbpOf52T0ZqKps-9202eEp7M_RGPUhR3fH21wZs7O2YeNeb9Ia0oe0hrBgroQPwDsLgWUH-BMQ18FL11mm6qeXgaugzfV51FhojbeSfivCqrLsMQ/s400/Europeana+First+World+War.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Europeana</td></tr>
</tbody></table>
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The <a href="http://www.europeana-libraries.eu/documents/868553/0fb04d40-a6a6-4c26-b11e-2001186ffb02" target="_blank">list of Europeana participants</a> includes the University of Ghent, which will contribute Posters of the late 19th century and ephemera. <br />
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This will be a major resource. Developments can be followed on <a href="https://en-gb.facebook.com/Europeana" target="_blank">Facebook</a>, on a <a href="http://blog.europeana.eu/" target="_blank">blog</a> and on <a href="https://twitter.com/EuropeanaEU" target="_blank">Twitter</a>.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-20552698803805993032013-03-20T17:21:00.001+00:002013-03-20T17:21:19.441+00:00Culture Grid<a href="http://www.culturegrid.org.uk/about/" target="_blank">Culture Grid</a> is a platform through which institutional collections can be cross-searched. These include pre-existing cross-searchable projects such as <a href="http://www.vads.ac.uk/" target="_blank">VADS</a> (and therefore the John Johnson Collection <a href="http://www.vads.ac.uk/collections/JJPP.html" target="_blank">Political Cartoons</a> and <a href="http://www.vads.ac.uk/collections/JJTP.html" target="_blank">Trades and Professions Prints</a>) and <a href="http://www.20thcenturylondon.org.uk/" target="_blank">Exploring 20th century London</a>.<br />
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The site is rich in ephemera, notably posters, advertisements, postcards, labels, etc. The three million items can either be searched by such genre terms or by subject (which can be narrowed down to posters, etc), or by institution.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9yhuIdPR3SaB5D6seGO0_NpYxcDas0gYOsFXZZY1jL4SisP0v9a7gEPaspBj7NU9rsTb9S7LfwdiLIcKVWVcGEG0pZZREfX4Zag3RDoQU-0gd0xxE4W6_QOk9pi3xQSRFz5TjJmwD3qg/s1600/culture+grrid+posters.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9yhuIdPR3SaB5D6seGO0_NpYxcDas0gYOsFXZZY1jL4SisP0v9a7gEPaspBj7NU9rsTb9S7LfwdiLIcKVWVcGEG0pZZREfX4Zag3RDoQU-0gd0xxE4W6_QOk9pi3xQSRFz5TjJmwD3qg/s400/culture+grrid+posters.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Culture Grid</td></tr>
</tbody></table>
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The list of contributing institutions (which can be found by searching, then selecting 'more search options' and activating the 'Select collections' button) is extensive and includes regional collections, with many gems for the ephemerist.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw0BO9DxQug4BNB0zZ0Xb4Qm5dh0FL56nI4mL-esTPfQnvwTD1rp1XQGpDtnPMd8jrD8HiuDX8JvKwvNvhe-lo5ajjGCrkqxaZya9awAriFFUHmiTMx6jX9XfCdTqE4q3QEMsPzicjS1w/s1600/culturegridcollections.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw0BO9DxQug4BNB0zZ0Xb4Qm5dh0FL56nI4mL-esTPfQnvwTD1rp1XQGpDtnPMd8jrD8HiuDX8JvKwvNvhe-lo5ajjGCrkqxaZya9awAriFFUHmiTMx6jX9XfCdTqE4q3QEMsPzicjS1w/s400/culturegridcollections.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Culture Grid</td></tr>
</tbody></table>
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I didn't find a browse function or a way just to get an overview of the contribution of each institution, but for real researchers doing real enquiries this site will reveal lesser known material.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-13355048119491892262013-03-19T13:26:00.000+00:002013-03-19T13:27:24.817+00:00Jules Chéret and Alphonse Mucha<div class="separator" style="clear: both; text-align: center;">
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My recent work on Eugène Rimmel for a mini online exhibition on my other blog: <a href="http://johnjohnsoncollectionnowandthen.wordpress.com/" target="_blank">The John Johnson Collection: Now and Then</a> led me to explore his little-known collaboration with his countryman Jules Chéret. <br />
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It was Chéret who compiled <a href="http://commons.wikimedia.org/wiki/Les_ma%C3%AEtres_de_l%27affiche" target="_blank">Les Maitres de l'Affiche</a>.
Published by Imprimerie Chaix between 1895 and 1900, this monthly
publication showcased international lithographic poster art, including
works by Toulouse Lautrec, Chéret himself, Steinlen, and Dudley Hardy.<br />
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It is now very easy to gain an overview of the works of artists,
especially poster artists, through commercial sites, usually showing reproductions which can be ordered as prints, mugs, T shirts, etc. Googling offers quick and easy ways to see the works of <a href="http://www.allposters.co.uk/gallery.asp?aid=252016255&c=c&search=23284&DestType=12&VTP=Start&NetWorkType=g&PAdCopyId=2365636721&ClickPos=1t1&KWID=49546073&VTP=End&gclid=CLLcwoXmiLYCFeXKtAodgFYAsQ&KWID=49546073&gclid=CLLcwoXmiLYCFeXKtAodgFYAsQ&KEYWORD=Cheret+posters&SEM=lang%3D100%26c%3Dc%26search%3D23284%26AID%3D252016255%26Keyword%3DCheret%2Bposters%26gclid%3DCLLcwoXmiLYCFeXKtAodgFYAsQ" target="_blank">Jules Chéret</a>, <a href="https://www.google.co.uk/search?q=lautrec+posters&hl=en&client=firefox-a&hs=cLx&tbo=u&rls=org.mozilla:en-GB:official&tbm=isch&source=univ&sa=X&ei=t4QbUc6bGeeH0AWE04CgAg&ved=0CDIQsAQ&biw=1280&bih=892" target="_blank">Toulouse Lautrec</a>, <a href="https://www.google.co.uk/search?q=steinlen+affiches&hl=en&client=firefox-a&hs=vPx&tbo=u&rls=org.mozilla:en-GB:official&tbm=isch&source=univ&sa=X&ei=woUbUZnYBanA0QXklIC4BQ&ved=0CDIQsAQ&biw=1280&bih=892" target="_blank">Steinlen</a>, <a href="https://www.google.co.uk/search?q=dudley+hardy+posters&hl=en&client=firefox-a&hs=aBI&tbo=u&rls=org.mozilla:en-GB:official&tbm=isch&source=univ&sa=X&ei=R4cbUb3eKI-LhQe6toG4Cw&ved=0CD4QsAQ&biw=1280&bih=892" target="_blank">Dudley Hardy</a> and others. The commercial <a href="http://www.allposters.co.uk/" target="_blank">All posters</a> site includes the facility to view international musuem holdings, e.g. from the <a href="http://www.museetoulouselautrec.net/" target="_blank">Musée Toulouse Lautrec</a> in Albi, as well as searching by artist.<br />
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<a href="http://www.jules-cheret.org/the-complete-works.html" target="_blank">The complete works - Jules Chéret</a> is a site which, while it does not include Chéret's work on valentines or almanacs, does present the advertising posters (124 images) for which he is famous, in an attractive manner. There is also a biography. This too is a commercial site, offering hand-painted reproductions of the works, but there is, nevertheless, some descriptive metadata.<br />
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For more academic sites, with metadata, however, Gallica again reveals what a rich resource it is, with no
fewer than 1,165 results for <a href="http://gallica.bnf.fr/Search?ArianeWireIndex=index&p=1&lang=EN&q=cheret%2C+jules" target="_blank">Chéret, Jules</a>, many from the Médiathèque de Chaumont. There are many hundreds for Mucha, Lautrec etc.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhroZwTgyQoa7aSm1T774nlaGrLjekzd9ZSi5jMRgyFQlhUeJRhJA4DwBr0jS3KHlULx6TdzFWvB9qUjI-JT2o9gPkXXnbSxheZEFnfojsYRnjytW1WKNQOsxszA72G0yzPUEk2iCXPbIU/s1600/Gallica+cheret.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhroZwTgyQoa7aSm1T774nlaGrLjekzd9ZSi5jMRgyFQlhUeJRhJA4DwBr0jS3KHlULx6TdzFWvB9qUjI-JT2o9gPkXXnbSxheZEFnfojsYRnjytW1WKNQOsxszA72G0yzPUEk2iCXPbIU/s400/Gallica+cheret.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Gallica</td></tr>
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The V&A site also has a weatlth of posters, with a supporting <a href="http://www.vam.ac.uk/content/articles/p/study-guide-posters/" target="_blank">study guide</a>, which includes a superb bibliography.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1OtIABV3Tw5x8oDfotGBnVgGioerOAtWmOXsMneAmeagRbFa6ydriYHN5I56b2K9ZO7hcA1nb5_MtPo7rG3Ciok-NLwG2a-RV2HGE-bD835ofybm15ufFabm8ooF6mmkYd3IfjnNQJkk/s1600/V&A+Cheret.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1OtIABV3Tw5x8oDfotGBnVgGioerOAtWmOXsMneAmeagRbFa6ydriYHN5I56b2K9ZO7hcA1nb5_MtPo7rG3Ciok-NLwG2a-RV2HGE-bD835ofybm15ufFabm8ooF6mmkYd3IfjnNQJkk/s400/V&A+Cheret.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) V&A</td></tr>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcHQ2rwJzAMoVXsrFgdZ2bb_bPFSIxF6VX9DJRHacVH-lw4mxMg69AHI5oLQIsf_KcRZdmlAnVlWfU38Yq19aQrXrmmicEdZTIeDYjec-qm0VxlxdIDH48DDu6aQnULp6FMZOIuTX_GOw/s1600/mucha+foundation+posters.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcHQ2rwJzAMoVXsrFgdZ2bb_bPFSIxF6VX9DJRHacVH-lw4mxMg69AHI5oLQIsf_KcRZdmlAnVlWfU38Yq19aQrXrmmicEdZTIeDYjec-qm0VxlxdIDH48DDu6aQnULp6FMZOIuTX_GOw/s320/mucha+foundation+posters.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Mucha Foundation</td></tr>
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My interest in Alphonse Mucha was rekindled by a visit to Prague last summer, where I visited both Mucha museums. The <a href="http://www.muchafoundation.org/home" target="_blank">Mucha Foundation</a> has a wonderful website, full of information and with over 300 <a href="http://www.muchafoundation.org/gallery/browse-works" target="_blank">images of Mucha's key works</a><br />
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<br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-3043955155598423235.post-32881619706492019632013-02-13T14:58:00.000+00:002013-02-13T15:04:13.427+00:00Valentines: more resourcesIt is valentine season again and time to highlight collections both here at the Bodleian and elsewhere.<br />
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This year, I have joined with the<a href="http://www.valentinecollectors.com/" target="_blank"> National Valentine Collectors Association</a> to focus on the valentines of Eugène Rimmel. My own contribution is a small virtual exhibition about Rimmel's advertising and his association with the Theatre on my blog: <a href="http://johnjohnsoncollectionnowandthen.wordpress.com/2013/02/01/rimmels-scented-world/" target="_blank">The John Johnson Collection Now and Then</a>. Nancy Rosin has devoted the winter issue of <i>The Valentine Writer</i> (the journal of the National Valentine Collectors Association) to an excellent article on Rimmel (<a href="http://www.valentinecollectors.com/newsletters/Valentine%20Writer%202012-4.pdf" target="_blank">available as a pdf</a>) and Malcolm Warrington has created a beautiful <a href="http://www.valentinecollectors.com/rimmel/" target="_blank">online exhibition</a>. There are also posts about Comic valentines (and the 200th anniversary of De La Rue) on the UK <a href="https://www.facebook.com/TheEphemeraSociety" target="_blank">Ephemera Society's Facebook page</a>.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj39qxtp7MwRhhSBB3LwLlAYQJ4hn4dlj1_o5Qd3JVOzTTliikmnXz9pF0rG19yaQs0NnbKT6IpRIqZzsdlx4LVvZ6AtIjH0N5UC2bjCTLFoquOq8ilmRXKL0_cB5KIRwMMupx8yGhwn0o/s1600/NVA+online+valentine+exhibition.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj39qxtp7MwRhhSBB3LwLlAYQJ4hn4dlj1_o5Qd3JVOzTTliikmnXz9pF0rG19yaQs0NnbKT6IpRIqZzsdlx4LVvZ6AtIjH0N5UC2bjCTLFoquOq8ilmRXKL0_cB5KIRwMMupx8yGhwn0o/s320/NVA+online+valentine+exhibition.JPG" width="320" /></a></div>
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Also from the other side of the Atlantic, many thanks to Nancy Rosin for recommending <a href="http://www.museevirtuel-virtualmuseum.ca/index-eng.jsp" target="_blank">The Virtual Museum of Canada</a>, which has a virtual exhibition: <a href="http://www.museevirtuel-virtualmuseum.ca/sgc-cms/expositions-exhibitions/valentin-valentine/English/index.php" target="_blank">Valentine's Day: love and romance through the ages</a>, complete with the facility to open and rotate <a href="http://www.museevirtuel-virtualmuseum.ca/sgc-cms/expositions-exhibitions/valentin-valentine/English/1/13.php" target="_blank">three-dimensional pop-up valentines</a> (in QTVR files) and to <a href="http://www.museevirtuel-virtualmuseum.ca/sgc-cms/expositions-exhibitions/carte_valentin-valentine_card/English/builder.html" target="_blank">create and send valentines from a museum object, card or artefact for electronic delivery</a>. A lot of fun, but also solid information about the history not only of valentine cards, but of other love offerings.There are 1229 hits for valentines from various Canadian institutions in the <a href="http://www.museevirtuel-virtualmuseum.ca/Search.do?ig=on&lang=en" target="_blank">image gallery</a>.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU2ZBrv8WmB91oNUzWInhBDep9PNiX5U5yy8MJKUuUayRTDxksieY_phVcQe2R2muN9Q-RAfxfD4n7q795WV4ToHlZBSJLmJ72PlWOujV4cUDD51nkmDBfmdwBlWPKYN8xykq0Boc5q_E/s1600/Virtual+Museum+of+Canada+valentinescropped.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU2ZBrv8WmB91oNUzWInhBDep9PNiX5U5yy8MJKUuUayRTDxksieY_phVcQe2R2muN9Q-RAfxfD4n7q795WV4ToHlZBSJLmJ72PlWOujV4cUDD51nkmDBfmdwBlWPKYN8xykq0Boc5q_E/s400/Virtual+Museum+of+Canada+valentinescropped.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Virtual Museum of Canada</td></tr>
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Back in Britain, The Museum of London has put online 1788 valentines, manufacturers' sample
sheets and related material, mostly from the prestigious<a href="http://www.museumoflondon.org.uk/collections-research/collections-online/group.aspx?g=group-18638" target="_blank"> Jonathan King Collection</a>. Jonathan King was a valentine maker in Essex Road, London and this collection gives a wonderful and invaluable insight into the manufacturing process. As well as complete valentines, there are proofs with annotations made in the workshop, relating to design and price, stock number etc. Each item is captioned and dated. There is also a blog: <a href="http://www.mymuseumoflondon.org.uk/blogs/blog/the-more-unusual-valentine-cards-in-our-collection/" target="_blank">The more unusual valentines in our collection</a>.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8ny7Ldw_jJL_kvt3GXB-YmxwaVm7Cel7cNSo1BQz8dmeGk8JR_fYvJ-ZfDrPALj2_60g3pCaIDgolJlNshQFH_JHIn18URWy-TFVri7w3BZZYyfUsTZ8a1rC5ZY-S5AcbzSYmx0SvCYc/s1600/museum+of+London+valentines+2.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8ny7Ldw_jJL_kvt3GXB-YmxwaVm7Cel7cNSo1BQz8dmeGk8JR_fYvJ-ZfDrPALj2_60g3pCaIDgolJlNshQFH_JHIn18URWy-TFVri7w3BZZYyfUsTZ8a1rC5ZY-S5AcbzSYmx0SvCYc/s400/museum+of+London+valentines+2.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Museum of London</td></tr>
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The <a href="http://www.libraryofbirmingham.com/discover" target="_blank">Discover pages</a> of the (new) <a href="http://www.libraryofbirmingham.com/newlibrary2013" target="_blank">Library of Birmingham</a> include introductions to the <a href="http://www.libraryofbirmingham.com/article/valentines/valentineshistory" target="_blank">history of valentines</a>, and to <a href="http://www.libraryofbirmingham.com/article/valentines/comicvalentines" target="_blank">Comic valentines</a>, with two galleries featuring <a href="http://www.libraryofbirmingham.com/bemyvalentine" target="_blank">sentimental</a> and <a href="http://www.libraryofbirmingham.com/comicvalentines" target="_blank">comic</a> cards from their collections. Similar pages are devoted to <a href="http://www.libraryofbirmingham.com/birthdaycards" target="_blank">Birthday cards</a>, <a href="http://www.libraryofbirmingham.com/greenawaycards" target="_blank">Greetings cards illustrated by Kate Greenaway</a>, <a href="http://www.libraryofbirmingham.com/silkembroideredpostcards" target="_blank">Silk embroidered postcards</a>, <a href="http://www.libraryofbirmingham.com/songcards" target="_blank">First World War song cards</a>, and <a href="http://www.libraryofbirmingham.com/miscellaneouscards" target="_blank">Miscellaneous greetings cards</a>. <br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWApleImDkjVtV6fyGDu2ZaUWa9ws_14Akl_tJosknWFoCvSOsqkwXWjFSfcamUYQ2ZCAAsQ1IxSOfXT6cb_sLiDi6Lq2F0Jni3Z9dGld0-sIVXxoR6B75R1NLV1O1ueo6z-xLfH1wEiY/s1600/Birmingham+Library+valentines.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWApleImDkjVtV6fyGDu2ZaUWa9ws_14Akl_tJosknWFoCvSOsqkwXWjFSfcamUYQ2ZCAAsQ1IxSOfXT6cb_sLiDi6Lq2F0Jni3Z9dGld0-sIVXxoR6B75R1NLV1O1ueo6z-xLfH1wEiY/s400/Birmingham+Library+valentines.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Library of Birmingham</td></tr>
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Hull Museums also have a large collection of <a href="http://www.hullcc.gov.uk/museumcollections/collections/storydetail.php?irn=437" target="_blank">valentines</a>.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihI_GFije1ClSZo6knDRGLeZ0FLA2exzDtzvQJqh8SeNSS2C6n_LqaqWkmubmVV6RPcjDCvodE7eGSBV0ZFvJ2F_SmVZzD75LldzrtadB1HJSBzsWcqQiuaXP2dvG3ylNxXO1Rksdqhws/s1600/Hull+valentines.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihI_GFije1ClSZo6knDRGLeZ0FLA2exzDtzvQJqh8SeNSS2C6n_LqaqWkmubmVV6RPcjDCvodE7eGSBV0ZFvJ2F_SmVZzD75LldzrtadB1HJSBzsWcqQiuaXP2dvG3ylNxXO1Rksdqhws/s320/Hull+valentines.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Hull Museums</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8QV36k2diMgXZSBW5A43gzlumo8GSoCi0xSK9HTnhUFpg-lVeoZDSsX6jU2Ar20ysPVnrk92UDbPOVrkxFJgCoXofEyyTUBqrxPhwofUF0xrbV3K6R3bWrIXkealScdHB15re5-4PGk/s1600/Postal+History+Museum+valentines.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8QV36k2diMgXZSBW5A43gzlumo8GSoCi0xSK9HTnhUFpg-lVeoZDSsX6jU2Ar20ysPVnrk92UDbPOVrkxFJgCoXofEyyTUBqrxPhwofUF0xrbV3K6R3bWrIXkealScdHB15re5-4PGk/s320/Postal+History+Museum+valentines.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) The British Postal Museum & Archive<br />
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</td></tr>
</tbody></table>
The <a href="http://www.postalheritage.org.uk/" target="_blank">British Postal Museum and Archive</a> has a fascinating online exhibition <a href="http://www.postalheritage.org.uk/page/valentine" target="_blank">Passion through the post</a> highlighting its collections and outlining the history of the valentine, from the perspective of the postal historian.Their valentines are catalogued, with 892 hits for a <a href="http://catalogue.postalheritage.org.uk/dserve/DServe.exe?dsqApp=Archive&dsqDb=Catalog&dsqCmd=Search.tcl" target="_blank">simple search for valentine</a>, some accompanied with thumbnail images.<br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-54113339327239146932013-01-03T12:39:00.002+00:002013-01-03T12:46:18.963+00:00Ephemera at Chetham's Library, Manchester<a href="http://www.chethams.org.uk/index.html" target="_blank">Chetham's Library</a> in Manchester has rich collections of printed ephemera, most of which are <a href="http://www.chethams.org.uk/catalogue.html" target="_blank">catalogued</a>, including bookplates,
postcards, chapbooks, broadsides, ballads, theatre programmes, posters,
trade cards and bill heads.<br />
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The Chethams website has a very useful <a href="http://www.chethams.org.uk/collections_print.html" target="_blank">guide to discrete collections of rare books and printed ephemera</a>, notable among which are the <a href="http://www.chethams.org.uk/collections_halliwell.html" target="_blank">Halliwell-Phillipps collection</a> (donated to the library in 1852), a fne collection of <a href="http://www.chethams.org.uk/collections_scrapbooks.html" target="_blank">scrapbooks</a> of local material and the <a href="http://www.chethams.org.uk/collections.html" target="_blank">Belle Vue zoo and gardens archive</a>.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH_nSIEd7-6cUEvnpm71hcfKZiwxe1ibl-lRJDhyISlb9MibVkAkzR8JzVHndJETN7CIgQ6wT6WDUDyfZiozzsy4_-M9V1qqdRi8nnxclhr7NT19gc4tOI00c-MzeeC5EdCQ_bwOLpCJI/s1600/Chethams+scrapbooks.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH_nSIEd7-6cUEvnpm71hcfKZiwxe1ibl-lRJDhyISlb9MibVkAkzR8JzVHndJETN7CIgQ6wT6WDUDyfZiozzsy4_-M9V1qqdRi8nnxclhr7NT19gc4tOI00c-MzeeC5EdCQ_bwOLpCJI/s400/Chethams+scrapbooks.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Chetham's Library, Manchester</td></tr>
</tbody></table>
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There is project to digitise ballads across all Manchester libraries, including the newly-acquired (and already indexed) <a href="http://www.chethams.org.uk/news.html" target="_blank">Robert Holt Collection of Manchester Street Songs and Ballads</a>.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-49242622992184828132012-12-21T10:47:00.000+00:002012-12-21T10:50:56.339+00:00Postcard exhibition in Boston<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwi_0Dtb8LNQSn4sFN0jvY_iM3BKPtzmaHuE2fBaH5wJnjHHEHH1K2Fj_GlyVCP7NMsZe3cXQ8xkduPSx4sCGbKREiHREKA3l0eEFiMVdmqa_NNNaKGvGbwM8lDkuAh_BLA1NsfTWr7Mg/s1600/MFA+Postcard+age.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwi_0Dtb8LNQSn4sFN0jvY_iM3BKPtzmaHuE2fBaH5wJnjHHEHH1K2Fj_GlyVCP7NMsZe3cXQ8xkduPSx4sCGbKREiHREKA3l0eEFiMVdmqa_NNNaKGvGbwM8lDkuAh_BLA1NsfTWr7Mg/s400/MFA+Postcard+age.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Museum of Fine Arts, Boston <a href="http://www.mfa.org/">www.mfa.org</a></td></tr>
</tbody></table>
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Many thanks to John Sayers for alerting me to the exhibition <a href="http://www.mfa.org/exhibitions/postcard-age" target="_blank">The Postcard Age</a> at the Museum of Fine Arts in Boston, which runs until April 14 2013. Although sadly I won't see the exhibition itself, there are screen shots of it online, and I am very much looking forward to reading the accompanying book <a href="http://www.mfa.org/collections/publications/postcard-age" target="_blank">The Postcard Age</a> by Linda Klich and Benjamin Weiss, which we now have in the Bodleian Library. <br />
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The exhibition is a taster of the 100,000 postcards which Leonard A. Lauder (son of Estée) is gradually giving to the Museum. The cards are arranged by themes such as urban life, the changing role of women, sports, celebrity, new technologies, art nouveau and WWI. <br />
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There is an online slideshow of 10 cards from the exhibition and you can send a virtual postcard from the exhibition. I particularly like the <a href="http://www.mfa.org/" target="_blank">moving images</a> of the display (together with the other current exhibitions), which can be seen from the museum's home page. Postcards, by virtue of their size, present challenges for display and it is good to see how the museum has approached these.<br />
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An online article from the New Yorker, <a href="http://www.newyorker.com/online/blogs/culture/2012/10/the-pleasures-of-postcards.html#slide_ss_0=1" target="_blank">The pleasures of postcards</a> gives the background to Lauder's passion for postcards as miniature works of art. Other online articles are <a href="http://tmagazine.blogs.nytimes.com/2012/10/30/wild-cards/" target="_blank">Wild cards</a> (New York Times), <a href="http://bostonglobe.com/arts/theater-art/2012/10/27/postage-guaranteed-mfa/LqAv7OOFbLK2cHaAVJjQuO/story.html" target="_blank">MFA exhibit showcases postcard marvels</a> (Boston Post) and <a href="http://online.wsj.com/article/SB10000872396390443675404578060961038785152.html" target="_blank">Cards to write home about</a> (Wall Street Journal).<br />
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<tr><td class="tr-caption" style="text-align: center;">Japanese postcards from the MFA's website: <a href="http://www.mfa.org/">www.mfa.org</a></td></tr>
</tbody></table>
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Nearly 22,000 Japanese postcards from the Leonard A. Lauder Collection are already at the museum and can be seen online (most with images).<br />
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This is a serious postcard collection, acquired over many years and representing the height of the postcard craze from the 1900s to the beginning of the First World War. Leonard A. Lauder has collected the jewels of this age, internationally. It is a pleasure to see these cards given the status of a museum collection, with a dedicated exhibition, and elucidated in a scholarly volume.<br />
<br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-3043955155598423235.post-78729813716973785812012-12-18T10:55:00.000+00:002012-12-18T10:55:01.580+00:00Australasian Ephemera - Part 2: Australia. Guest post by Anthony TedeschiVery many thanks to Anthony Tedeschi for his second post about Australasian ephemera and to Richard Overell of Monash University for supplying images from their collections. Anthony's own blog: <a href="http://www.antipodeanfootnotes.blogspot.co.uk/" target="_blank">Antipodean Footnotes</a> gives fascinating insights into rare books and special collections in New Zealand and Australia.<br />
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-NZ">Australasian
Ephemera Collections – Part 2: Australia</span></b></div>
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<br /></div>
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<span lang="EN-NZ">Following on from my <a href="http://ephemeraresources.blogspot.co.uk/2012/10/australasian-ephemera-guest-post-by.html" target="_blank">guest post in October on New Zealand ephemera collections</a>, the second of this two-part post highlights some
of the ephemera collections held by Australian institutions. Like the New
Zealand post it is hoped additions will be made by way of comments.</span></div>
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<br /></div>
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<span lang="EN-NZ">For details on the various subject categories
collected, it is suggested interested readers consult each institution’s
on-line catalogue (subject search ‘ephemera’). A <i style="mso-bidi-font-style: normal;">Directory of Australian Ephemera Collections </i>was published by the
State Library of New South Wales in 1992. An Index, compiled by the State
Library of Victoria, was published the following year.</span></div>
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<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIFJY0l9atpXfMWEkyVte58TxY6eLLYQsQ0hUdK0_L6mDX6-MEIJRDiAGV__O_RwlJfzdS4hWgyzGZznjElYQDnKVnswa1hAyN-2F-Fi3UrVvKbsA3asTaO36A_7u89RhYbHVZ9DB-bu8/s1600/img013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIFJY0l9atpXfMWEkyVte58TxY6eLLYQsQ0hUdK0_L6mDX6-MEIJRDiAGV__O_RwlJfzdS4hWgyzGZznjElYQDnKVnswa1hAyN-2F-Fi3UrVvKbsA3asTaO36A_7u89RhYbHVZ9DB-bu8/s320/img013.jpg" width="287" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Monash University: special collections</td></tr>
</tbody></table>
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<span lang="EN-NZ"><br /></span></div>
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<span lang="EN-NZ"></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ"><a href="http://www.aiatsis.gov.au/library/docs/ephemera_dec2008.pdf">Australian
Institute of Aboriginal and Torres Strait Islanders Studies</a></span></div>
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<span lang="EN-NZ">The AIATSIS began collecting ephemera in the 1970s.
Starting out with a focus on print material, the collection has grown to
include non-paper items, such as badges, t-shirts, and tea towels. The largest
sequence in the collection is comprised of invitations to openings of
Indigenous art exhibitions from across Australia. </span></div>
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<br /></div>
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<span lang="EN-NZ">A PDF summary of the collection and index to the ephemera
categories is available (see link above).</span></div>
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<br /></div>
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<span lang="EN-NZ"><a href="http://www.awm.gov.au/findingaids/">Australian
War Memorial</a></span></div>
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<span lang="EN-NZ">The AWM finding aids page includes links to multiple guides
from aerial photographs and card, certificates and leaflets, to private records
and film and sound. Though many of the guides pertain to ephemeral material,
such as the <a href="http://www.awm.gov.au/findingaids/special/Cards/cig.xml">Guide
to the Cigarette & Trade Card Collection</a>, under the specifically named
‘Ephemera (includes cards, certificates, leaflets, postcards and souvenirs)’
heading are listed: <a href="http://www.awm.gov.au/findingaids/special/Ephemera/bcof.xml">British
Commonwealth Occupation Force Souvenirs Collection, Souvenirs 15</a>, the <a href="http://www.awm.gov.au/findingaids/special/Ephemera/korea.xml">Korean
Collection</a>, the <a href="http://www.awm.gov.au/findingaids/special/Ephemera/vietnam.xml">Vietnam
Collection</a>, the <a href="http://www.awm.gov.au/findingaids/special/Ephemera/gulf.xml">Gulf War
Collection</a>, the <a href="http://www.awm.gov.au/findingaids/special/Ephemera/timor.xml">East Timor
Collection</a>, the <a href="http://www.awm.gov.au/findingaids/special/Ephemera/iraq2003.xml">Iraq
2003 Collection</a>, and the <a href="http://www.awm.gov.au/findingaids/special/Ephemera/Afghanistan.xml">Afghanistan
Collection</a>.</span></div>
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<span lang="EN-NZ"><b>Monash University Library</b> </span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6kjJDLGSdOzEDt1rgigpY31xQ-UrD7nlMAcekeI4xoIU7cdkXDoaXKPJXfPzV-qlaybOsYQ6M8lnxQ63EwO8i2DgxUKW3OEbAx41oaLB57TVJepIGUE4pReM7w4Xc4_ujSLb_V-ODVzg/s1600/Ephemera032.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6kjJDLGSdOzEDt1rgigpY31xQ-UrD7nlMAcekeI4xoIU7cdkXDoaXKPJXfPzV-qlaybOsYQ6M8lnxQ63EwO8i2DgxUKW3OEbAx41oaLB57TVJepIGUE4pReM7w4Xc4_ujSLb_V-ODVzg/s320/Ephemera032.jpg" width="241" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Monash University: special collections</td></tr>
</tbody></table>
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<br /></div>
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<span lang="EN-NZ">Monash University special collections have been
acquiring ephemera since the 1990s. Material in the collection dates from late
seventeenth-century English pamphlets and broadsides to current menus, games, souvenirs,
posters, flyers, cards, and junk mail. In 2011, the library hosted an
exhibition called <i style="mso-bidi-font-style: normal;">Ephemera</i>, with a <a href="http://monash.edu/library/collections/exhibitions/ephemera/ephemera-catalogue.pdf">catalogue
(PDF)</a> and <a href="http://monash.edu/library/collections/exhibitions/ephemera/virtual/">on-line
version</a> providing an overview of its rich holdings.</span></div>
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<span lang="EN-NZ">The Monash collection featured on the John Johnson
Collection’s Ephemera Resources blog on <a href="http://ephemeraresources.blogspot.co.nz/2012/02/monash-university-library.html">6
February 2012</a>.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK7Sa9w0rPOGPUIBq1flNUCB8Y6xXlEzM9GQXtroKdZDP3vUTYV_6j1ZMNsc6nHJ3oCTAq_39_v6jH83Nl12mkX6qn617btSre7tZaebEcyVx3B3cY_aXUnrVRj_oVufMWK-CyySyt1Z4/s1600/img014.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK7Sa9w0rPOGPUIBq1flNUCB8Y6xXlEzM9GQXtroKdZDP3vUTYV_6j1ZMNsc6nHJ3oCTAq_39_v6jH83Nl12mkX6qn617btSre7tZaebEcyVx3B3cY_aXUnrVRj_oVufMWK-CyySyt1Z4/s320/img014.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Monash University: special collections</td></tr>
</tbody></table>
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<span lang="EN-NZ"><a href="http://www.nla.gov.au/what-we-collect/ephemera">National Library of
Australia</a></span></div>
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<span lang="EN-NZ">Australia’s national library has been collecting
ephemera relevant to the nation since the 1960s. The Australian ephemera is
indexed and divided into seven themes by subject: Australian performing arts
programmes and ephemera (PROMPT), formed collections, general ephemera,
geography and travel, programmes and invitations, scrapbooks, and trade
catalogues. While the NLA collects widely, it aims to acquire as much Federal
election campaign material and material relating to national events as
possible. In 2007, the NLA received the oldest example of Australian printing –
the 1796 <a href="http://treasure-explorer.nla.gov.au/treasure/jane-shore-playbill/resources">‘Jane
Shore playbill’</a> – as a gift from the Canadian government.</span></div>
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<span lang="EN-NZ">The NLA maintains a <a href="http://www.nla.gov.au/services/documents/GeneralEphemeraThesaurus.pdf">General
Ephemera Collection Thesaurus</a> (PDF). Readers might also be interested in
the Library’s database <a href="http://trove.nla.gov.au/">Trove</a>, which
includes a number of ephemera related resources and collections listed among
its contents from across Australia, some of which, such as the <a href="http://pandora.nla.gov.au/pan/77226/20071011-0000/www.sl.nsw.gov.au/fedephemera/">Federation
Ephemera at the State Library of New South Wales</a> project, are freely
available on-line.</span></div>
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Visitors can browse the
ephemera collection and read the Library’s <a href="http://www.nla.gov.au/collection-development-policy/australian-printed-material#ephemera4">ephemera
collection development policy</a>. The Library’s ‘Behind the Scenes’ blog has
also recently added two posts on ‘canvassing election ephemera in the Pacific’
(<a href="http://blogs.nla.gov.au/behind-the-scenes/2012/12/11/canvassing-election-ephemera-in-the-pacific/">Part
1</a> and <a href="http://blogs.nla.gov.au/behind-the-scenes/2012/12/18/canvassing-election-ephemera-in-the-pacific-%E2%80%93-part-2/">Part
2</a>).</div>
<br /><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ"></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ"><a href="http://www.sl.nsw.gov.au/about/collections/objects_ephemera.html">State
Library of New South Wales</a></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ">Between the Mitchell and State Reference libraries,
the SLNSW holds a diverse collection of ephemera, which includes some of the
earliest examples in Australia. Among the individual pieces highlighted on the
Library’s website are: a 1612 Dutch translation of the de Quiros pamphlet,
which contains the earliest printed reference to the word ‘Australia’, a
broadside ca. 1789 describing a wild man or monstrous plant brought from Botany
Bay, a playbill dated 8 March 1800, propaganda leaflets dropped by a Turkish
aeroplane at Gallipoli during World War I, and an album of invitations, menus
and other ephemeral printing related to the Inauguration of the Commonwealth of
Australia in 1901.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ"><a href="http://www.sl.nsw.gov.au/discover_collections/history_nation/aviation/passenger/ephemera.html"><span style="color: windowtext; text-decoration: none; text-underline: none;">Among the
subjects highlighted on-line are collections related to </span>Qantas airline</a>,
which includes material from the 1920s to the present day, and on <a href="http://143.119.202.13/discover_collections/society_art/races/ephemera/index.html">horse
racing</a>.</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ"><a href="http://www.slq.qld.gov.au/?a=7428">State Library
of Queensland</a></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ">The John Oxley Library of the State Library of
Queensland notes calendars, elections, exhibitions and festivals, invitations,
menus, royalty and royal visits, sport, and trade programmes among the
categories of material which it collections. The strongest sequence in the
collection is the Library’s theatre programmes, which date from 1866 to the
present day.</span></div>
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<br /></div>
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<span lang="EN-NZ">The John Oxley Library blog uploaded <a href="http://blogs.slq.qld.gov.au/jol/tag/ephemera/">two helpful posts</a> (available
on the same page) describing its theatre ephemera and how to search the
ephemera collection in the Library catalogue.</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ"><a href="http://guides.slsa.sa.gov.au/content.php?pid=225124&sid=1896730">State
Library of South Australia</a></span></div>
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<span lang="EN-NZ">Material in the State Library of South Australia’s
ephemera collection dates from 1836 onwards, and includes material similar in
nature to many other institutions, from badges and business cards, to greeting
cards and sheet music. The library, however, also holds a unique collection of
wine labels. Collected since 1972, there are approximately 10,000 labels in the
collection, reflecting the state’s connection to the Australian wine industry.
A description of the collection can be found on the ephemera guide page (see
link above), and two hundred and fifty labels have been digitised and are
available through the Library’s <a href="http://www.winelit.slsa.sa.gov.au/sipsup.htm">Wine Literature of the
World</a> website.</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ"><a href="http://www.slv.vic.gov.au/our-collections/what-we-collect/ephemera">State
Library of Victoria</a></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ">Centred on ‘Victoria and Victorians’, but including
material from across the country as well, the State Library of Victoria holds
one of the largest ephemera collections in Australia. Material dates from the
1850s onwards. In addition to the types of ephemeral material held by other
institutions, the SLVA is busy building a collection of local zines to document
Melbourne’s thriving art and music scenes.</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ">Three of the library’s major ephemera collections – <a href="http://www.slv.vic.gov.au/our-collections/what-we-collect/ephemera/advertising">advertising</a>,
<a href="http://www.slv.vic.gov.au/our-collections/what-we-collect/ephemera/political-ephemera">political
ephemera</a>, and <a href="http://www.slv.vic.gov.au/our-collections/what-we-collect/ephemera/theatre-programmes">theatre
programmes</a> – have individual descriptions. Some examples from the Library’s
ephemera collection have been digitised, such as the fan-shaped programme for
the play <i style="mso-bidi-font-style: normal;"><a href="http://www.slv.vic.gov.au/theatrep/0/0/0/doc/tp000000.shtml">School for
Scandal</a> </i>(Melbourne, 1869) and the 1935 <i style="mso-bidi-font-style: normal;"><a href="http://www.slv.vic.gov.au/rareltpam/gid/slv-pam-aaa13782">Myer
Mail Order Shoppers’ Guide for Autumn & Winter</a></i>. There is also a
research guide to the Library’s <a href="http://guides.slv.vic.gov.au/content.php?pid=147377&sid=1252677">Political
Ephemera Poster Collection</a>. A number of the posters have also been
digitised and are available on-line.</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ"><a href="http://www.liswa.wa.gov.au/find/wa_collections/ephemera">State Library of
Western Australia</a></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ">The SLWA ephemera collection numbers over 100,000
items. The library maintains <a href="http://www.liswa.wa.gov.au/find/wa_collections/ephemera/highlights_of_the_ephemera_collection">a
selection of highlights</a> from its ephemera collection on topics such as ships
and shipwrecks in Western Australia, royal visits, firms and businesses, the
Festival of Perth, and a collection of tombstone inscriptions gathered from
Western Australian cemeteries. There is also a page dedicated to <a href="http://www.liswa.wa.gov.au/find/guides/indigenous_material/find_indigenous_ephemera">finding Indigenous ephemera</a>.</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-NZ"><b>University of Queensland</b> </span></div>
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<span lang="EN-NZ">While I could not find a general summary of its ephemera
collection, the University of Queensland Fryer Library has highlighted some
aspects of the collection, such as <a href="http://www.library.uq.edu.au/fryer/treasures/political_ephemera/political_ephemera.html">political
ephemera</a> and material marking <a href="http://www.library.uq.edu.au/fryer/treasures/q150/q150.html">Queensland
statehood</a>, as part of its <a href="http://www.library.uq.edu.au/fryer/treasures">Treasure of the Month</a>
on-line exhibition series.</span></div>
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<br /></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-NZ">New Zealand
Update: </span></b><span lang="EN-NZ"><a href="http://www.aucklandcitylibraries.com/aboutthelibraries/collections/Special-Collections/ephemera.aspx">Auckland
City Library Ephemera Collection</a></span></div>
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<span lang="EN-NZ">Part of the Sir George Grey Special Collections, the
ACL Ephemera Collection includes material from the 1840s onwards divided into
three distinct collections: the Old Colonists’ Museum Collection (material on
Auckland’s colonial period given to the library when the OCM closed in the
1950s), the Freida Dickens Programme Collection (music, dance and theatre
programmes, 1911-1976), and the New Zealand Ephemera Collection, which is
divided into two sequences based on type and subject matter respectively
(material includes menus, tickets, advertising flyers, cards and calendars).</span></div>
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<br /></div>
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<span lang="EN-NZ">The library maintains a searchable <a href="http://www.aucklandcitylibraries.com/getdoc/8de5bf7b-44b4-46bf-a9bc-b8b772b51291/ephemeraindex.aspx">ephemera
index database</a>.</span></div>
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<br /></div>
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<span class="MsoHyperlink"><span lang="EN-NZ" style="color: windowtext; text-decoration: none; text-underline: none;">----</span></span></div>
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<br /></div>
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<span class="MsoHyperlink"><span lang="EN-NZ" style="color: windowtext; text-decoration: none; text-underline: none;">Wishing everyone Happy Holidays and a
joyous New Year from the Antipodes!</span></span></div>
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<br /></div>
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<span lang="EN-NZ">[Guest post by Anthony Tedeschi, Rare Books Librarian,
Dunedin City Library]</span></div>
Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-3043955155598423235.post-28296199468659090122012-12-17T11:26:00.002+00:002012-12-17T11:27:16.867+00:00Victorian Popular Culture (Adam Matthew)<a href="http://www.amdigital.co.uk/Collections/Victorian-Popular-Culture.aspx" target="_blank">Victorian Popular Culture</a>, published by <a href="http://www.amdigital.co.uk/" target="_blank">Adam Matthew Digital</a>, is a subscription-only resource, which is available here at the Bodleian Library, through <a href="http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do" target="_blank">SOLO</a> and <a href="http://oxford1-direct.hosted.exlibrisgroup.com/V/DLBJ6236UFNYD1RJ6R1MTATJEM81YXD4URSRXYC5823GDVER4H-01591?&pds_handle=GUEST" target="_blank">OxLIP+</a> and in many other research libraries. It perfectly complements the Entertainment section of ProQuest's <a href="http://johnjohnson.chadwyck.co.uk/" target="_blank">The John Johnson Collection: an archive of printed ephemera</a>. Its main sections are Music hall, theatre and popular entertainment; Circuses, sideshows and freaks; Moving pictures, optical entertainments and the advent of cinema; and Spiritualism, sensation and magic.<br />
<br />
Although, as the title implies, largely based on the Victorian era, there is one item dating back to the16th century, four from the 17th and a large number from the 18th and 20th centuries.<br />
<br />
The material is from:<br />
<a href="http://www.shl.lon.ac.uk/specialcollections/hpl.shtml" target="_blank">The Harry Price Library of Magical Literature, Senate House, University of London</a><br />
<a href="http://www.hrc.utexas.edu/collections/performingarts/" target="_blank">Harry Ransom Center, University of Texas at Austin</a><br />
<a href="http://www.nfa.dept.shef.ac.uk/" target="_blank">National Fairground Archives, University of Sheffield</a> (see my <a href="http://ephemeraresources.blogspot.co.uk/2012/12/the-national-fairground-archive.html" target="_blank">last post</a>)<br />
<a href="http://www.nationalarchives.gov.uk/" target="_blank">The National Archives (UK)</a><br />
<a href="http://www.chethams.org.uk/collections_print.html" target="_blank">Chetham's Library, Manchester</a><br />
<a href="https://catalyst.library.jhu.edu/?q=%22May+Moore+Duprez+Archive%22&search_field=author" target="_blank">May Moore Duprez Archives</a><br />
<a href="http://www.exeter.ac.uk/bdc/" target="_blank">The Bill Douglas Centre for the History of Cinema and Popular Culture, University of Exeter</a><br />
<a href="http://www.bfi.org.uk/archive-collections" target="_blank">BFI National Archive</a><br />
<br />
Features include full-text searching, a chronological timeline, essays, secondary resources, slide shows, innovative 360 degree technologies, audio files from Saydisc records and <a href="http://www.victorianpopularculture.amdigital.co.uk/Resources/videolist.aspx" target="_blank">video clips</a>.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh72j5jI87y5chFghd09K-NCQtU5uY4ieiWC1XmWj-DycCz7SpwhqnW95hqO0jXYcxuxDW2tCND2SLES6Y-L7vHKxNwjgLPfhc0DdHR7tbjK3gfgXVPKSw99rqKKSzKlOsyeB-b4BgHhno/s1600/Victorian+popular+culture+homecropped.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh72j5jI87y5chFghd09K-NCQtU5uY4ieiWC1XmWj-DycCz7SpwhqnW95hqO0jXYcxuxDW2tCND2SLES6Y-L7vHKxNwjgLPfhc0DdHR7tbjK3gfgXVPKSw99rqKKSzKlOsyeB-b4BgHhno/s400/Victorian+popular+culture+homecropped.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Adam Matthew Digital</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOsJomzwzGI9ixXU_D36jJBWKuR2y3b_w17pg7uQGgoa3NB0jN4ZBaSlKBu904b4CwYjjn_b7EB0aQ9VOtP0Ky_Z3EiCEciv2OeLLf9Lvk49W63gpUZoevBdpZh8x5I6bPWlGurOdcvc8/s1600/Victorian+popular+cultureCards-small.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOsJomzwzGI9ixXU_D36jJBWKuR2y3b_w17pg7uQGgoa3NB0jN4ZBaSlKBu904b4CwYjjn_b7EB0aQ9VOtP0Ky_Z3EiCEciv2OeLLf9Lvk49W63gpUZoevBdpZh8x5I6bPWlGurOdcvc8/s1600/Victorian+popular+cultureCards-small.gif" /></a></div>
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It is always a pleasure to be able to cross-search collections, especially such rich ones. There are the usual search and advance search options and also browsable lists by title, author, date and type of material. A symbol indicates which section of the project the material is from (e.g the card symbol above for Spiritualism, sensation and magic). Although books, diaries, correspondence, journals, etc are included, the substance of the project is ephemera. </div>
<br />
This is an indispensable resource for Entertainment historians.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-74686477045814634832012-12-13T13:47:00.005+00:002012-12-13T13:47:58.222+00:00The National Fairground Archive<a href="http://www.nfa.dept.shef.ac.uk/intro/history.html" target="_blank">The National Fairground Archive</a> at the University Library, University of Sheffield, under the leadership of <a href="http://www.nfa.dept.shef.ac.uk/intro/toulmin.html" target="_blank">Professor Vanessa Toulmin</a>, has holdings which document fairs, circuses, menageries, magic, optical shows, etc. A <a href="http://www.nfa.dept.shef.ac.uk/holdings/atoz2/index.html" target="_blank">subject list</a> gives the scope of the collection, which includes 4,500 books, 250 journals titles, moving images, photographs, drawings, audio material, correspondence, diaries, cuttings, account books, maps, charts, plans, teaching materials, notebooks etc, as well as ephemera: postcards, trade and advertising material, programmes, calendars, almanacs, posters, proclamations, and 20,000 posters and handbills. There are <a href="http://www.nfa.dept.shef.ac.uk/holdings/catalogue/index.html" target="_blank">word processed indexes</a> (currently under revision) to each of these genres.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk5WcCPxR2QHZFt9d5NJhtr2gLBGCKJzSb_8N3h3u6ynt2o4SaQR8lr1-025TaYprA9ymh8ITWiaK0u70DOohP3epo-JrWTkFEk1DFtNsAgsMuKdKsWFg5X9yxUPijnAAQdJLh0l4lC5A/s1600/NFA+homecropped.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk5WcCPxR2QHZFt9d5NJhtr2gLBGCKJzSb_8N3h3u6ynt2o4SaQR8lr1-025TaYprA9ymh8ITWiaK0u70DOohP3epo-JrWTkFEk1DFtNsAgsMuKdKsWFg5X9yxUPijnAAQdJLh0l4lC5A/s320/NFA+homecropped.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) NFA, University of Sheffield</td></tr>
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The site includes<a href="http://www.nfa.dept.shef.ac.uk/history/index.html" target="_blank"> articles</a>, <a href="http://www.nfa.dept.shef.ac.uk/holdings/rlist/index.html" target="_blank">bibliographies</a> and <a href="http://www.nfa.dept.shef.ac.uk/societies/index.html" target="_blank">links to other websites and resources</a>.<br />
<br />
Researchers can <a href="http://www.nfa.dept.shef.ac.uk/intro/using1.html" target="_blank">visit in person</a>, without an appointment Monday to Wednesday, with an appointment on Thursday. <a href="http://www.nfa.dept.shef.ac.uk/intro/using1.html" target="_blank">Opening hours</a> are posted online.<br />
<br />
The National Fairground Archive has just launched <a href="http://cdm15847.contentdm.oclc.org/cdm/landingpage/collection/p15847coll3" target="_blank">NFA digital</a>, with images added weekly. 19,720 images are currently online and these can be <a href="http://cdm15847.contentdm.oclc.org/cdm/search/collection/p15847coll3/field/all/mode/exact/conn/and/order/title/ad/asc/collection/p15847coll3" target="_blank">browsed</a> or searched by collection, period, subject, place and name. The <a href="http://cdm15847.contentdm.oclc.org/cdm/about/collection/p15847coll3" target="_blank">Search tips</a>, especially the explanations of <a href="http://www.nfa.dept.shef.ac.uk/nfadigital/digital1.html" target="_blank">themes</a> and <a href="http://www.nfa.dept.shef.ac.uk/nfadigital/digital2.html" target="_blank">subject terms</a>, are very helpful.<br />
<br />
You can follow the National Fairground item on Twitter: @professorvaness <br />
<br />
<br />
The subscription site: <a href="http://www.victorianpopularculture.amdigital.co.uk/Introduction/index.aspx" target="_blank">Victorian Popular Culture</a> (Adam Matthew) which will be covered more thoroughly in my next post, includes material from the National Fairground Archive<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPUyacQPGZTzTlJWGsrZaFDtWDZmlV52SoFLQbTHGot-du5rOzLvhhJN2RRjBV4R2G0g3oOmS6ooqF54iPO7vyXozMY2wvcRiRTqytLbJ_EEcUY-f7Q1REPZLLBjIBEg3NJLXaOZrbCRs/s1600/NFA.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPUyacQPGZTzTlJWGsrZaFDtWDZmlV52SoFLQbTHGot-du5rOzLvhhJN2RRjBV4R2G0g3oOmS6ooqF54iPO7vyXozMY2wvcRiRTqytLbJ_EEcUY-f7Q1REPZLLBjIBEg3NJLXaOZrbCRs/s400/NFA.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) NFA, University of Sheffield</td></tr>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-9329612090002852932012-12-06T10:58:00.001+00:002012-12-06T11:00:31.343+00:00The Circus Museum, NL<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifoC0BeOqEEmcXpCETIhb4_wk8kRSjv-qV745l1bRz29p0y9pABiXendKZ1qP1D6UhFhvzXmlNL-E8IaVzquuU7ceSExWdCfl-jMpVPuC9z0GFIgdkRuV_uvZEeUM2vAim_-vXiFWPDjI/s1600/Circus+Museum+nl+Clowns.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifoC0BeOqEEmcXpCETIhb4_wk8kRSjv-qV745l1bRz29p0y9pABiXendKZ1qP1D6UhFhvzXmlNL-E8IaVzquuU7ceSExWdCfl-jMpVPuC9z0GFIgdkRuV_uvZEeUM2vAim_-vXiFWPDjI/s400/Circus+Museum+nl+Clowns.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Circus Museum nl</td></tr>
</tbody></table>
More ephemera from Holland. <br />
<br />
<a href="http://www.circusmuseum.nl/eng/index.php?option=com_frontpage&Itemid=1" target="_blank">The Circus Museum, NL</a> is a superb site, with a wealth of imagery. There are both Dutch and English versions. The Foundation (housed at the <a href="http://www.teylersmuseum.eu/index.php?item=1&lang=en" target="_blank">Teyler Museum, Haarlem</a>) contains the collection of <a href="http://www.circusmuseum.nl/eng/index.php?option=com_content&task=view&id=13&Itemid=28" target="_blank">Jaap Best</a> augmented (during his lifetime) by the archives of the German acrobat and circus collector Erdwin Schirmer. This consisted largely of 3,500 chromolithographed posters of <a href="http://www.circusmuseum.nl/eng/index.php?option=com_content&task=view&id=14&Itemid=29" target="_blank">Adolph Friedländer</a>.<br />
<br />
Online are 8,000 posters, and 7,000 circus photographs and postcards. Reproductions can be bought for most of them but the zoomable images are ideal for research. Although predominantly Dutch and German, the collection is truly international, as the scroll-bar list of towns in <a href="http://www.circusmuseum.nl/eng/index.php?option=com_memorix&Itemid=26" target="_blank">advanced search</a> reveals.<br />
<br />
Searchable fields in Advanced search are Circus, Person, Designer/Photographer, Lithographer, Place, Date range and Material type, and keywords (which can be searched in English: clown, elephant, horse etc).<br />
<br />
There is a very useful feature in Simple search: each of the main categories (Acrobatics, Animals, Clowns, Dance, Ethnographic shows, Fairgrounds, Folklore, Freaks, Jugglers, Musicians, Music and Theatre) can be further refined by its own subcategories through a second scroll-bar (e.g Acrobats, stilt-walkers).<br />
<br />
A very effective site, which enables complex searches of its superb collections with the minimum of fuss. <br />
<br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-14421803434039319422012-12-04T10:00:00.001+00:002012-12-04T22:11:11.604+00:00Board games and Advertising in the NetherlandsMy thanks to <a href="http://ephemeraresources.blogspot.co.uk/2012/06/giochidelloca-website-for-games-based.html" target="_blank">Prof Adrian Seville</a> for alerting me to these two sites: <a href="http://hong.vlinden.com/index.asp?vi=li&uz=j" target="_blank">HONG</a> and <a href="http://www.reclamearsenaal.nl/" target="_blank">Reclame Arsenaal</a><br />
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GAMES: HONG<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisXl_M0H2MfJ4JoL-7JAK351osKsgs0rkAJIsAUOqQwKDSJdVtpgejzjcVswpZZhXqmUjBVG-SAzCE0i0nOhHBKfVl9xrJSCMslC53WrotB8pOfCmBQe3jEl-OtrJLAvhdlOOsfGukORw/s1600/HONG.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisXl_M0H2MfJ4JoL-7JAK351osKsgs0rkAJIsAUOqQwKDSJdVtpgejzjcVswpZZhXqmUjBVG-SAzCE0i0nOhHBKfVl9xrJSCMslC53WrotB8pOfCmBQe3jEl-OtrJLAvhdlOOsfGukORw/s320/HONG.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) HONG<!--[if gte mso 9]><xml>
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<a href="http://hong.vlinden.com/index.asp?vi=li&uz=j" target="_blank">HONG</a> (Historisch Overzicht Nederlandse Gezelschapsspellen) is a historical survey of Dutch games, the website of Rob van Linden. It can be browsed by publisher, title, and themes (cars, planes, boats, trains, sports, Disney, music etc). There is also simple and advanced searching (Uitgrebrieder zoeken). <br />
<br />
Each entry typically has several digital images, showing the packaging (where applicable), contents and sometimes details, but not (for later games at least) necessarily each separate card or element of the game. Many board games are commentated. There is a very useful <a href="http://hong.vlinden.com/uitgevers.asp" target="_blank">table giving the chronology of games publishers</a> and their relationship with each other.<br />
<br />
Since I have to confess to an almost total ignorance both of Dutch games and language, I found date a rewarding way to search this impressive resource, it then becoming possible to make comparisions with British games. This is best done through the advanced screen. Entering 1700-1800 gave me 36 fascinating results. The major focus of the site is games dating from 1861-1999.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnc8pVilpeYHIRgm5NdeUct2vr5lBCfg-qpNA1eMlCrjB3HgJbRcHUzTH4KOWp-HtpYtnlR3J2eCXgtfOsbLZnOo1jb6562PU-ViJa1zi20zyLo0Wf0KPTWT2u7TbwrWyukY8jjvujXSY/s1600/HONG+1860.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnc8pVilpeYHIRgm5NdeUct2vr5lBCfg-qpNA1eMlCrjB3HgJbRcHUzTH4KOWp-HtpYtnlR3J2eCXgtfOsbLZnOo1jb6562PU-ViJa1zi20zyLo0Wf0KPTWT2u7TbwrWyukY8jjvujXSY/s320/HONG+1860.JPG" width="320" /></a></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6M8RDt923ln9r6nQCSeo-RbD59sA858D9BDp34DeoSv01fVz8KUKYWQW9TjgQRQPkc_blhYVJo5jAbTD6czESienT7P7WoKe010Q7Y9K8LwOQxNUw6tEf4ZX_L9FdH_Z3PqjaggdVeXM/s1600/HONG+Krygs+spel.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6M8RDt923ln9r6nQCSeo-RbD59sA858D9BDp34DeoSv01fVz8KUKYWQW9TjgQRQPkc_blhYVJo5jAbTD6czESienT7P7WoKe010Q7Y9K8LwOQxNUw6tEf4ZX_L9FdH_Z3PqjaggdVeXM/s320/HONG+Krygs+spel.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Krygs spel, 1710 Photo (C) Luigi Ciompi. The game is held<br />
at the <a href="http://www.openluchtmuseum.nl/index.php?pid=372&item=4190" target="_blank">Openluchtmuseum</a></td></tr>
</tbody></table>
As in the case of the earliest game: the <i>Krygs Spel</i> (left), many images (of the Game of the goose and other games) come from the <a href="http://www.giochidelloca.it/scheda.php?id=831" target="_blank">Gioci dell'Oca website</a> and from the <a href="http://thebiggamehunter.com/inventors/fred-horn/" target="_blank">Fred Horn</a> Goose games at the <a href="http://www.khbo.be/15159" target="_blank">Flemish Games archive, KHBO University in Bruges</a> (a collection of 25,000 games housed in the Faculty of Education and Teacher Training, with its main focus "the integration of board games in early childhood, primary and secondary teaching"). Others come from Dutch museums (notably the <a href="http://www.speelgoedmuseumdeventer.nl/" target="_blank">Speelgoedmuseum Deventer</a>) and libraries, including the Reclame Arsenaal. Each game is also cross-referenced to variant titles (where applicable) and to relevant reference works.<br />
<br />
ADVERTISING: THE RECLAME ARSENAAL<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjo09s_ogG1fkwdY67JwCSSmD6e1yrGHYvYN8DRK89FuLZOMyRR9PTqUkOECxZQn_uRvZ59enrd3ZTFqt737TzMnZtsyWO02u_xo3amf_2kqXNtDUHkJWT96HkrSGb4OJGgD3tn6GSV6c/s1600/ReclameArsenaal+home.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjo09s_ogG1fkwdY67JwCSSmD6e1yrGHYvYN8DRK89FuLZOMyRR9PTqUkOECxZQn_uRvZ59enrd3ZTFqt737TzMnZtsyWO02u_xo3amf_2kqXNtDUHkJWT96HkrSGb4OJGgD3tn6GSV6c/s400/ReclameArsenaal+home.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(C) Reclame Arsenaal nl. (Home page)</td></tr>
</tbody></table>
<br />
<br />
The <a href="http://www.reclamearsenaal.nl/" target="_blank">Reclame Arsenaal</a> is the result of a merger in 2001 of the Nederlands Reclameachief (Dutch Advertising Archive), founded in 1981, and the Nederlands Reclame Museum (Dutch Advertising Museum), founded in 1975.<br />
<br />
Again, a command of Dutch would be a distinct advantage, but there is much to explore: a searchable database, virtual museum, online exhibitions, etc. The material is divided into Advertisements, Posters, Small printed works (leaflet, calendars, etc.) and Varia (works in other media such as textiles, enamel) and dates back to 1870. For purposes of the virtual tour, online museum, etc the works are divided into periods: 1870-1915, 1915-1930, 1930-1940, 1940-1945, 1945-1960, 1960-1975, 1975-1990, 1990-2002. A nice, quirky touch is a <a href="http://www.reclamearsenaal.nl/index.php?id=46" target="_blank">street image for each period</a>, showing the Reclame Arsenaal material as if displayed on billboards, etc. Mousing over one of these items turns it into colour, while clicking brings up a pop-up box with caption and link to the main object description. Each period is accompanied by digest of Dutch history.<br />
<br />
The <a href="http://www.reclamearsenaal.nl/index.php?id=223" target="_blank">searchable database</a> offers simple and advanced searching. My simple search for Chocolade brought up 21 items, all with thumbnails which click through to records with larger images. Advanced searching enables the user to restrict results to type of object, collection (other collections, e.g. Decaux can be searched through this database) and date. There is Boolean searching. The collection includes games (a search for spel) yields 80 results.<br />
<br />
There are also multimedia online exhibitions, for <a href="http://www.reclamearsenaal.nl/index.php?id=295" target="_blank">Persil</a> and <a href="http://www.reclamearsenaal.nl/index.php?id=494" target="_blank">Packaging</a> for example.<br />
<br />
Both sites offer interesting ways to compare Dutch culture with our own, either chronologically, or through Dutch versions of familiar games or advertising of international products, as well as presenting Dutch popular culture in accessible and attractive ways.<br />
<br />
<br />Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3043955155598423235.post-26182769061651978732012-11-02T13:41:00.000+00:002012-11-02T13:41:35.592+00:00Virtual exhibition: Jeux de princes, Jeux de vilains (BNF)A quick post on a virtual exhibition of games which I came across on the <a href="http://www.bnf.fr/fr/acc/x.accueil.html" target="_blank">Bibliothèque Nationale de France</a> site. A little difficult to find, it is called <a href="http://expositions.bnf.fr/jeux/index.htm" target="_blank">Jeux de princes, jeux de vilains</a>. Based on a physical exhibition in 2009, it contextualises games through images not only of the games themselves, but also works of art showing games being played, and ephemera.<br />
<br />
The exhibition is divided into the sinister and pleasurable sides of games and their place in society: <a href="http://expositions.bnf.fr/jeux/expo/face_noire/index.htm" target="_blank">La face noire du jeu</a>, <a href="http://expositions.bnf.fr/jeux/expo/plaisirs/index.htm" target="_blank">Les plaisirs du jeu</a> and <a href="http://expositions.bnf.fr/jeux/expo/societe_ludique/index.htm" target="_blank">La société ludique</a>.<br />
<br />
There are <a href="http://expositions.bnf.fr/jeux/visite/index.htm" target="_blank">guided tours by the curators</a>, <a href="http://expositions.bnf.fr/jeux/visite/album_visite/album.htm" target="_blank">commentaries on significant items</a> and drop-down menus enabling the user to explore various aspects of <a href="http://expositions.bnf.fr/jeux/feuilletoirs/01.htm#" target="_blank">playing cards, tarot, chess and children's games (les feuilletoirs)</a>. Many manifestations of <a href="http://expositions.bnf.fr/jeux/album/album.htm" target="_blank">Game of the goose</a> are online. Much to explore, and to enjoy.<br />
<br />
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<tr><td class="tr-caption" style="text-align: center;">(C) Bibliothèque Nationale de France</td></tr>
</tbody></table>
<br />Unknownnoreply@blogger.com4tag:blogger.com,1999:blog-3043955155598423235.post-61156476721831390852012-10-25T09:55:00.003+01:002012-10-25T09:55:18.343+01:00The Roy Waters Theatre Collection at Royal Holloway. Guest post by Adele Allen<i>I was fortunate to have been invited to the launch last week of the Roy Waters Theatre Collection at Royal Holloway: a superb, newly available, resource. This guest post is by Adele Allen, Special Collections Archivist, who has just finished cataloguing the collection.</i><br />
<br />
I am delighted to have been invited to write a guest post on
the Roy Waters Theatre Collection, held at Royal Holloway, University of
London. <br />
<br />
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<b><span style="color: #1f497d;">RW/1/7/6:</span></b><span style="color: #1f497d;"> Photograph of Roy Waters in Boscastle, 1948</span></div>
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The collection of theatrical ephemera was bequeathed to the
university in 2010 by the former </div>
teacher, school inspector and theatre enthusiast
Roy Waters (1928-2010). It was Roy’s despair about how to conceal the elaborate
flock wallpaper covering the walls of his new home and the subsequent
suggestion of a friend that he use framed playbills and posters so as to make
the space resemble a theatre foyer, which led him to spend over forty years
carefully acquiring an impressive array of autograph letters, printed ephemera
and artefacts reflecting his passion for the theatre.<br />
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<span style="mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">The collection provides a fascinating insight into theatrical
entertainment through the interests of a private collector. With a particular
emphasis on well known actors, actresses and dramatists, the collection vividly
illustrates their careers via autograph letters, programmes, playbills, photographs,
news cuttings, prints and artefacts, ranging from the eighteenth to the twenty
first century. We also hold Roy Waters’ personal papers, providing insight into
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<span style="mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><span style="mso-spacerun: yes;"> </span></span>The focus of the collection on individual actors, actresses
and singers is emphasised by the fact that the many series, including autograph
letters and sheet music, are arranged alphabetically by performer - from
Frances Abington writing in 1786 to Doris Zinkeisen, painter, theatrical
costume and set designer in 1955 in the case of the letters, and from the
dulcet tones of Henry Ainley to those of Tom Woottwell in the sheet music.
However, as is the nature of private collections, particular enthusiasms
emerged over the course of Roy’s collecting, and these are given special
emphasis. Oscar Wilde, Henry Irving and Noel Coward at various times were the
focus of his list of ephemera ‘wants’, and as a consequence<span style="mso-spacerun: yes;"> </span>there are discrete series of material
relating to these individuals, including, for instance, two 1882 cabinet card
photographs of Oscar Wilde taken by Napoleon Sarony in New York. Likewise,
there is a wonderful selection of scene sheets from continental toy theatre
publishers such as Paluzie [Spain] and Schreiber [Germany].</div>
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<span style="mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">The material, eclectic and varied as it is, can be brought together to
tell a compelling story about the relationship between the theatre and the
society in which it operated. </span>Newspapers from 1681-1945 allow not only
an insight into shows being advertised and reviewed, but the political and
social context within which the plays were staged. Playbills and posters
equally can provide information beyond cast lists and scene summaries, a
Princess’s Theatre playbill for ‘King Lear’ dating from 1858 includes a passage
written by Charles Kean about the production and the Princess's Theatre's
staging of the play, with reference made to other Shakespearian revivals at the
theatre. Likewise, a Theatre Royal, Covent Garden playbill of 1809 is largely
given over to a response to the O.P [Old Price] Riots, with a notice from the
committee 'for examining the affairs of Covent Garden', justifying the rise in
the price of admission with audited accounts covering the previous seasons. </div>
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Visually appealing as well, the collection contains a
fantastic sequence of portrait and satirical prints, as well as cabinet card
photographs and over 3000 photographic postcards. A small but varied collection
of original art work ranges from a Samuel de Wilde painting of Stephen Kemble
as Falstaff – reputedly the only English actor to play the role without
artificial padding (!) – to a limited edition print of a David Bowie self
portrait, signed by the artist. Six Agatha Walker wax figurines of characters
from ‘The Beggar’s Opera’ as well as another of Gwen Ffrangcon Davies in ‘The
Barrett’s of Wimpole Street’ add a three dimensional appeal to the collection. The
world of film and radio is in fact well represented, with over 400 cigarette
cards, a discreet series of material including a number of photographs relating
to the actor Edmund Gwenn, the only actor to receive an Academy Award for playing
the role of Santa Claus, and a file of correspondence from the Hollywood actress
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqdNgvVzc5WLmUBGHISCj4zwtpn8R6DboiiEygPcrxEYqUwno45btZLaPMVWb1QjKizyhiWwJQsYqVMuai-mq5KPCWSMOmHCaswHWp7_J3jNlhSHadEJ9RRfVA_7bqv5yEVPM7reOHs8M/s1600/RW.14.3.14.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqdNgvVzc5WLmUBGHISCj4zwtpn8R6DboiiEygPcrxEYqUwno45btZLaPMVWb1QjKizyhiWwJQsYqVMuai-mq5KPCWSMOmHCaswHWp7_J3jNlhSHadEJ9RRfVA_7bqv5yEVPM7reOHs8M/s400/RW.14.3.14.jpg" width="285" /></a></td></tr>
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<b><span style="color: #1f497d;">RW/14/3/14: </span></b><span style="color: #1f497d;">Cabinet photograph by Félix Nadar of Sarah Bernhardt as
Lady Macbeth, 1899</span></div>
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The collection is now available for study due to the kind
inclusion in the Roy Waters bequest of funds to undertake a project to
catalogue and re-house the material. A launch hosted at Royal Holloway last
week announced the new availability of the collection with an exhibition and
drinks reception and it is our hope Roy’s array of ephemera will be well used
by researchers. The collection may be searched via our online catalogue at <a href="http://www.rhul.ac.uk/archives">www.rhul.ac.uk/archives</a>. We welcome
enquiries and requests to view the material and may be contacted by email: <a href="mailto:archives@rhul.ac.uk">archives@rhul.ac.uk</a>.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Adele Allen</div>
<div class="MsoNormal">
Special Collections Archivist (Roy Waters Theatre
Collection)</div>
<div class="MsoNormal">
<br /></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-65084837265317683502012-10-23T17:00:00.001+01:002012-10-24T18:05:24.598+01:00The Philip & Rosamund Davies US Elections Campaigns Archive: Guest post by Jane Rawson<h3 class="date-header">
This guest post by Jane Rawson is from the blog: <a href="http://vhlresources.blogspot.co.uk/" target="_blank">US Studies Resources at Oxford</a> re-posted with permission</h3>
<div class="date-posts">
<div class="post-outer">
<div class="post hentry" itemprop="blogPost" itemscope="itemscope" itemtype="http://schema.org/BlogPosting">
<a href="http://www.blogger.com/blogger.g?blogID=3043955155598423235" name="3439360737286974349"></a>
<br />
<h3 class="post-title entry-title" itemprop="name">
The Philip & Rosamund
Davies US Elections Campaigns Archive </h3>
<div class="post-header">
</div>
<div class="post-body entry-content" id="post-body-3439360737286974349" itemprop="description articleBody">
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKtO5tB5rjfiWoI2ikBKkIGu6A5Kd7mzP5MExFADEfqhd8pcOcEmDRe0okwzrgG04rQ52tgmv09c5uFpe8GjhjDVc0CobSqGvRfYtN1p2zaT6O8IRrQ2mSTH9IvXTaTilGvYoU8yfKlryb/s1600/electionsarchive1.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKtO5tB5rjfiWoI2ikBKkIGu6A5Kd7mzP5MExFADEfqhd8pcOcEmDRe0okwzrgG04rQ52tgmv09c5uFpe8GjhjDVc0CobSqGvRfYtN1p2zaT6O8IRrQ2mSTH9IvXTaTilGvYoU8yfKlryb/s200/electionsarchive1.JPG" width="198" /></a>The <a href="http://www.bodleian.ox.ac.uk/vhl" target="_blank">Vere Harmsworth Library</a> is
home to the Philip & Rosamund Davies US Elections Campaigns Archive, an
extensive collection of campaign ephemera from American elections at all levels.
The archive has been donated to the library by Professor Philip Davies, Director
of the <a href="http://www.bl.uk/eccles" target="_blank">Eccles Centre for American Studies at the British Library</a>, and is the result of many years of active collecting.
The majority of the material dates from the later 20th century, but there are
examples of older items dating back as far as 1840. The archive continues to
grow as Professor Davies collects and donates material from each new round of
elections in the United States.<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMdh7l1vNMsWXXZ2xCe2NVDT6I4uCj2n_1qeCkfaokv58GmPnfGkxJfYigR4xRjHJoMxh-q7GY8Vqfsj8VEQ33leX5pF67FCOtYdeTIBSx090WpTeWHcRnECX2kQjLKLIgeAvDL_r2GqU8/s1600/electionsarchive2.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMdh7l1vNMsWXXZ2xCe2NVDT6I4uCj2n_1qeCkfaokv58GmPnfGkxJfYigR4xRjHJoMxh-q7GY8Vqfsj8VEQ33leX5pF67FCOtYdeTIBSx090WpTeWHcRnECX2kQjLKLIgeAvDL_r2GqU8/s200/electionsarchive2.jpg" width="71" /></a>The archive has now been fully
catalogued and can be made available to researchers in Oxford. While items such
as those contained in the archive were intended to be ephemeral at the point of
production, they can tell researchers a great deal about the campaigns and
candidates they were produced to support (or indeed protest). They are physical
evidence of the issues on which campaigns were fought, and the perceived
strengths and weaknesses of the candidates who fought them. Not just the
literature, but the slogans and design of buttons, posters and bumper stickers,
as well as the very items branded for campaigns indicate the way candidates
chose to present themselves and their opponents. As well as providing insight
into the campaigns themselves, the literature and artefacts contained within the
collection also demonstrate wider developments in society, politics and
technology.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;">
<tbody>
<tr>
<td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhewtwEFLFgwjxFyEFbR79PGPoGSLu7-nFvyVWXprtmbCLl-nJBxoqVX-eW6-o9lTflrk7abKMHQYAJYSkoPRBDB-Pm3CWozVLZYHIP4KDTfUsq0gMPrl4J8fCmYkn3Az1UbqovowhyzFgl/s1600/century+of+buttons.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhewtwEFLFgwjxFyEFbR79PGPoGSLu7-nFvyVWXprtmbCLl-nJBxoqVX-eW6-o9lTflrk7abKMHQYAJYSkoPRBDB-Pm3CWozVLZYHIP4KDTfUsq0gMPrl4J8fCmYkn3Az1UbqovowhyzFgl/s400/century+of+buttons.jpg" width="400" /></a></td></tr>
<tr>
<td class="tr-caption" style="text-align: center;">A century of presidential
campaign buttons, 1908-2008</td></tr>
</tbody></table>
<br />
<b>What does the
archive contain?</b><b> </b><br />
<ul><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieyeEz5nJKBvhio7C5Mu0xRaGmnztg_cfi9qWU4aBUZmXZBligr1w9nSjvpnEng2Lz6PMiB30wPBM9ZQ0eMsrVBGnb4Alj8lvk2B362OZafumDYm1G2-_ktuT4bs0hdaC0nUZMGhDAg0q4/s1600/electionsarchive3.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieyeEz5nJKBvhio7C5Mu0xRaGmnztg_cfi9qWU4aBUZmXZBligr1w9nSjvpnEng2Lz6PMiB30wPBM9ZQ0eMsrVBGnb4Alj8lvk2B362OZafumDYm1G2-_ktuT4bs0hdaC0nUZMGhDAg0q4/s200/electionsarchive3.jpg" width="200" /></a>
<li>Thousands of buttons for hundreds of candidates, the oldest dating from 1840
</li>
<li>Bumper stickers and posters
</li>
<li>Ballots for elections from a wide range of locations and dates, the oldest
dating from the Civil War
</li>
<li>Campaign leaflets and other literature for elections at all levels, from
local to presidential
</li>
<li>Protest and negative material
</li>
<li>Election, convention and inauguration memorabilia, such as commemorative
plates, medals, mugs and other souvenir items
</li>
<li>And all sorts of campaign branded items such as hats, t-shirts, jewellery,
dolls, playing cards, rain bonnets... even a bar of soap! </li>
</ul>
To learn
more about the archive and what it can tell students and researchers of American
history and politics, watch the below video of Professor Davies discussing the
material culture of US elections and political marketing, accompanied by
selected items from the collection.<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/b8ieZCw-010?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<br />
There have
also been a couple of short videos on the topic posted recently on the BBC
website in the run up to this year's elections: <a href="http://www.bbc.co.uk/news/magazine-20012530" target="_blank"><i>Badge man predicts Ohio winner</i></a>, talking to a manufacturer of campaign buttons, and <a href="http://www.bbc.co.uk/news/magazine-19796114" target="_blank"><i>Preserving US presidential campaigns on the web</i></a>, which visits the Smithsonian's extensive
collections as well as looking at the <a href="http://www.livingroomcandidate.org/" target="_blank">archive of campaign TV advertising from the Museum of the Moving Image</a>.<br />
<br />
Full details of the materials
can be found in the <a href="http://www.bodley.ox.ac.uk/dept/scwmss/wmss/online/blcas/uselection.html">archive
catalogue</a>, and images of some of the items (either individually or as part
of previous exhibitions) can be seen on <a href="http://www.flickr.com/photos/87768664@N02/" target="_blank">our Flickr page</a>. If you
are interested in consulting items from the archive, please contact
jane.rawson@bodleian.ox.ac.uk.
</div>
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<span class="post-author vcard">Posted by <span class="fn" itemprop="author" itemscope="itemscope" itemtype="http://schema.org/Person">
<span itemprop="name">Jane</span> </span></span><span class="post-timestamp">at
<a class="timestamp-link" href="http://vhlresources.blogspot.co.uk/2012/10/the-philip-rosamund-davies-us-elections.html" rel="bookmark" title="permanent link"><abbr class="published" itemprop="datePublished" title="2012-10-23T14:15:00+01:00">14:15</abbr></a> </span><span class="post-comment-link"></span><span class="post-icons"><span class="item-control blog-admin pid-1342630849"><a href="http://www.blogger.com/post-edit.g?blogID=949115787147162973&postID=3439360737286974349&from=pencil" title="Edit Post"><img alt="" class="icon-action" height="18" src="http://img2.blogblog.com/img/icon18_edit_allbkg.gif" width="18" /></a><a href="http://www.blogger.com/post-edit.g?blogID=949115787147162973&postID=3439360737286974349&from=pencil" title="Edit Post">
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3043955155598423235.post-80057817699310439292012-10-17T18:35:00.000+01:002012-10-19T10:01:50.259+01:00P & O ephemeraThe <a href="http://www.poheritage.com/" target="_blank">P & O Heritage website</a> is a gem. Well organised and visually rich, it has full records for each item with a contextualising paragraph on each of the main sections and subsections: <a href="http://www.poheritage.com/the-collection/galleries/Posters" target="_blank">Posters</a> (Line voyages, Cruising), <a href="http://www.poheritage.com/the-collection/galleries/Photographs" target="_blank">Photographs</a> (Life on board, Ships), <a href="http://www.poheritage.com/the-collection/galleries/Printed-Ephemera" target="_blank">Printed Ephemera</a> (P&O, Orient Line, British India), <a href="http://www.poheritage.com/the-collection/galleries/Paintings" target="_blank">Paintings</a> (People and places, Ships), <a href="http://www.poheritage.com/the-collection/galleries/Postcards" target="_blank">Postcards</a> (P&O, Other lines), <a href="http://www.poheritage.com/the-collection/galleries/Prints-and-Drawings" target="_blank">Prints and Drawings</a> (Pencillings, Ships), <a href="http://www.poheritage.com/the-collection/galleries/Seasonal-Selections" target="_blank">Seasonal collections</a> (Father's Day, Christmas at sea), <a href="http://www.poheritage.com/the-collection/galleries/Canberra" target="_blank">Canberra</a> (Photographs, On board, Paintings and postcards, Posters), and <a href="http://www.poheritage.com/the-collection/galleries/Objects-On-board" target="_blank">Objects on board</a> (China, Furniture and Fittings). There is also a special image gallery reflecting the company's <a href="http://www.poheritage.com/the-collection/galleries/PO-175" target="_blank">175 years</a>.<br />
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The three main access points: <a href="http://www.poheritage.com/the-collection" target="_blank">Our collection </a>(Explore), <a href="http://www.poheritage.com/our-history" target="_blank">Our history</a> (Learn) and <a href="http://www.poheritage.com/our-archive" target="_blank">Our archive</a> (Search) are very intuitve to use and there is a lot of information on the site, with links and <a href="http://www.poheritage.com/our-archive/research-guides" target="_blank">research guides</a> for family historians.<br />
There is a specialised <a href="http://www.poheritage.com/contact-us" target="_blank">query screen</a> for picture researchers, journalists and academics.<br />
<br />
Much to explore, and wonderful images with the facility to <a href="http://prints.poheritage.com/" target="_blank">buy prints and canvases</a> (framed or unframed). <br />
<br />
<br />Unknownnoreply@blogger.com0