Tuesday, 19 March 2013

Jules Chéret and Alphonse Mucha

My recent work on Eugène Rimmel for a mini online exhibition on my other blog: The John Johnson Collection: Now and Then led me to explore his little-known collaboration with his countryman Jules Chéret.

It was Chéret who compiled Les Maitres de l'Affiche. Published by Imprimerie Chaix between 1895 and 1900, this monthly publication showcased international lithographic poster art, including works by Toulouse Lautrec, Chéret himself, Steinlen, and Dudley Hardy.


It is now very easy to gain an overview of the works of artists, especially poster artists, through commercial sites, usually showing reproductions which can be ordered as prints, mugs, T shirts, etc. Googling offers quick and easy ways to see the works of Jules Chéret, Toulouse Lautrec, Steinlen, Dudley Hardy and others. The commercial All posters site includes the facility to view international musuem holdings, e.g. from the Musée Toulouse Lautrec in Albi, as well as searching by artist.

The complete works - Jules Chéret is a site which, while it does not include Chéret's work on valentines or almanacs, does present the advertising posters (124 images) for which he is famous, in an attractive manner.   There is also a biography. This too is a commercial site, offering hand-painted reproductions of the works, but there is, nevertheless, some descriptive metadata.

For more academic sites, with metadata, however, Gallica again  reveals what a rich resource it is, with no fewer than 1,165 results for Chéret, Jules, many from the Médiathèque de Chaumont. There are many  hundreds for Mucha, Lautrec etc.

(C) Gallica
 The V&A site also has a weatlth of posters, with a supporting study guide, which includes a superb bibliography.
(C) V&A


(C) Mucha Foundation

My interest in Alphonse Mucha was rekindled by a visit to Prague last summer, where I visited both Mucha museums. The Mucha Foundation has a wonderful website, full of information and with over 300 images of Mucha's key works









Wednesday, 13 February 2013

Valentines: more resources

It is valentine season again and time to highlight collections both here at the Bodleian and elsewhere.

This year, I have joined with the National Valentine Collectors Association to focus on the valentines of Eugène Rimmel.  My own contribution is a small virtual exhibition about Rimmel's advertising and his association with the Theatre on my blog: The John Johnson Collection Now and Then.  Nancy Rosin has devoted the winter issue of The Valentine Writer (the journal of the National Valentine Collectors Association) to an excellent article on Rimmel (available as a pdf) and Malcolm Warrington has created a beautiful online exhibition.  There are also posts about Comic valentines (and the 200th anniversary of De La Rue) on the UK Ephemera Society's Facebook page.



Also from the other side of the Atlantic, many thanks to Nancy Rosin for recommending The Virtual Museum of Canada, which has a virtual exhibition:  Valentine's Day:  love and romance through the ages, complete with the facility to open and rotate three-dimensional pop-up valentines (in QTVR files) and to create and send valentines from a museum object, card or artefact  for electronic delivery.  A lot of fun, but also solid information about the history not only of valentine cards, but of other love offerings.There are 1229 hits for valentines from various Canadian institutions in the image gallery.

(C) Virtual Museum of Canada


Back in Britain, The Museum of London has put online 1788 valentines, manufacturers' sample sheets and related material, mostly from the prestigious Jonathan King Collection. Jonathan King was a valentine maker in Essex Road, London and this collection gives a wonderful and invaluable insight into the manufacturing process. As well as complete valentines, there are proofs with annotations made in the workshop, relating to design and price, stock number etc. Each item is captioned and dated.  There is also a blog: The more unusual valentines in our collection.

(C) Museum of London

 The Discover pages of the (new) Library of Birmingham include introductions to the history of valentines, and to Comic valentines, with two galleries featuring sentimental and comic cards from their collections.  Similar pages are devoted to Birthday cards, Greetings cards illustrated by Kate Greenaway, Silk embroidered postcards, First World War song cards, and Miscellaneous greetings cards.

(C) Library of Birmingham

Hull Museums also have a large collection of valentines.

(C) Hull Museums


(C) The British Postal Museum & Archive


The British Postal Museum and Archive has a fascinating online exhibition Passion through the post highlighting its collections and outlining the history of the valentine, from the perspective of the postal historian.Their valentines are catalogued, with 892 hits for a  simple search for valentine, some accompanied with thumbnail images.







Thursday, 3 January 2013

Ephemera at Chetham's Library, Manchester

Chetham's Library in Manchester has rich collections of printed ephemera, most of which are catalogued, including bookplates, postcards, chapbooks, broadsides, ballads, theatre programmes, posters, trade cards and bill heads.

The Chethams website has a very useful guide to discrete collections of rare books and printed ephemera, notable among which are the Halliwell-Phillipps collection (donated to the library in 1852), a fne collection of scrapbooks of local material and the Belle Vue zoo and gardens archive.

(C) Chetham's Library, Manchester

There is project to digitise ballads across all Manchester libraries, including the newly-acquired (and already indexed) Robert Holt Collection of Manchester Street Songs and Ballads.

Friday, 21 December 2012

Postcard exhibition in Boston

(C) Museum of Fine Arts, Boston www.mfa.org
 
Many thanks to John Sayers for alerting me to the exhibition The Postcard Age at the Museum of Fine Arts in Boston, which runs until April 14 2013. Although sadly I won't see the exhibition itself, there are screen shots of it online, and I am very much looking forward to reading the accompanying book The Postcard Age by Linda Klich and Benjamin Weiss, which we now have in the Bodleian Library.

The exhibition is a taster of the 100,000 postcards which Leonard A. Lauder (son of Estée) is gradually giving to the Museum. The cards are arranged by themes such as urban life, the changing role of women, sports, celebrity, new technologies, art nouveau and WWI. 

There is an online slideshow of 10 cards from the exhibition and you can send a virtual postcard from the exhibition. I particularly like the moving images of the display (together with the other current exhibitions), which can be seen from the museum's home page.  Postcards, by virtue of their size, present challenges for display and it is good to see how the museum has approached these.


An online article from the New Yorker, The pleasures of postcards gives the background to Lauder's passion for postcards as miniature works of art.  Other online articles are Wild cards (New York Times), MFA exhibit showcases postcard marvels (Boston Post) and Cards to write home about (Wall Street Journal).



Japanese postcards from the MFA's website: www.mfa.org

Nearly 22,000 Japanese postcards from the Leonard A. Lauder Collection are already at the museum and can be seen online (most with images).

 This is a serious postcard collection, acquired over many years and representing the height of the postcard craze from the 1900s to the beginning of the First World War.  Leonard A. Lauder has collected the jewels of this age, internationally.  It is a pleasure to see these cards given the status of a museum collection, with a dedicated exhibition, and elucidated in a scholarly volume.

Tuesday, 18 December 2012

Australasian Ephemera - Part 2: Australia. Guest post by Anthony Tedeschi

Very many thanks to Anthony Tedeschi for his second post about Australasian ephemera and to Richard Overell of Monash University for supplying images from their collections. Anthony's own blog: Antipodean Footnotes gives fascinating insights into rare books and special collections in New Zealand and Australia.



Australasian Ephemera Collections – Part 2: Australia

Following on from my guest post in October on New Zealand ephemera collections, the second of this two-part post highlights some of the ephemera collections held by Australian institutions. Like the New Zealand post it is hoped additions will be made by way of comments.

For details on the various subject categories collected, it is suggested interested readers consult each institution’s on-line catalogue (subject search ‘ephemera’). A Directory of Australian Ephemera Collections was published by the State Library of New South Wales in 1992. An Index, compiled by the State Library of Victoria, was published the following year.

(C) Monash University: special collections


The AIATSIS began collecting ephemera in the 1970s. Starting out with a focus on print material, the collection has grown to include non-paper items, such as badges, t-shirts, and tea towels. The largest sequence in the collection is comprised of invitations to openings of Indigenous art exhibitions from across Australia.

A PDF summary of the collection and index to the ephemera categories is available (see link above).

The AWM finding aids page includes links to multiple guides from aerial photographs and card, certificates and leaflets, to private records and film and sound. Though many of the guides pertain to ephemeral material, such as the Guide to the Cigarette & Trade Card Collection, under the specifically named ‘Ephemera (includes cards, certificates, leaflets, postcards and souvenirs)’ heading are listed: British Commonwealth Occupation Force Souvenirs Collection, Souvenirs 15, the Korean Collection, the Vietnam Collection, the Gulf War Collection, the East Timor Collection, the Iraq 2003 Collection, and the Afghanistan Collection.

Monash University Library 

(C) Monash University: special collections

Monash University special collections have been acquiring ephemera since the 1990s. Material in the collection dates from late seventeenth-century English pamphlets and broadsides to current menus, games, souvenirs, posters, flyers, cards, and junk mail. In 2011, the library hosted an exhibition called Ephemera, with a catalogue (PDF) and on-line version providing an overview of its rich holdings.

The Monash collection featured on the John Johnson Collection’s Ephemera Resources blog on 6 February 2012.

(C) Monash University: special collections

Australia’s national library has been collecting ephemera relevant to the nation since the 1960s. The Australian ephemera is indexed and divided into seven themes by subject: Australian performing arts programmes and ephemera (PROMPT), formed collections, general ephemera, geography and travel, programmes and invitations, scrapbooks, and trade catalogues. While the NLA collects widely, it aims to acquire as much Federal election campaign material and material relating to national events as possible. In 2007, the NLA received the oldest example of Australian printing – the 1796 ‘Jane Shore playbill’ – as a gift from the Canadian government.

The NLA maintains a General Ephemera Collection Thesaurus (PDF). Readers might also be interested in the Library’s database Trove, which includes a number of ephemera related resources and collections listed among its contents from across Australia, some of which, such as the Federation Ephemera at the State Library of New South Wales project, are freely available on-line.

Visitors can browse the ephemera collection and read the Library’s ephemera collection development policy. The Library’s ‘Behind the Scenes’ blog has also recently added two posts on ‘canvassing election ephemera in the Pacific’ (Part 1 and Part 2).
 

Between the Mitchell and State Reference libraries, the SLNSW holds a diverse collection of ephemera, which includes some of the earliest examples in Australia. Among the individual pieces highlighted on the Library’s website are: a 1612 Dutch translation of the de Quiros pamphlet, which contains the earliest printed reference to the word ‘Australia’, a broadside ca. 1789 describing a wild man or monstrous plant brought from Botany Bay, a playbill dated 8 March 1800, propaganda leaflets dropped by a Turkish aeroplane at Gallipoli during World War I, and an album of invitations, menus and other ephemeral printing related to the Inauguration of the Commonwealth of Australia in 1901.

Among the subjects highlighted on-line are collections related to Qantas airline, which includes material from the 1920s to the present day, and on horse racing.

The John Oxley Library of the State Library of Queensland notes calendars, elections, exhibitions and festivals, invitations, menus, royalty and royal visits, sport, and trade programmes among the categories of material which it collections. The strongest sequence in the collection is the Library’s theatre programmes, which date from 1866 to the present day.

The John Oxley Library blog uploaded two helpful posts (available on the same page) describing its theatre ephemera and how to search the ephemera collection in the Library catalogue.

Material in the State Library of South Australia’s ephemera collection dates from 1836 onwards, and includes material similar in nature to many other institutions, from badges and business cards, to greeting cards and sheet music. The library, however, also holds a unique collection of wine labels. Collected since 1972, there are approximately 10,000 labels in the collection, reflecting the state’s connection to the Australian wine industry. A description of the collection can be found on the ephemera guide page (see link above), and two hundred and fifty labels have been digitised and are available through the Library’s Wine Literature of the World website.

Centred on ‘Victoria and Victorians’, but including material from across the country as well, the State Library of Victoria holds one of the largest ephemera collections in Australia. Material dates from the 1850s onwards. In addition to the types of ephemeral material held by other institutions, the SLVA is busy building a collection of local zines to document Melbourne’s thriving art and music scenes.

Three of the library’s major ephemera collections – advertising, political ephemera, and theatre programmes – have individual descriptions. Some examples from the Library’s ephemera collection have been digitised, such as the fan-shaped programme for the play School for Scandal (Melbourne, 1869) and the 1935 Myer Mail Order Shoppers’ Guide for Autumn & Winter. There is also a research guide to the Library’s Political Ephemera Poster Collection. A number of the posters have also been digitised and are available on-line.

The SLWA ephemera collection numbers over 100,000 items. The library maintains a selection of highlights from its ephemera collection on topics such as ships and shipwrecks in Western Australia, royal visits, firms and businesses, the Festival of Perth, and a collection of tombstone inscriptions gathered from Western Australian cemeteries. There is also a page dedicated to finding Indigenous ephemera.

University of Queensland
While I could not find a general summary of its ephemera collection, the University of Queensland Fryer Library has highlighted some aspects of the collection, such as political ephemera and material marking Queensland statehood, as part of its Treasure of the Month on-line exhibition series.


Part of the Sir George Grey Special Collections, the ACL Ephemera Collection includes material from the 1840s onwards divided into three distinct collections: the Old Colonists’ Museum Collection (material on Auckland’s colonial period given to the library when the OCM closed in the 1950s), the Freida Dickens Programme Collection (music, dance and theatre programmes, 1911-1976), and the New Zealand Ephemera Collection, which is divided into two sequences based on type and subject matter respectively (material includes menus, tickets, advertising flyers, cards and calendars).

The library maintains a searchable ephemera index database.

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Wishing everyone Happy Holidays and a joyous New Year from the Antipodes!

[Guest post by Anthony Tedeschi, Rare Books Librarian, Dunedin City Library]

Monday, 17 December 2012

Victorian Popular Culture (Adam Matthew)

Victorian Popular Culture, published by Adam Matthew Digital, is a subscription-only resource, which is available here at the Bodleian Library, through SOLO and OxLIP+ and in many other research libraries.  It perfectly complements the Entertainment section of ProQuest's The John Johnson Collection: an archive of printed ephemera. Its main sections are Music hall, theatre and popular entertainment; Circuses, sideshows and freaks; Moving pictures, optical entertainments and the advent of cinema; and Spiritualism, sensation and magic.

Although, as the title implies, largely based on the Victorian era, there is one item dating back to the16th century, four from the 17th and a large number from the 18th and 20th centuries.

The material is from:
The Harry Price Library of Magical Literature, Senate House, University of London
Harry Ransom Center, University of Texas at Austin
National Fairground Archives, University of Sheffield (see my last post)
The National Archives (UK)
Chetham's Library, Manchester
May Moore Duprez Archives
The Bill Douglas Centre for the History of Cinema and Popular Culture, University of Exeter
BFI National Archive

Features include full-text searching, a chronological timeline, essays, secondary resources, slide shows, innovative 360 degree technologies, audio files from Saydisc records and video clips.

(C) Adam Matthew Digital
It is always a pleasure to be able to cross-search collections, especially such rich ones. There are the usual search and advance search options and also browsable lists by title, author, date and type of material.  A symbol indicates which section of the project the material is from (e.g  the card symbol above for Spiritualism, sensation and magic). Although books, diaries, correspondence, journals, etc  are included, the substance of the project is ephemera. 

This is an indispensable resource for Entertainment historians.

Thursday, 13 December 2012

The National Fairground Archive

The National Fairground Archive at the University Library, University of Sheffield, under the leadership of Professor Vanessa Toulmin, has holdings which document fairs, circuses, menageries, magic, optical shows, etc. A subject list gives the scope of the collection, which includes 4,500 books, 250 journals titles, moving images, photographs, drawings, audio material, correspondence, diaries, cuttings, account books, maps, charts, plans, teaching materials, notebooks etc, as well as ephemera: postcards, trade and advertising material, programmes, calendars, almanacs, posters, proclamations, and 20,000 posters and handbills. There are word processed indexes (currently under revision) to each of these genres.

(C) NFA, University of Sheffield
The site includes articles, bibliographies and links to other websites and resources.

Researchers can visit in person, without an appointment Monday to Wednesday, with an appointment on Thursday.  Opening hours are posted online.

The National Fairground Archive has just launched NFA digital, with images added weekly. 19,720 images are currently online  and these can be browsed or searched by collection, period, subject, place and name. The Search tips, especially the explanations of themes and subject terms, are very helpful.

You can follow the National Fairground item on Twitter: @professorvaness


The subscription site: Victorian Popular Culture (Adam Matthew) which will be covered more thoroughly in my next post, includes material from the National Fairground Archive

(C) NFA, University of Sheffield