Showing posts with label Entertainment. Show all posts
Showing posts with label Entertainment. Show all posts

Tuesday, 5 November 2013

The ephemera of fireworks

(C) Bodleian Library: John Johnson Collection: Music Tites 3 (42)
Guy Fawkes Day (November 5) has generated a lot of ephemera: fliers and posters for events, prints, and, above all, the promotional material, packaging and labels for the fireworks themselves.

These resources are somewhat scattered, but there is much to be found online, through flickr and various virtual archives, mounted by specialist enthusiasts. Examples are: Maurice and Steve's virtual firework heritage museum and the fireworkmuseum.co.uk/.

More can be found through Google images, with contributions from, for example, The Museum of British Folklore. It is the hope of the Director, Simon Costin that this museum will acquire premises. It does, however, have material and has mounted a series of exhibitions, including (in 2011) Remember, remember: a history of fireworks in Britain, which I visited at Compton Verney. The webpage has embedded a You Tube video of the exhibits. On October 31 (appropriately) The Museum of British Folklore acquired the Museum of Witchcraft

There are also, of course, resources in major libraries and museums: The British Library, the V&A and also via image libraries such as the Look and Learn site (notably in the Peter Jackson collection), and the Mary Evans Picture Library, which has a feature on Guy Fawkes Night.

The John Johnson Collection includes four folders of material relating to fireworks not yet catalogued or digitised. One of our prize firework-related items is, however, online: a  ticket for the Royal Fireworks at St. James's Park in April 1749, the fireworks for which Handel wrote his famous music.
(C) Bodleian Library: John Johnson Collection: Tickets Show Places various (46)
There are also trade cards for 'artists' in fireworks
(C) Bodleian Library: John Johnson Collection: Trade Cards 26 (53)

(C) Bodleian Library: John Johnson Collection: Trade Cards 26 (32)



Another major source of information about fireworks and pyrotechnic effects in the John Johnson Collection (mostly unrelated to November 5) is playbills. Fireworks often formed part of entertainments, both indoors and outdoors. Not all have illustrations (as the example below) but the full text searching of the The John Johnson Collection: an archive of printed ephemera (ProQuest site  with access via HE, FE, public libraries and schools) facilitates finding entertainments which included fireworks.

(C) Bodleian Library: John Johnson Collection: 
London Play Places 7 (19)

(C) Bodleian Library: John Johnson Collection:
Dioramas 6 (8)
This handbill  of c. 1896 relates to a panorama of the life of Guy Fawkes, complete with 'a grand display of thousands of fountains of fireworks'.
 
There are also ballads in the Bodleian (and, of course, elsewhere) relating to Guy Fawkes. The new Bodleian Broadside Ballads online site is well worth exploring.

If you know of further collections of firework-related ephemera, please email jjcoll@bodleian.ox.ac.uk and I will write a supplementary post.

Thursday, 3 January 2013

Ephemera at Chetham's Library, Manchester

Chetham's Library in Manchester has rich collections of printed ephemera, most of which are catalogued, including bookplates, postcards, chapbooks, broadsides, ballads, theatre programmes, posters, trade cards and bill heads.

The Chethams website has a very useful guide to discrete collections of rare books and printed ephemera, notable among which are the Halliwell-Phillipps collection (donated to the library in 1852), a fne collection of scrapbooks of local material and the Belle Vue zoo and gardens archive.

(C) Chetham's Library, Manchester

There is project to digitise ballads across all Manchester libraries, including the newly-acquired (and already indexed) Robert Holt Collection of Manchester Street Songs and Ballads.

Tuesday, 18 December 2012

Australasian Ephemera - Part 2: Australia. Guest post by Anthony Tedeschi

Very many thanks to Anthony Tedeschi for his second post about Australasian ephemera and to Richard Overell of Monash University for supplying images from their collections. Anthony's own blog: Antipodean Footnotes gives fascinating insights into rare books and special collections in New Zealand and Australia.



Australasian Ephemera Collections – Part 2: Australia

Following on from my guest post in October on New Zealand ephemera collections, the second of this two-part post highlights some of the ephemera collections held by Australian institutions. Like the New Zealand post it is hoped additions will be made by way of comments.

For details on the various subject categories collected, it is suggested interested readers consult each institution’s on-line catalogue (subject search ‘ephemera’). A Directory of Australian Ephemera Collections was published by the State Library of New South Wales in 1992. An Index, compiled by the State Library of Victoria, was published the following year.

(C) Monash University: special collections


The AIATSIS began collecting ephemera in the 1970s. Starting out with a focus on print material, the collection has grown to include non-paper items, such as badges, t-shirts, and tea towels. The largest sequence in the collection is comprised of invitations to openings of Indigenous art exhibitions from across Australia.

A PDF summary of the collection and index to the ephemera categories is available (see link above).

The AWM finding aids page includes links to multiple guides from aerial photographs and card, certificates and leaflets, to private records and film and sound. Though many of the guides pertain to ephemeral material, such as the Guide to the Cigarette & Trade Card Collection, under the specifically named ‘Ephemera (includes cards, certificates, leaflets, postcards and souvenirs)’ heading are listed: British Commonwealth Occupation Force Souvenirs Collection, Souvenirs 15, the Korean Collection, the Vietnam Collection, the Gulf War Collection, the East Timor Collection, the Iraq 2003 Collection, and the Afghanistan Collection.

Monash University Library 

(C) Monash University: special collections

Monash University special collections have been acquiring ephemera since the 1990s. Material in the collection dates from late seventeenth-century English pamphlets and broadsides to current menus, games, souvenirs, posters, flyers, cards, and junk mail. In 2011, the library hosted an exhibition called Ephemera, with a catalogue (PDF) and on-line version providing an overview of its rich holdings.

The Monash collection featured on the John Johnson Collection’s Ephemera Resources blog on 6 February 2012.

(C) Monash University: special collections

Australia’s national library has been collecting ephemera relevant to the nation since the 1960s. The Australian ephemera is indexed and divided into seven themes by subject: Australian performing arts programmes and ephemera (PROMPT), formed collections, general ephemera, geography and travel, programmes and invitations, scrapbooks, and trade catalogues. While the NLA collects widely, it aims to acquire as much Federal election campaign material and material relating to national events as possible. In 2007, the NLA received the oldest example of Australian printing – the 1796 ‘Jane Shore playbill’ – as a gift from the Canadian government.

The NLA maintains a General Ephemera Collection Thesaurus (PDF). Readers might also be interested in the Library’s database Trove, which includes a number of ephemera related resources and collections listed among its contents from across Australia, some of which, such as the Federation Ephemera at the State Library of New South Wales project, are freely available on-line.

Visitors can browse the ephemera collection and read the Library’s ephemera collection development policy. The Library’s ‘Behind the Scenes’ blog has also recently added two posts on ‘canvassing election ephemera in the Pacific’ (Part 1 and Part 2).
 

Between the Mitchell and State Reference libraries, the SLNSW holds a diverse collection of ephemera, which includes some of the earliest examples in Australia. Among the individual pieces highlighted on the Library’s website are: a 1612 Dutch translation of the de Quiros pamphlet, which contains the earliest printed reference to the word ‘Australia’, a broadside ca. 1789 describing a wild man or monstrous plant brought from Botany Bay, a playbill dated 8 March 1800, propaganda leaflets dropped by a Turkish aeroplane at Gallipoli during World War I, and an album of invitations, menus and other ephemeral printing related to the Inauguration of the Commonwealth of Australia in 1901.

Among the subjects highlighted on-line are collections related to Qantas airline, which includes material from the 1920s to the present day, and on horse racing.

The John Oxley Library of the State Library of Queensland notes calendars, elections, exhibitions and festivals, invitations, menus, royalty and royal visits, sport, and trade programmes among the categories of material which it collections. The strongest sequence in the collection is the Library’s theatre programmes, which date from 1866 to the present day.

The John Oxley Library blog uploaded two helpful posts (available on the same page) describing its theatre ephemera and how to search the ephemera collection in the Library catalogue.

Material in the State Library of South Australia’s ephemera collection dates from 1836 onwards, and includes material similar in nature to many other institutions, from badges and business cards, to greeting cards and sheet music. The library, however, also holds a unique collection of wine labels. Collected since 1972, there are approximately 10,000 labels in the collection, reflecting the state’s connection to the Australian wine industry. A description of the collection can be found on the ephemera guide page (see link above), and two hundred and fifty labels have been digitised and are available through the Library’s Wine Literature of the World website.

Centred on ‘Victoria and Victorians’, but including material from across the country as well, the State Library of Victoria holds one of the largest ephemera collections in Australia. Material dates from the 1850s onwards. In addition to the types of ephemeral material held by other institutions, the SLVA is busy building a collection of local zines to document Melbourne’s thriving art and music scenes.

Three of the library’s major ephemera collections – advertising, political ephemera, and theatre programmes – have individual descriptions. Some examples from the Library’s ephemera collection have been digitised, such as the fan-shaped programme for the play School for Scandal (Melbourne, 1869) and the 1935 Myer Mail Order Shoppers’ Guide for Autumn & Winter. There is also a research guide to the Library’s Political Ephemera Poster Collection. A number of the posters have also been digitised and are available on-line.

The SLWA ephemera collection numbers over 100,000 items. The library maintains a selection of highlights from its ephemera collection on topics such as ships and shipwrecks in Western Australia, royal visits, firms and businesses, the Festival of Perth, and a collection of tombstone inscriptions gathered from Western Australian cemeteries. There is also a page dedicated to finding Indigenous ephemera.

University of Queensland
While I could not find a general summary of its ephemera collection, the University of Queensland Fryer Library has highlighted some aspects of the collection, such as political ephemera and material marking Queensland statehood, as part of its Treasure of the Month on-line exhibition series.


Part of the Sir George Grey Special Collections, the ACL Ephemera Collection includes material from the 1840s onwards divided into three distinct collections: the Old Colonists’ Museum Collection (material on Auckland’s colonial period given to the library when the OCM closed in the 1950s), the Freida Dickens Programme Collection (music, dance and theatre programmes, 1911-1976), and the New Zealand Ephemera Collection, which is divided into two sequences based on type and subject matter respectively (material includes menus, tickets, advertising flyers, cards and calendars).

The library maintains a searchable ephemera index database.

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Wishing everyone Happy Holidays and a joyous New Year from the Antipodes!

[Guest post by Anthony Tedeschi, Rare Books Librarian, Dunedin City Library]

Monday, 17 December 2012

Victorian Popular Culture (Adam Matthew)

Victorian Popular Culture, published by Adam Matthew Digital, is a subscription-only resource, which is available here at the Bodleian Library, through SOLO and OxLIP+ and in many other research libraries.  It perfectly complements the Entertainment section of ProQuest's The John Johnson Collection: an archive of printed ephemera. Its main sections are Music hall, theatre and popular entertainment; Circuses, sideshows and freaks; Moving pictures, optical entertainments and the advent of cinema; and Spiritualism, sensation and magic.

Although, as the title implies, largely based on the Victorian era, there is one item dating back to the16th century, four from the 17th and a large number from the 18th and 20th centuries.

The material is from:
The Harry Price Library of Magical Literature, Senate House, University of London
Harry Ransom Center, University of Texas at Austin
National Fairground Archives, University of Sheffield (see my last post)
The National Archives (UK)
Chetham's Library, Manchester
May Moore Duprez Archives
The Bill Douglas Centre for the History of Cinema and Popular Culture, University of Exeter
BFI National Archive

Features include full-text searching, a chronological timeline, essays, secondary resources, slide shows, innovative 360 degree technologies, audio files from Saydisc records and video clips.

(C) Adam Matthew Digital
It is always a pleasure to be able to cross-search collections, especially such rich ones. There are the usual search and advance search options and also browsable lists by title, author, date and type of material.  A symbol indicates which section of the project the material is from (e.g  the card symbol above for Spiritualism, sensation and magic). Although books, diaries, correspondence, journals, etc  are included, the substance of the project is ephemera. 

This is an indispensable resource for Entertainment historians.

Thursday, 13 December 2012

The National Fairground Archive

The National Fairground Archive at the University Library, University of Sheffield, under the leadership of Professor Vanessa Toulmin, has holdings which document fairs, circuses, menageries, magic, optical shows, etc. A subject list gives the scope of the collection, which includes 4,500 books, 250 journals titles, moving images, photographs, drawings, audio material, correspondence, diaries, cuttings, account books, maps, charts, plans, teaching materials, notebooks etc, as well as ephemera: postcards, trade and advertising material, programmes, calendars, almanacs, posters, proclamations, and 20,000 posters and handbills. There are word processed indexes (currently under revision) to each of these genres.

(C) NFA, University of Sheffield
The site includes articles, bibliographies and links to other websites and resources.

Researchers can visit in person, without an appointment Monday to Wednesday, with an appointment on Thursday.  Opening hours are posted online.

The National Fairground Archive has just launched NFA digital, with images added weekly. 19,720 images are currently online  and these can be browsed or searched by collection, period, subject, place and name. The Search tips, especially the explanations of themes and subject terms, are very helpful.

You can follow the National Fairground item on Twitter: @professorvaness


The subscription site: Victorian Popular Culture (Adam Matthew) which will be covered more thoroughly in my next post, includes material from the National Fairground Archive

(C) NFA, University of Sheffield

Thursday, 6 December 2012

The Circus Museum, NL

(C) Circus Museum nl
More ephemera from Holland.

The Circus Museum, NL is a superb site, with a wealth of imagery. There are both Dutch and English versions.  The Foundation (housed at the Teyler Museum, Haarlem) contains the collection of Jaap Best augmented (during his lifetime) by the archives of the German acrobat and circus collector Erdwin Schirmer. This consisted largely of 3,500 chromolithographed posters of Adolph Friedländer.

Online are 8,000 posters, and 7,000 circus photographs and postcards.  Reproductions can be bought for most of them but the zoomable images are ideal for research.  Although predominantly Dutch and German, the collection is truly international, as the scroll-bar list of towns in advanced search reveals.

Searchable fields in Advanced search are Circus, Person, Designer/Photographer, Lithographer, Place, Date range and Material type, and keywords (which can be searched in English: clown, elephant, horse etc).

There is a very useful feature in Simple search: each of the main categories (Acrobatics, Animals, Clowns, Dance, Ethnographic shows, Fairgrounds, Folklore, Freaks, Jugglers, Musicians, Music and Theatre) can be further refined by its own subcategories through a second scroll-bar (e.g  Acrobats, stilt-walkers).

A very effective site, which enables complex searches of its superb collections with the minimum of fuss.


Monday, 14 May 2012

Ephemera at the Huntington Library

The Huntington Library of California has a web page devoted to Historical prints and ephemera which outlines the scope of the collections. Not limited to Southern California, the general collections include American politics, theatre and entertainment ephemera, 20th century American railroads, commerce and advertising. Specialised collections include the L.E. Behymer Archive of early Southern California cultural events, the Jay T. Last Citrus Labels, California Promotional Literature, the Diana Korzenik Collection of Art Education Ephemera, Trade Cards, and Maritime Ephemera and Posters collected by John H. Kemble.

The result set (483 results) for keyword Ephemera in the General Library catalogue includes books on ephemera, but also invaluable detailed collection-level descriptions for collections including ephemera.

(C) Huntington Digital Library
Many of these collections are available through the Huntington Digital Library. The 'Browse all' function allows the user to restrict search results to prints and ephemera and to narrow results by title, artist/author or subject.  Results can then be further sorted by relevance, title, subject, description, creator, date, and date created. Clicking on a thumbnail brings up a full image and extensive metadata.

Also of great interest to ephemerists is the Jay T. Last Collection of Lithographic and Social History.  Selections from this were exhibited in 2010 under the title The color explosion, represented by a webpage with video by curator David Mihaly.  There are many fascinating past exhibitions, including Revisiting the Regency.

Finding aids to the Huntington collections are also available through the Online Archive of California, notably (for ephemera) The American Sheet Music Collection, Jay T. Last collection of Califormia Citrus box labels and the Jay T. Last Collection U.S. Civil War prints, posters and ephemera.


Tuesday, 1 May 2012

Magic Lantern slides at the University of Bristol

The Theatre Collections at the University of Bristol holds several sets of lantern 19th century lantern slides, which are digtiised. The images can be seen through the online catalogue but also as online slide shows. The Library holds the accompanying texts.

Christmas in Paradise (ref.TCP/LS/000003)
Rare Metal: A Story of City Life (ref.TCP/LS/000004)
The Life Boat (ref.TCP/LS/000005)
Nellie's Prayer (ref.TCP/LS/000006)
The Matron's Story (ref.TCP/LS/000007)
Little Jim (ref.TCP/LS/000008)
Scrub, the Workhouse Boy (ref.TCP/LS/000009)
Interval Slides (ref.TCP/LS/000010/001-005)
Registration Slides (ref.TCP/LS/000010/006-008)
(C) University of Bristol Theatre Collection

Friday, 27 April 2012

V&A Theatre Collections Online

The V&A Theatre Museum sadly closed in 2007 and the theatre collections are now part of the main museum, with special new galleries.

The Theatre and Performance holdings are awe-inspiring: playbills and programmes, prints and posters, as well as artefacts, costumes, ceramics, etc., etc. There are excellent pages on researching theatre and performance, an overview of the V&A theatre and performance collections and excellent illustrated essays on such topics as 18th century theatre19th century theatre, Circus, etc, and a series of subject hubs which include Theatre History, Pantomime (already discussed in an earlier post), Dance, Music Hall and Variety, Circus, and Black Theatre and Performance.  These hubs lead to essays, videos, images, biographies, links and reading lists.

Much is digitised and you can search the collections. Initially searches are initiated across the V&A collections, often revealing fascinating and unexpected references, but they can then be narrowed by category, collection, material, name, place, subject, technique, etc.   My search for benefit ticket, for example, returned items from Prints and Drawings as well as the Theatre Collections, as did my search for Vauxhall Gardens (screen shot).

A very rich resource.

© V&A Images


Wednesday, 25 April 2012

The Library of Congress: Performing arts posters and Shakespeare


There is much to explore for the ephemerist in the Library of Congress Prints and Photographs online catalog.
For this series on theatre and entertainment (for Shakespeare week), I will confine this post to the 2114 performing arts posters. These include theatre, magic and minstrels and can be browsed as a list (with thumbnails), a gallery, a grid (as in the screen shot) or as a slide show or searched.  Searching is aided by helpful drop-down lists: a search for opera, for example, prompts opera houses, opera bouffe, opera Normandy, etc as well as operas and operatic.

(C) Library of Congress, Prints and Photographs Division
















There are hits for Shakespeare, of course, and additionally the Library of Congress has a special section in its Imagination Gallery (part of American treasures) devoted to Shakespeare in America, which includes ephemera.

Tuesday, 24 April 2012

The University of Bristol Theatre Collections: the Mander and Mitchenson Collection and more

I first saw the wonderful collection of theatre memorabilia lovingly formed by actors Raymond Mander and Joe Mitchenson many years ago, when it was still in Beckenham Palace. It was an Aladdin's cave of printed material and artefacts. Its future was then uncertain.  From 2001 until 2011, it was housed at Trinity College of Music in Greenwich, where it became part of the Jerwood Library.

The collection  moved in 2011  to the University of Bristol Theatre Collection where it joins a wealth of other theatre collections, including 150,000 theatre programmes, and 2750 playbills and posters. Many of the University of Bristol collections are catalogued, and there are over 1,500 images online through the Visualising Theatre Project, a selection of which can be seen in the form of Powerpoint slides.

The Mander and Mitchenson collection is currently being catalogued and list of the collection is available for download. Commercial image requests are handled by Arenapal, and a free Mander and Mitchenson E-brochure is available on this site.

The University of Bristol Theatre Collection is currently being refurbished and is closed from today (April 23) until October 2012.

(C) University of Bristol Theatre Collection