Showing posts with label posters. Show all posts
Showing posts with label posters. Show all posts

Tuesday, 5 November 2013

The ephemera of fireworks

(C) Bodleian Library: John Johnson Collection: Music Tites 3 (42)
Guy Fawkes Day (November 5) has generated a lot of ephemera: fliers and posters for events, prints, and, above all, the promotional material, packaging and labels for the fireworks themselves.

These resources are somewhat scattered, but there is much to be found online, through flickr and various virtual archives, mounted by specialist enthusiasts. Examples are: Maurice and Steve's virtual firework heritage museum and the fireworkmuseum.co.uk/.

More can be found through Google images, with contributions from, for example, The Museum of British Folklore. It is the hope of the Director, Simon Costin that this museum will acquire premises. It does, however, have material and has mounted a series of exhibitions, including (in 2011) Remember, remember: a history of fireworks in Britain, which I visited at Compton Verney. The webpage has embedded a You Tube video of the exhibits. On October 31 (appropriately) The Museum of British Folklore acquired the Museum of Witchcraft

There are also, of course, resources in major libraries and museums: The British Library, the V&A and also via image libraries such as the Look and Learn site (notably in the Peter Jackson collection), and the Mary Evans Picture Library, which has a feature on Guy Fawkes Night.

The John Johnson Collection includes four folders of material relating to fireworks not yet catalogued or digitised. One of our prize firework-related items is, however, online: a  ticket for the Royal Fireworks at St. James's Park in April 1749, the fireworks for which Handel wrote his famous music.
(C) Bodleian Library: John Johnson Collection: Tickets Show Places various (46)
There are also trade cards for 'artists' in fireworks
(C) Bodleian Library: John Johnson Collection: Trade Cards 26 (53)

(C) Bodleian Library: John Johnson Collection: Trade Cards 26 (32)



Another major source of information about fireworks and pyrotechnic effects in the John Johnson Collection (mostly unrelated to November 5) is playbills. Fireworks often formed part of entertainments, both indoors and outdoors. Not all have illustrations (as the example below) but the full text searching of the The John Johnson Collection: an archive of printed ephemera (ProQuest site  with access via HE, FE, public libraries and schools) facilitates finding entertainments which included fireworks.

(C) Bodleian Library: John Johnson Collection: 
London Play Places 7 (19)

(C) Bodleian Library: John Johnson Collection:
Dioramas 6 (8)
This handbill  of c. 1896 relates to a panorama of the life of Guy Fawkes, complete with 'a grand display of thousands of fountains of fireworks'.
 
There are also ballads in the Bodleian (and, of course, elsewhere) relating to Guy Fawkes. The new Bodleian Broadside Ballads online site is well worth exploring.

If you know of further collections of firework-related ephemera, please email jjcoll@bodleian.ox.ac.uk and I will write a supplementary post.

Tuesday, 29 October 2013

The Red Cross Museum and Archives: guest post by Jemma Lee

Congratulations to the Red Cross, celebrating its 150th anniversary today.

In September, I was privileged to visit the Red Cross Library with a small group from the Ephemera Society.  I invited Jemma Lee to write a guest post and am very grateful to her for doing so. 

The British Red Cross museum and archives exist to collect, preserve and make accessible to a wide audience the history of the British Red Cross and its place in the context of the international movement. 

The collection comprises both archive records and museum artefacts which have been generated and acquired by the organisation from its formation in 1870 as the British National Society for Aid to the Sick and Wounded in War, to the present day and our continuing vital contribution in society. 

In addition to official minute books, annual reports, uniforms and medical equipment, the collection contains a fascinating array of ephemera which serves to strengthen the evidence that we hold of our humanitarian work and in many cases, to provide a personal element to our story.  Medals and badges awarded by the Society demonstrate the role of the volunteer, whilst labels from collecting tins and tickets for balls and galas provide colour and context to our fundraising activities.   

Poster, 1939. (C) British Red Cross Museum and Archives

The poster collection is particularly valuable in providing a visual record of our services such as first aid and care in the home, with examples by Tom Purvis and Charles Pears often proving to be very popular with visitors.  




Other ephemeral items include Christmas cards, stamps and packaging from products sent in food and relief parcels to Prisoners of War.   The latter subject is in fact greatly enhanced by this collection, with menus, programmes and propaganda leaflets, which are a valuable addition to the authorised documents of the Red Cross and hence offer a source of unique information for researchers.  

0566/32 (C) British Red Cross Museum and Archives

The website outlines the scope of the collections and there is an online catalogue through which the museum and archives can be separately searched through simple, advanced and expert search screens, often with digitised images, exemplified in this screen shot of a search for poster in the Museum collection.

(C) British Red Cross Museum and Archives

There are also online exhibitions of photographs and ephemera, including an overview of historical posters.

Ephemera is used within the context of the larger Museum and Archive collections to promote the work of the British Red Cross internally to staff and volunteers and externally to answer enquiries.  Tours of the collection can be arranged and research space can be booked by appointment either by emailing enquiry@redcross.org.uk  or by telephoning 020 7877 7058. 
 

Tuesday, 25 June 2013

Exhibitions (2): Transatlantiques at the Musée de l'mprimerie de Lyon

In April, I was privileged to go to the opening of Transatlantiques: l'épopée graphique des paquebots de légende at the Musée de l'Imprimerie in Lyon. Dr Alan Marshall, director of the museum, has been a staunch advocate of ephemera for many years. His 2001 exhibition, Ephemera: les imprimés de tous les jours 1880-1939 was a trail-blazer and introduced a dazzling display of ephemera to the public mainly through four printers'archives: those of Imprimeries Audin, Gougenheim, Perreyon (all of Lyon), and A. Waton (St. Etienne). The excellent catalogue is still available at the museum.   Alan followed this (in terms of ephemera) with Couleurs, les prouesses de la chromolithographie, an exhibition curated by Prof.. Michael Twyman, world expert in lithography and ephemera.  Furthermore, the permanent displays of the museum include many examples of ephemera. These are, of course, a selection from very rich research collections.

Transatlantiques runs from Wednesday to Sunday until 1 September 2013 and is co-curated by Clémence Ducroix  and Alan Marshall. The exhibits are not from the museum's own collections but from l'Association French Lines, Le Havre, of which Mme Ducroix is the archivist.

Poster by Jan Auvigne. (C) Association French Lines
 An exhibition of ocean liner ephemera in Lyon?  The connection is not the sea, but printing. The stunning display of prints, forms, menus, brochures, leaflets, ships newspapers, posters, tickets, labels, wrappers and all sorts of promotional material shows what printing was necessitated by the running of transatlantic boats, ships and liners.  Through this angle, we begin to comprehend just how much was required to administer and promote these complicated companies.  Much was printed on shore, some on board, and there are large images of both printing operations.

The catalogue is co-authored by the curators and documents the history of the Compagnie Générale  Transatlantique, and the emergence of graphic art.for publicity.

Another exhibition of collections from l'Association French Lines has just opened in Evian. Légendes des mers. L'art de vivre à bord des paquebots runs from15 June to 22 September 2013.

The French Lines archive is currently being catalogued. On the website, there is a list of the main categories and also sample images.

Friday, 14 June 2013

Ephemera exhibitions, catalogues and books (1)

There are currently several ephemera exhibitions, in this country and in the U.S.A.

This week, I went to The London Transport Museum's Poster Art 150: London Underground's Greatest Designs. Superb posters, with a public voting system to select the most popular poster. The exhibition is arranged into themes:: Finding your way, Brightest London, Capital culture, Away from it all , Keeps London going and Love your city.  There is a catalogue, reproducing the posters. The exhibition runs until 27 October.

The British Library has a major exhibition: Propaganda: Power and Persuasion (17 May to 17 September).

Propaganda: Power and Persuasion home page: (C) British Library Board

There are events, tours, a blog and a catalogue by Prof David Welch.

In the USA, the exhibition Ephemera: the art of everyday printed mattter has just opened at the Portsmouth Athenaeum and runs until  15 September.

(C) Portsmouth Athenaeum
The Library Company of Philadelphia (the subject of previous blog posts: 13 Feb 2012 and, guest post by Erika Piola, 29 June 2012) meanwhile has an exhibition Remnants of everyday life: historical ephemera in the workplace, street and home, which runs until 15 December 2013.

There is also a related ephemera conference: Unmediated history, the scholarly study of 19th century ephemera (Visual Culture Program of the Library Company of Philadelphia and Ephemera Society of America) at the LCP  from 19 to 20 September 2013.

While I could not find any links to exhibition catalogues for either USA exhibition, this is a good chance to promote the Library Company of Philadelphia's recent project: Philadelphia on Stone, which has an online exhibition, digital catalogue and a major publication: Philadelphia on Stone: Commercial Lithography in Philadelphia, 1828-1878, edited by Erika Piola.

Finally, a new, scholarly book on ephemera has just been published. Studies in Ephemera: text and image in eighteenth-century print, ed. by Kevin Murphy and Sally O'Driscoll, Lewisburg (Bucknell University Press) focuses mainly on ballads (including a chapter on ballad images by the Bodleian's Alexandra Franklin) and broadsides.  There are also chapters by Sally O'Driscoll on macaronis in print culture and  by Georgia Barnhill on Ephemera at the American Antiquarian Society: perspectives on commercial life in the long eighteenth century.  The superb ephemera in the AAS have been digitised and are available to subscribers only through Readex. Sadly, the Bodleian does not subscribe.

Studies in Ephemera is also widely available as an e-book

Wednesday, 20 March 2013

Culture Grid

Culture Grid is a platform through which institutional collections can be cross-searched. These include pre-existing cross-searchable projects such as VADS (and therefore the John Johnson Collection Political Cartoons and Trades and Professions Prints) and Exploring 20th century London.

The site is rich in ephemera, notably posters, advertisements, postcards, labels, etc. The three million items can either be searched by such genre terms or by subject (which can be narrowed down to posters, etc), or by institution.

(C) Culture Grid
 
The list of contributing institutions (which can be found by searching, then selecting 'more search options' and activating the 'Select collections' button) is extensive and includes regional collections, with many gems for the ephemerist.

 
(C) Culture Grid

 








 


I didn't find a browse function or a way just to get an overview of the contribution of each institution, but for real researchers doing real enquiries this site will reveal lesser known material.

Tuesday, 19 March 2013

Jules Chéret and Alphonse Mucha

My recent work on Eugène Rimmel for a mini online exhibition on my other blog: The John Johnson Collection: Now and Then led me to explore his little-known collaboration with his countryman Jules Chéret.

It was Chéret who compiled Les Maitres de l'Affiche. Published by Imprimerie Chaix between 1895 and 1900, this monthly publication showcased international lithographic poster art, including works by Toulouse Lautrec, Chéret himself, Steinlen, and Dudley Hardy.


It is now very easy to gain an overview of the works of artists, especially poster artists, through commercial sites, usually showing reproductions which can be ordered as prints, mugs, T shirts, etc. Googling offers quick and easy ways to see the works of Jules Chéret, Toulouse Lautrec, Steinlen, Dudley Hardy and others. The commercial All posters site includes the facility to view international musuem holdings, e.g. from the Musée Toulouse Lautrec in Albi, as well as searching by artist.

The complete works - Jules Chéret is a site which, while it does not include Chéret's work on valentines or almanacs, does present the advertising posters (124 images) for which he is famous, in an attractive manner.   There is also a biography. This too is a commercial site, offering hand-painted reproductions of the works, but there is, nevertheless, some descriptive metadata.

For more academic sites, with metadata, however, Gallica again  reveals what a rich resource it is, with no fewer than 1,165 results for Chéret, Jules, many from the Médiathèque de Chaumont. There are many  hundreds for Mucha, Lautrec etc.

(C) Gallica
 The V&A site also has a weatlth of posters, with a supporting study guide, which includes a superb bibliography.
(C) V&A


(C) Mucha Foundation

My interest in Alphonse Mucha was rekindled by a visit to Prague last summer, where I visited both Mucha museums. The Mucha Foundation has a wonderful website, full of information and with over 300 images of Mucha's key works









Thursday, 3 January 2013

Ephemera at Chetham's Library, Manchester

Chetham's Library in Manchester has rich collections of printed ephemera, most of which are catalogued, including bookplates, postcards, chapbooks, broadsides, ballads, theatre programmes, posters, trade cards and bill heads.

The Chethams website has a very useful guide to discrete collections of rare books and printed ephemera, notable among which are the Halliwell-Phillipps collection (donated to the library in 1852), a fne collection of scrapbooks of local material and the Belle Vue zoo and gardens archive.

(C) Chetham's Library, Manchester

There is project to digitise ballads across all Manchester libraries, including the newly-acquired (and already indexed) Robert Holt Collection of Manchester Street Songs and Ballads.

Tuesday, 18 December 2012

Australasian Ephemera - Part 2: Australia. Guest post by Anthony Tedeschi

Very many thanks to Anthony Tedeschi for his second post about Australasian ephemera and to Richard Overell of Monash University for supplying images from their collections. Anthony's own blog: Antipodean Footnotes gives fascinating insights into rare books and special collections in New Zealand and Australia.



Australasian Ephemera Collections – Part 2: Australia

Following on from my guest post in October on New Zealand ephemera collections, the second of this two-part post highlights some of the ephemera collections held by Australian institutions. Like the New Zealand post it is hoped additions will be made by way of comments.

For details on the various subject categories collected, it is suggested interested readers consult each institution’s on-line catalogue (subject search ‘ephemera’). A Directory of Australian Ephemera Collections was published by the State Library of New South Wales in 1992. An Index, compiled by the State Library of Victoria, was published the following year.

(C) Monash University: special collections


The AIATSIS began collecting ephemera in the 1970s. Starting out with a focus on print material, the collection has grown to include non-paper items, such as badges, t-shirts, and tea towels. The largest sequence in the collection is comprised of invitations to openings of Indigenous art exhibitions from across Australia.

A PDF summary of the collection and index to the ephemera categories is available (see link above).

The AWM finding aids page includes links to multiple guides from aerial photographs and card, certificates and leaflets, to private records and film and sound. Though many of the guides pertain to ephemeral material, such as the Guide to the Cigarette & Trade Card Collection, under the specifically named ‘Ephemera (includes cards, certificates, leaflets, postcards and souvenirs)’ heading are listed: British Commonwealth Occupation Force Souvenirs Collection, Souvenirs 15, the Korean Collection, the Vietnam Collection, the Gulf War Collection, the East Timor Collection, the Iraq 2003 Collection, and the Afghanistan Collection.

Monash University Library 

(C) Monash University: special collections

Monash University special collections have been acquiring ephemera since the 1990s. Material in the collection dates from late seventeenth-century English pamphlets and broadsides to current menus, games, souvenirs, posters, flyers, cards, and junk mail. In 2011, the library hosted an exhibition called Ephemera, with a catalogue (PDF) and on-line version providing an overview of its rich holdings.

The Monash collection featured on the John Johnson Collection’s Ephemera Resources blog on 6 February 2012.

(C) Monash University: special collections

Australia’s national library has been collecting ephemera relevant to the nation since the 1960s. The Australian ephemera is indexed and divided into seven themes by subject: Australian performing arts programmes and ephemera (PROMPT), formed collections, general ephemera, geography and travel, programmes and invitations, scrapbooks, and trade catalogues. While the NLA collects widely, it aims to acquire as much Federal election campaign material and material relating to national events as possible. In 2007, the NLA received the oldest example of Australian printing – the 1796 ‘Jane Shore playbill’ – as a gift from the Canadian government.

The NLA maintains a General Ephemera Collection Thesaurus (PDF). Readers might also be interested in the Library’s database Trove, which includes a number of ephemera related resources and collections listed among its contents from across Australia, some of which, such as the Federation Ephemera at the State Library of New South Wales project, are freely available on-line.

Visitors can browse the ephemera collection and read the Library’s ephemera collection development policy. The Library’s ‘Behind the Scenes’ blog has also recently added two posts on ‘canvassing election ephemera in the Pacific’ (Part 1 and Part 2).
 

Between the Mitchell and State Reference libraries, the SLNSW holds a diverse collection of ephemera, which includes some of the earliest examples in Australia. Among the individual pieces highlighted on the Library’s website are: a 1612 Dutch translation of the de Quiros pamphlet, which contains the earliest printed reference to the word ‘Australia’, a broadside ca. 1789 describing a wild man or monstrous plant brought from Botany Bay, a playbill dated 8 March 1800, propaganda leaflets dropped by a Turkish aeroplane at Gallipoli during World War I, and an album of invitations, menus and other ephemeral printing related to the Inauguration of the Commonwealth of Australia in 1901.

Among the subjects highlighted on-line are collections related to Qantas airline, which includes material from the 1920s to the present day, and on horse racing.

The John Oxley Library of the State Library of Queensland notes calendars, elections, exhibitions and festivals, invitations, menus, royalty and royal visits, sport, and trade programmes among the categories of material which it collections. The strongest sequence in the collection is the Library’s theatre programmes, which date from 1866 to the present day.

The John Oxley Library blog uploaded two helpful posts (available on the same page) describing its theatre ephemera and how to search the ephemera collection in the Library catalogue.

Material in the State Library of South Australia’s ephemera collection dates from 1836 onwards, and includes material similar in nature to many other institutions, from badges and business cards, to greeting cards and sheet music. The library, however, also holds a unique collection of wine labels. Collected since 1972, there are approximately 10,000 labels in the collection, reflecting the state’s connection to the Australian wine industry. A description of the collection can be found on the ephemera guide page (see link above), and two hundred and fifty labels have been digitised and are available through the Library’s Wine Literature of the World website.

Centred on ‘Victoria and Victorians’, but including material from across the country as well, the State Library of Victoria holds one of the largest ephemera collections in Australia. Material dates from the 1850s onwards. In addition to the types of ephemeral material held by other institutions, the SLVA is busy building a collection of local zines to document Melbourne’s thriving art and music scenes.

Three of the library’s major ephemera collections – advertising, political ephemera, and theatre programmes – have individual descriptions. Some examples from the Library’s ephemera collection have been digitised, such as the fan-shaped programme for the play School for Scandal (Melbourne, 1869) and the 1935 Myer Mail Order Shoppers’ Guide for Autumn & Winter. There is also a research guide to the Library’s Political Ephemera Poster Collection. A number of the posters have also been digitised and are available on-line.

The SLWA ephemera collection numbers over 100,000 items. The library maintains a selection of highlights from its ephemera collection on topics such as ships and shipwrecks in Western Australia, royal visits, firms and businesses, the Festival of Perth, and a collection of tombstone inscriptions gathered from Western Australian cemeteries. There is also a page dedicated to finding Indigenous ephemera.

University of Queensland
While I could not find a general summary of its ephemera collection, the University of Queensland Fryer Library has highlighted some aspects of the collection, such as political ephemera and material marking Queensland statehood, as part of its Treasure of the Month on-line exhibition series.


Part of the Sir George Grey Special Collections, the ACL Ephemera Collection includes material from the 1840s onwards divided into three distinct collections: the Old Colonists’ Museum Collection (material on Auckland’s colonial period given to the library when the OCM closed in the 1950s), the Freida Dickens Programme Collection (music, dance and theatre programmes, 1911-1976), and the New Zealand Ephemera Collection, which is divided into two sequences based on type and subject matter respectively (material includes menus, tickets, advertising flyers, cards and calendars).

The library maintains a searchable ephemera index database.

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Wishing everyone Happy Holidays and a joyous New Year from the Antipodes!

[Guest post by Anthony Tedeschi, Rare Books Librarian, Dunedin City Library]